staring in the mirror
all i see is u
couldn’t be any clearer
what i need to do
the night is young
the moon is out
can u feel the sparks in the air? 

when we kiss under the moon 
u cauterize all my wounds
i cannot die it’s too soon 
baby i’m falling into a gravity well
that pulls me closer to u

dreamy eyes, yes
in ur sundress
as u stare at me 
i start to say 
“i can’t deny, 
ur dreamy eyes
make me feel like 
i’m lost in time” 

when we kiss under the moon 
u cauterize all my wounds
i cannot die it’s too soon 
baby i’m falling into a gravity well
that pulls me closer to u

there’s nowhere left to go
except right here next to u
nothing can stand in our way
everything will be okay 

u cauterize all my wounds
i cannot die it’s too soon 
baby i’m falling into a gravity well
that pulls me closer to u

cAuTeRiZe (under the moon)

First single from one of my projects, Ending Empires

Deceiver - Ending Empires

Brandnew track from upcoming STEELWING-album "Reset, Reboot, Redeem" out on www.noiseart.eu Nov 20th 2015!

Out of the union of five zealous headbangers, the post-
apocalyptic metal outfit Steelwing was established in 2009 and quickly joined the vanguard of the rising Swedish traditional heavy metal scene. Within months of releasing the first demo, a management and record deal had already been secured.
The following years Steelwing honed their skills in a trial by fire on a crusade across Europe. Touring in support of giants such as Accept, Blind Guardian and Sabaton, the young Swedes conquered new grounds with their energetic live shows and punk attitude. From massive arenas to small club stages, Steelwing would soon come to prove themselves a worthy headliner name in their own right during the following tours of Europe and South America.
The vocal acrobatics, synchronized twin-guitar blitzkrieg and fierce rhythm section proved to be a winning combination in the studio as well: from the critically acclaimed debut album “Lord of the Wasteland” (2010) to the hit-packed sophomore release “Zone of Alienation” (2012) and the highly anticipated reinvention due for release in 2015, dystopian visions and uncompromised quality have always been reliable constants in the Steelwing doctrine.
The album, aptly titled „Reset, Reboot, Redeem“ is due for release on November 20th. It was recorded, mixed and co-produced by Swedish death metal legend Fred Estby (Necronaut, The Dagger, ex-Dismember) at Gutterview Recorders, with additional parts recorded by Nicko DiMarino in Deep Blue Studios where the band‘s early sound was once formed.
Conceptually Steelwing continue to develop on the post-apocalyptic themes of the previous two albums. Where “Lord of the Wasteland” focused on Mad Max-esque highway marauders and “Zone of Alienation” described mutant-infested havens in outer space, “Reset, Reboot, Redeem” take on a more serious misanthropic note: the current flawed state of mankind must be sacrificed to pave way for a trans-humanistic new breed - or all life on Earth will face extinction. One of many firsts for this album is a song in the band’s native tongue: “Och världen gav vika” (translation: “And the World Collapsed”).

STEELWING - Och Varlden Gav Vika

Track: She Sings, I Kill
Band: SCORPION CHILD

Out now on NUCLEAR BLAST

BUY THE SINGLE HERE

SCORPION CHILD - She Sings, I Kill

RINGWORM - "Snake Church" from 'Snake Church' out now on CD/LP/Digital via Relapse Records.

Order on Relapse: http://bit.ly/snake-church
Order on Bandcamp: http://ringworm.bandcamp.com
Order on Google Play Deluxe: http://geni.us/SnakeChurchDLXGP
Order on iTunes: http://geni.us/SnakeChurchiT
Order on iTunes Deluxe: http://geni.us/SnakeChurchDLXiT
Order on Amazon: http://geni.us/SnakeChurchAMZ 
Order on Amazon Deluxe: http://geni.us/SnakeChurchDLXAMZ

Official links:

Ringworm on Facebook: https://www.facebook.com/Ringworm13
Ringworm on Twitter: https://twitter.com/RNGWRM13
Ringworm on Instagram: https://www.instagram.com/rngwrm13/
Ringworm on Bandcamp: http://ringworm.bandcamp.com

http://www.relapse.com
http://www.facebook.com/relapserecords
http://www.relapserecords.bandcamp.com
http://www.twitter.com/relapserecords

Lyrics:

Brothers of darkness; void of light.
Poison the father; venomous bite.
Divine intervention; the holy parasite.

Crumbling arches; we are the end.
Raining upon us again and again.
Lucifer rising; finally descend.

Rise, serpent on the cross.

We see the ocean of fire; the blood in the skies.
The golden horizon; the all seeing eye.
War of attrition; master of the flies.

The mindless submission, the life on a chain.
The disintegration, the vital remain.
Bleeding the hallow; author of your pain.

Rise, serpent on the cross.

See the vultures circle round.
Feeding off the dead, an ocean turning red.
Eternally you search.

SNAKE CHURCH.

Sealing the ending, wage of sin.
Assimilation, the devil within.
Serpent arising; shedding of the skin.

Our damnation, burial tomb.
Into the coven; into the womb.
As we recite the prophecy of doom.
Eternally you search.

rise, rise, rise SNAKE CHURCH.

Order

RINGWORM - Snake Church

"From The Other Side" from "The Spider's Lullaby".

King Diamond "From The Other Side"

King Diamond "House Of God"

The title track from "The Spider's Lullabye" (Re-issue).

King Diamond "The Spider's Lullabye"

"The Uninvited Guest" from "Into the Unknown".

Mercyful Fate "The Uninvited Guest"

Until the End

Purchase the issue of Decibel, which includes this Exhumed flexi disc right here!: http://store.decibelmagazine.com/collections/back-issues/products/may-2013-103

Exhumed "The Beginning After the End" (dB029)

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/