Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

The musical background of these two guys is just very different. Everything began with an oldschool hip hop and crossover. In the middle of the 90’s they found their love for house and techhouse music. After moving on as DJ’s and having some solo releases the young and talented guys decided to create THE GLITZ in 2007. There they started with three members - but now they’re down to two now. The first EP “White Line” was a huge success. Surprisingly THE GLITZ found themselves in many DJ playlists and other electronic music charts around the world. Their follwong releases “Chatter” and “Tenga” tie in with the success of “White line”. THE GLITZ have a few releases waiting in the start blocks. So you can get ready for next singles called “Silbersee”, “Last Panther” and “Red Leaves”. Labels like Material, Ideal, Voltage Musique and Pocketgame support THE GLITZ and their kind of electronic music. The keen sense for the right sound at the right moment makes THE GLITZ not only convincing as producer but also as a DJ-Team in the clubs. People love their energetic sets, but also to see their passion behind the decks is worthwhile is the motivation of this two guys.

Trip :: NRBK :: NewRhythmic :: EarToGround :: Room Trax :: Casanova Bar

Worldwide: maithai@firstfrequency.nl
Spain: alba@lannaclub.es
SA: janna@allianceartists.com.br

📍Berlin

Marco Bailey is somewhat considered an icon when it comes to techno and the dance music industry as a whole. It starts with a beat, and for Marco that as in the late 80’s. In 2014 he celebrated 25 years of Marco Bailey, a true achievement for someone who is an ambassador for the scene as well as an amazing DJ and producer. 

He grew up in Belgium, and it all started out when he went to a small local club in his nearby city. At this point, he knew little and didn't have any musical heroes, but soon released that he would rather be behind the decks than on the dance floor. 

His break came in 2000 with his first EP on Carl Cox’s Intec imprint with “Play It Back”. Over the next couple of years he worked on his own imprint, launching MB Elektronics, with the first release in 2002 with “Caprioska”. The releases came flowing over the next few years, which saw the release of his critically acclaimed “Rube Boy” album back in 2004, soon followed by “Dragon Man” LP on John Digweed’s Bedrock in 2011.

His most recent album was with 12 track “High Volume” released back in 2013 on MB Elektronics, dubbed by some techno aficionados as a masterpiece. It was at this time, he also released an up close and personal documentary “Marco Bailey”.

His Electronic Force radio show has been a huge success from the get-go, with almost 300 episodes to date, he has had every artist on board from Carl Cox, Alan Fitzpatrick, Umek, Joseph Capriati, Sam Paganini and Carlo Lio. It’s heard by millions of listeners in more than 50 countries.

Marco has been touring relentlessly throughout his career, he’s an artist who can say he has probably played at almost every club in the world, and been listed at the top of major festivals. He hasn't stopped, and this summer was no exception his MATERIA brand taking a new home at Vista Club, Ibiza. Every Sunday, he offered artists including Sam Paganini, Carlo Lio, Julian Jewell, and Paul Ritch for the closing on the 28th August all came out to party with Marco and the crowd.

You can expect to see the MATERIA brand reach far and wide this year, with parties in London, Vienna, Amsterdam and Tokyo planned this winter. Mid October will see the release of the MATERIA compilation mix, a collection of tracks selected personally by Marco, of both his own releases and all the artists which played at MATERIA in Ibiza this summer. 

2017 continues to be another landmark year for Marco, with his first MATERIA residency considered a huge success, the brand looks to move worldwide, becoming a high-profile label and radio show as well and continuing to grow. He is a true pioneer of Techno, and has no plans to put on the brakes anytime soon.

What is MATERIA? 

A party where the want, need & desire to feel the love and vibrations on the dance floor is understood. Where music lovers can digest the passion in the percussion, the energy of the crowd coming together, experience the sensation of letting go - elements that constitute the foundation for what some may never get to fully experience... a pure musical journey. Embark on a global movement, as Belgium's Marco Bailey sets the mood for one unforgettable evening. Welcome MATERIA - where techno is valued as a religion, the dance floor has no limits, the crowd is united and melted together by sound - where the rules require two things: listen and live.

hello everybody, one thing as information:
I DON'T ANSWER MAILS HERE!! 
It's too much, sorry, if you have music to share with me please write me:
solomundemo@diynamic.com
solomunpromo@diynamic.com
Thanks
Solomun


Dario Zenker, natural-born dancer and Mowgli-like wild boy was raised in Germany’s Deep South on a diet of Wu Tang, Gangstarr, Michael Jackson and sweet mustard. His childhood habitat allowed for much adventuring, moving from the heart of Munich to the Bavarian wilderness at the age of 12, but always having the liberty to roam freely and explore his surroundings. At weekends, wandering off back to the southern capital, he would stay at his stepdad’s flat, encountering many techno warriors from far and wide. Here, they would find their refuge after a night behind the helm at the infamous Ultraschall, founded and run in ‘94 by Dario’s stepaunt, Dorle and her man DJ Upstart, among others. After turning 15 he got his paws on a mixer and a set of Gemini turntables. Subsequently, his passion for playing music (and disturbing the peace) took flight. As the young cub matured, his nocturnal nature lead him to goa trance gatherings and other such tribal ceremonies. Coming home to meet mystical gurus like L.A. Williams, Jay Denham and Shake Shakir served only to ignite his burning curiosity for underground electronic music. After receiving his first techno record from Shake at 16, (having woken to him listening to his stepdad’s Beatles records in the living room) his techno quest began.

At 18, the valiant young kid was deemed dexterous enough to man the controls at Ultraschall, for the first time alongside Acid Maria and the Hacker. When the notorious techno temple closed in 2003, the Ultraschall tribe seperated and founded new settlements in the years that followed, today Harry Klein and Rote Sonne. Adopted by the Harry Klein family Dario found his second home, with a residency there from 2006 - 2012. 

2006 saw his first vinyl debut and since then he has produced releases on labels such as Vakant, Frozen Border and Time to Express, to name but a few. Today, apart from gourmet cooking and Kung Fu wrestling his compadres, the Munich maverick channels his energy into one project in particular. Founded by him and his brother and partner in crime Marco,  Ilian Tape is their homegrown label nurtured with much tender love since 2007. His inspiration? Life, love and dancing.

Techno since 1989, owner of Electric Ballroom. OG.

GALAXIID runs as a sister label of трип, illuminating the listening side of Nina Kraviz’s musical taste with a focus on experimental, ambient and psychedelia. GALAXIID has a strong connection to art through its visual identity, with all the cover artworks drawn by psychedelic artists.

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