My opening mix from Tekunomama's Into the Void weekender on 3/03/2023 with Max Gardner and Mark Broom

Metaphysiq@IntoTheVoid

Music is the universal language.  A collection of sculpted waves of sound, designed to communicate abstract emotions through vibrations. 
Metaphysiq uses this medium to blend layers of surrealism with groove laden rhythmic structures. The selections are eclectic and eccentric, while deep and funky.

https://www.instagram.com/metaphysiq_/

Techno Mama is a name I've carried over the years and now I'm happy to share my vision of Electronic Music with the world♥
Denver-based promoter who specializes in the underground

It’s not progressive if it doesn’t push music forward: this is the position held by KSTEELE. Be it the next track in his mix or his ambitions out on the horizon, the Denver DJ always keeps it real and keeps it moving.

KSTEELE is the forerunner of #properPROG — less a genre and more a philosophy of sonic exploration. His refusal to conform has yielded an unpredictable style that holds captive house, techno and trance fans alike in rooms like Temple Denver, Bar Standard, Club Vinyl, and Meow Wolf Denver. Only a few short years into his electronic music career, he’s beginning to rapidly accelerate.

It’s a rare sort of confidence that allows KSTEELE to rise above the tribalism that plagues modern dance music. It only makes sense, though, as he’s no stranger to going against the grain.

Born Kalib Steele in Colorado Springs, he first fell in love with trance at boarding school when he found “For An Angel” by Paul van Dyk on a friend’s iPod Nano. He played the track on repeat every day. Even without access to a community who shared his newfound passion, he then explored much of the electronic music landscape on his own before graduating high school.

2013 marked a turning point as Steele touched down in Denver and immediately got involved with Global Dance, the city’s largest electronic music event brand. Doors opened to a world even bigger than the one he envisioned when he heard the otherworldly melodies of his formative influences. He started out as a promoter and quickly worked his way up to A&R.

It wasn’t until much later that Steele entertained the idea of performing himself. By 2017 he was constantly dazzling established artists in the trance-progressive arena with his knowledge of cutting-edge tracks on obscure labels. After enough respected tastemakers pushed him to take up DJing, he finally made his way to the other side of the decks.

KSTEELE debuted at Denver club Bar Standard in December of 2019. He was billed as the opener, but by the time his set ended he had a crowd that any local DJ would envy. More importantly, he demonstrated to all the right people in the city that his passion for music had manifested as a talent for music curation.

The years since have been kind to KSTEELE. His résumé now includes gigs at Club Vinyl, Larimer Lounge, Knew Concious, Temple Denver, Your Mom's House, Milk Bar, Global Dance Festival, X BAR, Meow Wolf Denver, Disco Pussy Las Vegas and both the Denver and Las Vegas iterations of Techno Taco Tuesday. 
He has played support for such well-known artists as Tinlicker, Jody Wisternoff, Simon Doty, Cristoph, Matt Lange, Charles D, John Monkman, Hannes Bieger, Grum, Moon Boots, Shay DeCastro, Qrion, CRi, Estiva and Matt Fax. KSTEELE also boasts strong ties with Denver promoter TheHundred Presents, Knew Conscious, and techno/progressive label JourneyDeep Records.

KSTEELE has covered this much ground in such a short period of time because he’s building something bigger than himself. It’s not lost on him that he’s among a small handful of Black artists active in the trance-progressive range of the electronic music spectrum. He wants his success to lead the way for others in his shoes who might not otherwise see a place for themselves in this community.

At the same time, KSTEELE attests that proper progressive is not a creative range at all. He believes that every piece of music is unique in itself, and whatever meanings we give to the words that become genres will never measure up to the sounds themselves. His drive to unearth a diverse array of forward-thinking gems is what makes his music progressive. His seamless mixing, stage presence, and immediate connection with the audience is what makes it unquestionably proper.

Listen closely enough to the moments that make up a KSTEELE set and you can hear the omen of a not-so-distant future. One thing is for sure: There’s no telling where the #properPROG movement will take him next.

I stop, and take the time
To inventory the inside of my mind I realize
It's not as full as it used to be

With images of justice, or designs of liberty
The world has changed, or is it me that's new?
A different set of morals from a different set of clues
So still I wonder

Is this all there is to life?
The ever-changing cycles
Of a world that's damp and ripe

There must be more
Yeah in my heart I hold to this
I've known the joy of love and I've seen the peace and bliss
But as you know

All things must end
Except the need for faith and the spirit that's within to keep you strong
When it seems you're 'bout to break just call upon the strength within
And plant it as your stake

Move forward with power
Program yourself to feel with depth enough
To know what's up and heart to sense the real
Where you at?

And now a picture for the frame we set aside below the bassline
A secret place awaits for us to hide to pass the time
As the war goes on-and-on

Post-apocalyptic sunset, Post-apocalyptic dawn
But just the thought of the world we once possessed
A place that wasn't ours is just a house with an address

~Derrick Carter~