Name: Uncle Acid & the Deadbeats "I'll Cut You Down" by Metal Blade Records in Meditation is the Practice of Death Radio
Duration: 5 min 1 s
Description: Uncle Acid & the Deadbeats "I'll Cut You Down" from the album "Blood Lust"

They are still the best of what I have found recently!

THIS HAS TO BE IN ROB ZOMBIE'S NEXT FILM!!

Highly polished. Just the right amount of trashy. Very well done. Reminiscent yet modern. Tripping but not falling down.

Meditation is the Practice of Death Radio

From the forthcoming album Sateen out world wide July 1, this is the first 7" from the band on RidingEasy Records that will be available everywhere on May 20th.  

The band is out on the road in the USA with FuManchu in North America for the month of May 2014, read all about it at the link below!

You can buy it here - 
http://www.easyriderrecords.com/product/electric-citizen-light-years-beyond-7/

Follow the band on Instagram.com/electriccitizenband


Buy VINYL

Electric Citizen - Light Years Beyond

Lust Queen

BUY ON ITUNES

Electric Citizen - Beggar's Need

BUY VINYL - http://ridingeasyrecords.com/product/well-samsara/


With a progressive sound that stems from a nostalgic desire to blend different musical styles as diverse as Joy Division and Blue Cheer, Austin-based power trio The Well redefine heavy rock by merging massive riffs with sophisticated melodies.

The group blossomed when guitarist/vocalist Ian Graham was fired from his previous band. Determined to redirect his musical focus, Graham hooked up with bassist Lisa Alley and the two began picking out riffs in their east-side garage. Rounding out their sound, they stole drummer Jason Sullivan from Graham’s old band in a tale of vengeance and karma. His solid groove and reckless tribal beat gave the three-piece their ideal primal attack. 
 
Due to their psychedelic doom edge, The Well reaps comparisons to Black Sabbath, Sleep, Electric Wizard and Uncle Acid and the Deadbeats. As fans of cult horror films, they embrace the sinister, revel in dark themes and find inspiration in haunting echoes. The dual vocals of Graham and Alley evoke an ancient language that carries a mystic spell. Daunting rhythms and heavy guitars often accentuate their chilling chants. In the spring of 2012 The Well’s first studio experience was to record their debut 7?at the Barbeque Shack with Tia Carrera’s Jason Morales. Limited to 300 copies, Seven was pressed on mixed vinyl with several cover options featuring hand-drawn art that emulated a few of the band’s favourite album covers. Nicknamed the “rip-off” series, the single sold out quickly becoming a favourite among European collectors.
 
By the fall of 2012, The Well were back in the studio again, this time at Ohm Recording Facility with Producer Mark Deutrom (Melvins, Sun O)))) and Engineer Chico Jones to record their debut album. However, an opportunity to record with Converse Rubber Tracks during SXSW 2013 resulted in the epic track ‘Eternal Well’ and sparked the idea of an EP. First Trip was pressed with a handful of songs from the Ohm sessions together with ‘Eternal Well’ just in time for their West Coast Summer Tour. Due to the energy and excitement of their live shows, the vinyl sold out quickly. With each repressing, a different hand-screened cover was printed until all four limited editions sold out. One of their most rabid fans was Riding Easy Records label boss Daniel Hall who recently signed the band.
 
Inspired by early ’70s psych, heavy rock, blues and proto-metal, The Well has created a sound that reflects doom, punk and horror all rolled together into one ghostly rock soundtrack. Their full-length debut Samsara is their strongest collection of songs to date. Produced by Mark Deutrom and released through Riding Easy Records, the masterwork is a stripped down, electric blues fuzzfest and begs to be heard live. After a steady touring schedule that’s seen the band share the stage with international acts such as: Kadavar, Orchid, Fu Manchu, High On Fire, NAAM, Orange Goblin, Pentagram and Dead Meadow guarantees The Well are contenders. 

“Writing dark, ominous music is how I deal with life,” admits Ian. “When we play live it’s like expelling the demons.” At a time when rock music is fading among the masses, The Well injects an intoxicating dose of raw adrenaline into a fatigued genre. Their nostalgic reverence, simple structure and modern expression put them at the forefront of today’s heavy rock.
 
Samsara is released via RidingEasy Records on 23rd September 2014.

iTunes preorder - https://itunes.apple.com/us/album/samsara/id903208953?ls=1
  
The Well:
Ian Graham – Guitarist/Vocalist
Lisa Alley – Bass/Vocalist
Jason Sullivan – Drums
 
Web– thewellband.com
Bandcamp– thewellaustin.bandcamp.com
Facebook – www.facebook.com/thewellband
Twitter– twitter.com/thewellband
Instagram– instagram.com/thewellband

Samsara

Mortal Bones

The Well -  Mortal Bones

Only A Suggestion

The Bottle (Remixed/Remastered)

Taken from the upcoming album "Black Power Flower" 
http://shop.napalmrecords.com/brantbjork 

BRANT BJORK and the Low Desert Punk Band - Stokely Up Now

nevermore

Uncle Acid & the deadbeats - 13 Candles (first few notes)

A Senile Animal

Civilized Worm

Sleep's Holy Mountain

Holy Mountain

Artist: Spaceslug
Title: Proton Lander
Album: Lemanis

Proton Lander

God is Good

Meditation is the Practice of Death

Wasteland

I See Through You

Uncle Acid & the Deadbeats "I'll Cut You Down" from the album "Blood Lust"

Uncle Acid & the Deadbeats "I'll Cut You Down"

Ultraviolet

Unspoken

Rather - Satan's Graveyard

Rather's fourth music release.

⬙ YoutubeChannel ⬙
⇥www.youtube.com/channel/UCpKv7xAWACwZpofnkInQn-w

Satan's Graveyard

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Uncle Acid & the Deadbeats "I'll Cut You Down"

Metal Blade Records

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