great sound on the bass, All fits so well together.

YOUR MERCY’S A RIVER

Sunday night guitar loops. Unlike other recent guitar loop experiments I've tried out, this one has a live component. After the first minute or so (which I'd already layered in advance of hitting record), new material is added and then later deleted. This setup consists of electric guitar, reverb pedal, overdrive, and looper, plus an eBow on occasion for those extended notes. After recording (amp to phone, live in the room), I used Adobe Audition to implement a fade in and a fade out, and for a little additional reverb.

Night (There and Back)

Panned hard left for junto jam project

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Meg Jones, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mDRT9 1

https://creativecommons.org/licenses/by-nc-sa/2.0/

Orphaned Loop (disquiet0472)

voice memo recording clock on the wall and finger snaps
disquiet0472

Recording.93.disquiet0472

A moody, gentle , textural, wander. As part of a collab it's panned hard left.

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Meg Jones, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mDRT9 1

https://creativecommons.org/licenses/by-nc-sa/2.0/

Disquiet Collab (disquiet0472)

Disquiet Junto Project 0472: Jam Time (1 of 3)                                                                                               
The Assignment: Record the first third of a trio that others will complete.                                                                                                                                    
                                                                                                                                             
Based on Patch and Idea by Omri Cohen                                                                                                                 
https://patchstorage.com/how-to-live-loop-in-vcv-rack/

This is stub of our collab piece for the Disquiet Junto Jam Time 2021. It is inspired by a patch by Omri Cohen and follows his idea of unsynced loops that I found relieving. For a long time my hesitation with electronic music creation was the idea of proper syncronisation...

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

Looper Unsynced (disquiet0472)

Collaboration for the juto challenge 0473
https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

Based on an original piano track by @forcedamage
https://soundcloud.com/forcedamage/fifths-just-piano-disquiet0472

I added electric bass guitar and synthesizer

Photo: La Fortuna, Costa Rica by DD 2019.

Fifths Damage 21012021 (disquiet0473)

response to a "River in January" * Haiku -juxtaposed with the dry creek bed here in January (southern hemisphere) :)


A river in January
running through
a January valley

haiku by Iida Dakotsu https://wkdhaikutopics.blogspot.com/2007/03/iida-ryuta.html

https://www.naviarrecords.com/about/naviar-haiku

RiverChronographs(naviarhaiku368)

Collaboration with Lake Forest Sound Machine, using the brilliant https://soundcloud.com/user-632072559/robodub-disquiet0472

More on this 473rd weekly Disquiet Junto project — Placebo Effect (1 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

disquiet.com/0473/

More on the Disquiet Junto at:

disquiet.com/junto/

Subscribe to project announcements here:

tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/disquiet-junto-pr…473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

flic.kr/p/5bFGMU

creativecommons.org/licenses/by-nc-sa/2.0/

UHF boob lard

halF roboduB [disquiet0473] - with Lake Forest Sound Machine

This is my 1st of 2 contributions to the Disquiet Junto 0473...a duet with moduS ponY's contribution 'New Unit' to disquiet0472. It is called 'Leaf Blower'

I recorded the sound of leaf blowers working in Kennington Park, South London, on a grey, covid-19 lockdown day, during my one rationed daily excursion. These leaf blowers appear twice, obviously, in the track but also inscrutably as the sampled waveform which provides the melodic/harmonic base. There is subtle modulation of the pitch, and filter throughout. Tools used include:

iPhone voice memos
Ableton live
Valhalla Delay and ValhallaVintageVerb
iZotope Mobius filter
Arturia Mini Filter
Roland keyboard controller

Torpid Scorpion

--
More on this 473rd weekly Disquiet Junto project — Placebo Effect (2 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU 1

https://creativecommons.org/licenses/by-nc-sa/2.0/

Leaf Blower

disquiet0473 Placebo Effect - Leaf Blower (Torpid Scorpion On ModuS PonY)

[disquiet0473] Cellular

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Fifths Damage 21012021 (disquiet0473)

Daniel Diaz

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