Name: Aerial Combat by MIAMI NIGHTS 1984 in 2025 Synthwave
Duration: 2 min 48 s
Description: Taken from my new album Gunblaze Assault, a fake OST for the ultimate mech shooter that never existed. Dropping 01/15/2025 across all major platforms.

BRO you made my fucking year you're the fuckin goat

brilliant  sounds a bit like take on me  brilliant

this is one of the best album covers ive ever seen

Planes go hard asf, no matter who makes them or uses them!

2025 Synthwave

Aerodnmx

Cruiser

I made this track back in 2001, 20 years ago with one of my friends. I was under a huge 'Matrix influence' that time, as the first and the one and only Matrix movie was one of my favourites (and still is). Obviously that time without social media and any other promoting channels the track was undiscovered and was available only for my friends.

But when I realized that they will do another sequel to the Matrix trilogy, I decided to go back to this track and will do a 2021 version, a more synthwave/cyberpunkish version and a much better mix. So basically I've recreated every tracks and instruments from scratch and only used the old original speeches of Morpheus and Neo from the movie.

And finally here we go, here is my new track from my upcoming 2022 LP album.

FREE DOWNLOAD

The Neon Droid - Anything is Possible

Converge - Carré Sinistre Synthwave Remix

Ethereal

This is a collaboration with Sturle Strauss Lisæth, a track born from his piano idea. Guitar parts by Shred Krueger, Sax parts by Federico Amaro

I invite you to subscribe to my Youtube, Tiktok and Instagram channels


https://linktr.ee/MarkDeeProductions

Heat Of The Night

In Collab with the Genius Steven Parry : 
https://soundcloud.com/user-716839854

Summer Atmospheres (feat. Steven Parry)

We’re upping the tempo and grooving in the busy city with a new single called “City’s Edge”, available now and streaming on all platforms!

Thanks for listening!

City's Edge

Flow

Space Break!

Taken from my new album Gunblaze Assault, a fake OST for the ultimate mech shooter that never existed. Dropping 01/15/2025 across all major platforms.

Aerial Combat

A Day In The Life

Pulse (Reprise)

The Rilles

“Möbius Project” is a hypnotic journey through the infinite—where beginning and end dissolve into one seamless pulse. This downtempo psytrance track spirals through warped textures, deep bass grooves, and intricate rhythmic layers, creating a soundscape that folds in on itself like its namesake. Pulsing with cosmic energy and meditative force, Möbius Loop invites listeners into a perpetual motion of mind and sound—a loop you won’t want to exit.

#MöbiusLoop #AllnightAlumni #DowntempoPsytrance #PsytranceVibes #ChillPsy #PsyDowntempo #MindBendingMusic #TrippyBeats #CosmicGroove #FractalSound #PsychedelicFlow #AmbientPsytrance #SlowTrance #EtherealBeats #PsytranceJourney #InfiniteLoop #MobiusVibes #UndergroundTrance #ChillBass #PsytranceArt

Möbius Loop

DX Heaven

Here is an original that I would like to call Blood Moon. My remix of Reanimate by Ferry Corsten will be up soon and I hop you like this new one here.

Blood Moon

Cramoisie

I am an original 80s new waver in search of today's music influenced by that era.

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


Aerial Combat

MIAMI NIGHTS 1984

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