(Sharbaugh)
Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ]: guitar, synthesizers, and 'found sound[s]'
Composed and Recorded ca. June 18 to 21, 2015.
sm7 [ARIA (D)].

Upon receiving this week’s Disquiet Junto assignment—“imagine your favorite instrument is dreaming while it sleeps — what does it sound like?” I instinctively thought of yawning, and imagined to which tone that would equate in electronic instruments. In Indo-Iranian languages, such as Sanskrit, the vocalization, “a-o-m,” or ‘om,’ would be the natural sound that comes from the throat and mouth upon its opening and closing—with voicing, of course.

Accordingly, I made the base tone of my composition to note, C3, as it seems to be the central key upon which samples and subsequent synthesis are built—and the note which my keyboards and synthesizers would ‘utter’ were they to yawn with their fictitious ‘mouths.’

I widened my perception of what an “instrument” can be: rather than focusing on one discrete sound-making unit in my studio, I envisioned the entire studio as my ‘instrument,’ and, thus, utilized it to its fullest in composing this piece. I played and recorded nearly each instrument I own at the predetermined C3 note and built a composition [in the key of C harmonic minor] upon that. I usually weave found sounds into my compositions, so I included a submarine’s sonar ping [http://www.soundsnap.com/submarine_sonar_ping_military_single_military_blastwavefx_09678] to accentuate the piano and percolating synth parts in the background.

I named the piece after my studio—Intro/Ergo, and added the present tense Latin verb, 'sum,' to reflect my studio's state of 'beingness,' as it is to be represented in this piece.

[As of June 21, 2015, I have added additional instrumentation to this piece—guitar.]

More on this 181st Disquiet Junto project (“Imagine your favorite instrument is dreaming while it sleeps — what does it sound like?”) at:

http://disquiet.com/2015/06/18/disquiet0181-instrumentaldream/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Intro Ergo Sum

>>> DOWNLOAD <<<

"Intro Ergo Sum" [disquiet0181-instrumentaldream]

Music Production Mixing Engineer for Film.
Love Music, Art, Fashion, Books, Photos, Talk of different Languages and More.

POP | SPACEROCK | VAPORTRAP | TRIP-HOP
AMBIENT | EXPERIMENTAL

the PERSON, the SOUND : Since 1985, Philadelphia-born Michael has composed and released hundreds of audio recordings, and published dozens of [erotic] poems.

His 'sonic-sojourn' began suddenly when he was just a teen -- feet splashing rhythmically through puddles leftover by a seaside rainstorm. Having just parted ways with the then-love-of-his-life, Michael composed his first ballad [and first song] ever -- "Tina." He rushed to his beach-side home to record his visceral 'awakening' on a tiny micro-cassette recorder, and vowed -- from that day on -- to create art for the rest of his life.

He began zealously amassing used music equipment, and had built a modest home recording studio by age seventeen, all the while crafting simple pop, ambient, and experimental works that HE had wanted to listen to -- that HE had wanted to hear, affectionately emulating the works of his then-idols, Duran Duran and Brian Eno.

Now, decades later, he has relocated to a small village outside Atlanta, Georgia, and continues to voraciously attend to his dream as a young, heartbroken boy -- to create and release music that he, himself, wants to hear.

Although no longer sequestered to pop and ambient musics, Michael's signature sound has merged the two, having integrated the R&B, hiphop, and psychedelia he has grown to love as a older gent -- having absorbed the edgy rhythms and dreamy soul of the southern United States (Atlanta and Miami).

Michael still puts forth ample amounts af ambient musics, but his recent 'sound' hovers elsewhere -- somewhere amidst the genres of vaportrap, spacerock, and trip-hop.

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the INFLUENCES : Duran Duran, The Weeknd, Blondie, Depeche Mode, Billy Idol + Steve Stevens, Stone Temple Pilots, Dead Can Dance, Siouxsie & The Banshees, This Mortal Coil, Air, Naked Eyes, Tears for Fears, Alice in Chains, John Barry, Leslie Bricusse, The Chameleons [UK], Brian Eno, The Cocteau Twins, ABBA, The Bee Gees, Claude Debussy, Frederick Chopin, Guillaume de Machaut, Early Music, Renaissance music, Baroque music, and Joe Meek.

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#duranduran #theweeknd #blondie #depechemode #billyidol #stevestevens #deadcandance #siouxsieandthebanshees #air #tearsforfears #johnbarry #lesliebricusse #claudedebussy #mauriceravel #frederickchopin #eriksatie #brianeno #thecocteautwins #abba #beegees #joemeek #chameleons #octoberproject #patbenatar #haroldbudd #lindseybuckingham #nakedeyes #aha #ceefarrow #omd #thismortalcoil #stonetemplepilots #aliceinchains #baroque #renaissance #earlymusic #theweeknd #skeler

Distortion is Love. Distortion is Life.
Gothy, Punky, Industrial sounds, meet odd gloompop lyrics.
Occasional forays into semi experimental ambient and improv
(this is as of February 2017 version two of Crawlform, previously all laptop based)
also releases music as; 
https://soundcloud.com/jessica_pink/tracks 
https://soundcloud.com/c0v3ns0l0/tracks 
https://soundcloud.com/pwrcrd/tracks 
https://soundcloud.com/khuhrce/tracks 
https://soundcloud.com/korpse-lyfe/tracks 
https://soundcloud.com/replicantheart/tracks
Member of https://soundcloud.com/nooperators/tracks

Mountain Songs is a project dedicated to my brother Brian Reeves (aka Rocky Mountain, 1948–2012), an accomplished songwriter, guitarist and arranger.  He was the creative force behind so many of the songs on this page.  If you have time, please click for lyrics and track history. 
This is for you Bri, with love and thanks from us all.   We miss you. (Gary Reeves)

Ramb-ooh! ...and productions. Usage: amplify and transduce with 2 speakers as needed.

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
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I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...