Hip-hop trio, The Dox, was founded by friends from Sacramento, California when they were just teens. True to the prolific nature of this fluid form, the group has literally recorded the evolution of the genre with a dozen releases in nine years. The Dox—an abbreviated form of Goondox and a reference to the 1985 cult classic, “The Goonies”—feature a sound that embraces East, West and South Coast styles, making certain that just one never defines them.   

Part beat mixing and overdubbing, part rhythmic rap and funk shout-out, The Dox’s music has a stripped down underground vibe at its core. With the group’s street-cred edge always front and center, their deft blend of both independent and mainstream hip-hop influences ensure a level of accessibility to those outside of the urban base camp. The Dox are storytellers, giving voice to fans from all backgrounds, with their uncensored and uncompromising truth of the moment.

The Dox members, Styll and Graphk first worked together professionally in III Squad. Cash the Freshman then made it a trio upon his discharge from the U.S. Army. The trio soon changed their name to The Dox and became part of Seattle’s 2006 “Bay Area Bash” and later, the 2009 “And 1: Ball 4 Real Tour” where they performed with such acts as The Jacka, Luni Coleone, T-Nutty, and Celski and Killa Keise (Rest in Peace). The Dox used these tours to establish a core following, ultimately selling 75,000 independently-produced CDs in the process. 

With an astounding 12 releases to the group’s credit (and a new one on the way), The Dox’s catalogue includes: The Money Train LP (2004); West Coast 4 Dummies (2006); I Am Sac (2008); How ‘Bout ‘Dat Vol.1: on da clock (2009); UnorthaDox (2011); Freshman LP (2011); The Stainless Project (2011); To Whom It May Concern (2012); Saclanta (2012); #RealChat Vol. 1 (2013); Ya Favorites Favorite (2013) and Outer Limits (2013). 

The group’s tracks always fuse street-smart hooks with complex wordplay that tell of life’s ‘pain and gain.’ Standouts include: “Turn It Up,” a beat-heavy everybody-get-up-and-feel-good cut with a hypnotic vocal by producer Finguz; “Evo,” a trunk-banger that puts these 4G rappers in the same league as the once “it” phone; “Land Hoe” a self-proclaimed “ghetto rules of engagement” song dedicated to their girl groupies; “Home Sweet Home,” a sobering look into The Dox’s hometown of Sacramento and its the rampant crime; ”Asapolis” a striking message of monetary urgency with its world-beat; “Come Get It,” a smooth and sexed-up anthem; “Get It On The Floor,” a double-entendre bounce track; and “Can I Hit It Like This,” a raw-sex chant that is a must-have for any serious collector of The Dox’s music. 


Im a one of a kind type of mufucka that does it like nobody else . Im trying to further .y music carrer and work with who ever is real about the music thing. I got years under my belt and to be truthful i think alot of musicians these days are garbage there is a diffrence between a rapper and a artist . I am a artist . Idk im open minded to what ever so jusg hit me up .

Hip-hop trio, The Dox, was founded by friends from Sacramento, California when they were just teens. True to the prolific nature of this fluid form, the group has literally recorded the evolution of the genre with a dozen releases in nine years. The Dox—an abbreviated form of Goondox and a reference to the 1985 cult classic, “The Goonies”—feature a sound that embraces East, West and South Coast styles, making certain that just one never defines them.

Part beat mixing and overdubbing, part rhythmic rap and funk shout-out, The Dox’s music has a stripped down underground vibe at its core. With the group’s street-cred edge always front and center, their deft blend of both independent and mainstream hip-hop influences ensure a level of accessibility to those outside of the urban base camp. The Dox are storytellers, giving voice to fans from all backgrounds, with their uncensored and uncompromising truth of the moment.

The Dox members, Styll and Graphk first worked together professionally in III Squad. Cash the Freshman then made it a trio upon his discharge from the U.S. Army. The trio soon changed their name to The Dox and became part of Seattle’s 2006 “Bay Area Bash” and later, the 2009 “And 1: Ball 4 Real Tour” where they performed with such acts as The Jacka, Luni Coleone, T-Nutty, and Celski and Killa Keise (Rest in Peace). The Dox used these tours to establish a core following, ultimately selling 75,000 independently-produced CDs in the process.

With an astounding 12 releases to the group’s credit (and a new one on the way), The Dox’s catalogue includes: The Money Train LP (2004); West Coast 4 Dummies (2006); I Am Sac (2008); How ‘Bout ‘Dat Vol.1: on da clock (2009); UnorthaDox (2011); Freshman LP (2011); The Stainless Project (2011); To Whom It May Concern (2012); Saclanta (2012); #RealChat Vol. 1 (2013); Ya Favorites Favorite (2013) and Outer Limits (2013).

The group’s tracks always fuse street-smart hooks with complex wordplay that tell of life’s ‘pain and gain.’ Standouts include: “Turn It Up,” a beat-heavy everybody-get-up-and-feel-good cut with a hypnotic vocal by producer Finguz; “Evo,” a trunk-banger that puts these 4G rappers in the same league as the once “it” phone; “Land Hoe” a self-proclaimed “ghetto rules of engagement” song dedicated to their girl groupies; “Home Sweet Home,” a sobering look into The Dox’s hometown of Sacramento and its the rampant crime; ”Asapolis” a striking message of monetary urgency with its world-beat; “Come Get It,” a smooth and sexed-up anthem; “Get It On The Floor,” a double-entendre bounce track; and “Can I Hit It Like This,” a raw-sex chant that is a must-have for any serious collector of The Dox’s music.

Artist Collective Based Out of Sacramento, CA With 13 Members Formed In Late 2019, Starting With the Rap Group Nin95ive That Formed Back In 2014 With Free Willie & Godfrey the Freethinker Then Recruited Glare, RhythmRamirez, XCVI, 22Big Ounce and Jig Total of 7 Members Rappers/Producers. Nin95ive Decided Around 2017-18 To Recruit More Artists So They Formed the Young God Mob Collective Inviting Another Sub Group "Suite A" a Duo Rap Group From Sacramento Flighty & Townes Also Solo Artists Such As Solibowl, Mellow1 John M, Don Dotta & Xiomara
Contact Info: youngodmob@gmail.com | nin9to5ive@gmail.com

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DJ Loot is one of the West Coast's most active music producers. In 1996, he began producing, engineering, and composing in the Rap, R&B, Rock, Pop, and Techno genres. His focus has been on producing some of the most talented rappers and singers in California, as well as engineering and producing beats for select clientele around the world. DJ Loot has produced, mixed, and mastered thousands of songs for artists such as Syren, Tallboi Ent., Seanessy, Akon, Jim Jones, Wiz Khalifa, Pusha T, Turf Talk, T.I., Paul Wall, 2 Chainz, Gucci Mane, Future, Young Buck, Slim Thug, Devin The Dude, Yo Gotti, Lil’ Keke, Drumma Boy (Drum Squad), Rocko, Short Dawg, Three 6 Mafia, San Quinn, Mistah F.A.B., Celly Cel, X-Raided, Thizz Nation/Latin artists, Dubb 20, Calina Lawrence, Madesicc artists, G.Will, GrownAzzGangstaz, Dre D, Charlie Muscle, Luni Coleone, JDK Daundaboss, G-Man, Hollow Tip, Keyringz, Grade A Int., Richie Ledreagle, Lyrical Vision, Sub Zero, B.I.G. Malo, Nina Loco, Triple Beam, Reece Loc, The Gatlin, C-Dubb, Good Ol’ Boyz, Penny, Alcatraz, Philthy Rich, Cali Bear Gang, Hennessy, Dirk Dig, Livewire, and many more.
DJ Loot grew up listening to a variety of genres. This variety led to an interest in playing several instruments at an early age, as well as a curiosity for how music was recorded. He would routinely take apart cassette players and other gear to discover how they worked. After high school, he began collecting various recording gear and recording his own hip-hop and rock music. As a student at CSU Chico in California, he found out about the Recording Arts program there, and switched major immediately. He graduated in 2004 with a BA in Music, with Recording Arts option.
After graduating from college, DJ Loot started his own audio production business in Sacramento CA, and has been a factor in the West-Coast music scene ever since.


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