Piano M 7997 3:45 03-10-2025

Music from the Seiko film, The Gift of Time directed by Paula Chowles.

Kanto Earthquake

Light fractures on the endless spires, casting shadows that hum with forgotten echoes. Moments stretch between dawn and the weight of silence, folding time into crystalline shapes. Towers gleam, crowns bend, and the air trembles with unspoken oaths. On radiant, empty horizons, presence and absence intertwine, leaving only the pulse of eternity suspended in the spaces between.

Silent Sovereign

Collaboration for the junto challenge 0473
https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/
Based on an original piano track by @ikjoyce
https://soundcloud.com/ikjoyce/disquiet0472-jamtimebacking

I added electric guitar improvisation over the original track, edited and augmented by a pitch shifted version of that same track
Performed on a borrowed Gibson Les Paul through a Hughes & Keltner amp and a Rodemberg 808 pedal..

Photo: La Fortuna, Costa Rica by DD 2019.

Improv Over Joyce 21012021(disquiet0473)

Submission for Disquiet Junto 0473. Added a kemane solo in Gm (? - I think) to vgmrmojo's drum track (https://soundcloud.com/vgmrmojo/disquiet0472-drums-drums-drums).

More on this 473rd weekly Disquiet Junto project — Placebo Effect (2 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU

https://creativecommons.org/licenses/by-nc-sa/2.0/

Drums+Kemane - disquiet0473

A glitchy, granular jam with halF unusuaL.

More on this 473rd weekly Disquiet Junto project — Placebo Effect (1 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU

https://creativecommons.org/licenses/by-nc-sa/2.0/

HalF StereO - PaRtial TwisT (disquiet0473)

track used:new unit (disquiet0472)moduS ponY

Ascension Loop (disquiet0473)

(Ledwidge | Sharbaugh)
Chris Ledwidge [ https://soundcloud.com/chrisledwidge ]: (real) piano and recording production
Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ]: synthesizers and recording production
Composed and Recorded ca. January 2021.
Disquiet 0473 [2 Of 3] [L - R Separated Mix] sm2.

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This disquiet junto 0473 [part 2 of 3] track, "The Wolf's Baleen," was inspired by the disquiet junto 0472 [part 1 of 3] recording by Chris Ludwidge [https://soundcloud.com/chrisledwidge ] called "No. 34 in Am" [ https://soundcloud.com/chrisledwidge/no-34-in-am-disquiet0472 ].

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"I was so overwhelmed by the work by composer, Chris Ludwidge, and his disquiet junto 0472 piece, "No. 34 in Am," that I promptly downloaded it and got to work for this week's Disquiet Junto assignment, 'Placebo Effect."

I had but three hours to compose my piece, "The Wolf's Baleen," and knew I would have to fly into it. What struck me about the floating fragments of Chris' piece was how much it reminded me of some of Brian Eno's piano fragments and treatments on "Ambient #1: Music for Airports"; thus, I set out instinctively to complement Chris' tinklings on the piano: I first learned his piano figures, mimicked them, and based emphatic stylings upon certain notes (namely the B-flat note), adding treatments, such as a rhythmic delay and erratic reverberation changes.

I would write more, but my time has run out at the studio.

Thanks, Chris!"

~ Michael

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More on this 473rd weekly Disquiet Junto project — Placebo Effect (1 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU

https://creativecommons.org/licenses/by-nc-sa/2.0/

The Wolf's Baleen

Buy on iTunes >>>

"The Wolf's Baleen" - Michael Ash Sharbaugh and Chris Ledwidge [disquiet0473 - part 2 of 3]

Disquiet Junto Project 0473: Placebo Effect
The Assignment: Record the second third of a trio that others will complete.

Step 1: This week’s Disquiet Junto project is the second in a sequence intended to encourage and reward asynchronous collaboration. This week you’ll be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0472). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Keep this in mind. Leave space for what is yet to come.

Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to the pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by 68 musicians in all to choose from, 62 as part of this playlist:

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0472
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I chose the track https://soundcloud.com/half-unusual/half-stereo-disquiet0472-85-bpm by halF unusuaL.

mostlY stereO feat. halF unusuaL (disquiet0473)

[disquiet0473] Cellular

This adds to rhein's track, Safe (https://soundcloud.com/rheinmusic/safe-disquiet0472). And also takes a fairly safe approach. Some piano and later a sequenced Newfangled Audio Gravitate with a little tape effect and some echo and reverb.
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More on this 473rd weekly Disquiet Junto project — Placebo Effect (2  of 3) / The Assignment: Record the second third of a trio that others  will complete — at:

https://disquiet.com/0473/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

safe-ish (disquiet0473)

POP | SPACEROCK | VAPORTRAP | TRIP-HOP
AMBIENT | EXPERIMENTAL

the PERSON, the SOUND : Since 1985, Philadelphia-born Michael has composed and released hundreds of audio recordings, and published dozens of [erotic] poems.

His 'sonic-sojourn' began suddenly when he was just a teen -- feet splashing rhythmically through puddles leftover by a seaside rainstorm. Having just parted ways with the then-love-of-his-life, Michael composed his first ballad [and first song] ever -- "Tina." He rushed to his beach-side home to record his visceral 'awakening' on a tiny micro-cassette recorder, and vowed -- from that day on -- to create art for the rest of his life.

He began zealously amassing used music equipment, and had built a modest home recording studio by age seventeen, all the while crafting simple pop, ambient, and experimental works that HE had wanted to listen to -- that HE had wanted to hear, affectionately emulating the works of his then-idols, Duran Duran and Brian Eno.

Now, decades later, he has relocated to a small village outside Atlanta, Georgia, and continues to voraciously attend to his dream as a young, heartbroken boy -- to create and release music that he, himself, wants to hear.

Although no longer sequestered to pop and ambient musics, Michael's signature sound has merged the two, having integrated the R&B, hiphop, and psychedelia he has grown to love as a older gent -- having absorbed the edgy rhythms and dreamy soul of the southern United States (Atlanta and Miami).

Michael still puts forth ample amounts af ambient musics, but his recent 'sound' hovers elsewhere -- somewhere amidst the genres of vaportrap, spacerock, and trip-hop.

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the INFLUENCES : Duran Duran, The Weeknd, Blondie, Depeche Mode, Billy Idol + Steve Stevens, Stone Temple Pilots, Dead Can Dance, Siouxsie & The Banshees, This Mortal Coil, Air, Naked Eyes, Tears for Fears, Alice in Chains, John Barry, Leslie Bricusse, The Chameleons [UK], Brian Eno, The Cocteau Twins, ABBA, The Bee Gees, Claude Debussy, Frederick Chopin, Guillaume de Machaut, Early Music, Renaissance music, Baroque music, and Joe Meek.

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#duranduran #theweeknd #blondie #depechemode #billyidol #stevestevens #deadcandance #siouxsieandthebanshees #air #tearsforfears #johnbarry #lesliebricusse #claudedebussy #mauriceravel #frederickchopin #eriksatie #brianeno #thecocteautwins #abba #beegees #joemeek #chameleons #octoberproject #patbenatar #haroldbudd #lindseybuckingham #nakedeyes #aha #ceefarrow #omd #thismortalcoil #stonetemplepilots #aliceinchains #baroque #renaissance #earlymusic #theweeknd #skeler