ambient

Spring 2025

J O R D I

high likelihood of Archaeological Resources

Kopie von Kopie von the unknown

my dad liked this and he hates all my music

Something Positive

Synthesizer V AI voice used: Natalie

life sucks, people are cruel, and you have to pick yourself up, regardless of how weak you feel, or how badly you want everything to suddenly stop. life will always march on- with or without you.

keep walking

Lossless quality: https://musicbymystik.bandcamp.com/track/cant-sleep-feat-devilish-trio

@baker-beatz
@tenngagebeats
@hydramane615

CAN'T SLEEP (feat. Devilish Trio)

The Massacre of Glencoe (1692) is one of the most memorable event in Scottish history, particularly for clan MacDonald.
Here’s my own version that takes its part in this remembrance: based upon both a bagpipe tune and a song by Jim McLean (“The Massacre of Glencoe” released in 1963) and on some new arrangements.
--
Le massacre de Glencoe (1692) est l'un des événements les plus mémorables de l'histoire écossaise, en particulier pour le clan MacDonald.
Voici ma propre version qui participe à ce souvenir : basée à la fois sur un air de cornemuse et une chanson de Jim McLean (“The Massacre of Glencoe” sortie en 1963) et sur de nouveaux arrangements.

Glencoe

Stream/Download: https://fanlink.to/shlwhrt

released by @lostsounds-official:
https://www.youtube.com/@LSTSOUNDS

shallow heart

Echo

Cover picture: Albert Bierstadt, "Emigrants Crossing the Plains" (1869): an oil on canvas painting of emigrants on their way to Oregon, inspired by a fifty-wagon train of German emigrants who crossed Bierstadt's path during his 1863 expedition.

Although it is very difficult to estimate the total number of European emigrants, it is thought that from the beginning of the 19th century to the middle of the 20th century, around 30 million people left Europe for the United States.

I reworked in the last days on this not particularly original piece, whose first draft is from 2018.
Femal vocals courtesy by La Boutique Studios Dakar; harmonica by Dust Bowl - Vintage Country.
Composed by Michele Ansani (2018-2025).
Posted on SoundCloud: 2025, March 26

Their American dream *

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Youtube

Invader

Cast of characters:
TexMex Shaman– @texmex-shaman –Stephen– Taylor T5z acoustic guitar, Tom Anderson Custom T electric guitar, Gibson Earle Scruggs banjo, Eastwood MandoCaster mix, mastering, production, and composition
J.J. Terrell-- @j-j-terrell—JJ-- organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass, played with a plectrum 
Mistermark-- @user-432503709 -- Mark – harmonica, jaw harp, timpany, hambone percussion, and production editing     
This song began with Stephen, who recorded it on his acoustic guitar and bass to a programmed drum track a few months ago. We were all thrilled to work on it, even though it sat in BandLab as a project for almost a month before Stephen separated the tracks, thus allowing us to trickle in our parts. JJ was first to jump on it, because he could before the tracks were separated, as his part is completely his idea. He added the organ that really set up the entire sound of both dominant sections of the song. 
  Ken was first up to the project once the tracks were replaceable, making the wild, driving beat his own. Inspired by both JPJ and Michael Ivins, Josh laid down his bass line, trying to match Ken's energy. Last, but not least, Mark jumped in with the rumbling timpani. He also added the flavorful harmonica, and unique jaw harp you hear throughout, as well. 
  At that point, Stephen also got the idea to add the hambone percussion at the very end of the song, which we all consider a treat, and after showing us how it's done, Mark volunteered his percussion skills to give it a go. Stephen wasn't done with it, though, and still had some magic to sprinkle. He went in and added the howling electric guitar you hear prominently in the second main section. Also, he added the tempting intro with his acoustic guitar and electric mandolin that looks like a Telecaster guitar. 
  Once it was in the bag, we thought it appropriate for our master mixer Stephen to put it to bed, which he did in his always expert manner. Mark did help with the production, though, as he's very good with editing and spotting mistakes that need to be corrected.
  This is a gift from Stephen to all of us, and you, too. It took a lot of teamwork to make the dream work, as always for Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Country Ham (Eclectic Collective)

Mental Health Day$

CAN’T YOU SEE
Vocals: Melissa (Ghosthack) Can’t you see
Brandon (Ghosthack) I don’t wanna go
https://www.ghosthack.de
Lillithe: Arrangement and Production
Paploviante: Remastering


Can't you see

Plauged by thoughts of inadaquacy

rainbow

Gabriel

Birdwatcher

make me sing

sorrow

yearning

Ariette for theremin and sax :-)

the unknown

Composition and Sampling collage by Synline.


Run for Your Life

just in my head

Have the number of a good friend on my phone though he’s no longer here still tempted to ring.  https://youtu.be/Emt8UtM0vsI

Jesus would not agree
But I don’t share his pedigree
I believe
When your gone 
You’re gone

Hades just takes the piss
No-one rows you across The Styx
I believe
When you’re gone
You’re gone

 I keep your number on my phone
Hoping that you prove me wrong  
But when I ring it no-one’s home
You’re gone
Gone
Gone

Jesus would not agree
But I don’t share his pedigree
I believe
When your gone 
You’re gone
I believe
When your gone 
You’re gone
I believe
When your gone 
You’re gone

The Atheist

The Atheist  (feat. Jonathan Beckenstein)

washed away

A soundtrack for meddling kids to drive around town and snoop around Old Man Ferguson's farm to.

Enigma Apparatus

Hi & welcome.
thx for visiting & listening to my music.

i jump between genres depending on my current mood, so don't wonder if you find some different and weird tunes 😂

I don’t create my songs with AI.
For me, every track has to grow through its own process, and that simply takes time. That’s where my soul flows into the music.

That doesn’t mean my songs are better or more sophisticated – I’d rather you form your own opinion.
As for vocals, I have to rely on loops, since illness keeps me from singing myself. Often, I discover a vocal line first and build the song around it. This means I sometimes have to compromise on the lyrics, so they don’t always mirror my personal outlook, mode of expression or poetry. Still, it’s important to me to share this truth.

Some various loops and most vocs from loopcloud.

All tracks composed, edited,
arranged, mixed @ mastered by J O R D I .
____________________________________________

I come from a musical family and was introduced to different instruments at an early age. The one that stuck with me were the drums. Various bands, gigs in small clubs. Even though, for lack of time, I didn’t actively make music for many years, music has always been one of the few constants in a turbulent life.

For the past few years, I’ve been seriously ill and slowly but surely on the home stretch. Since I can no longer play drums (I’m connected to a ventilator 24/7)
i started working with a DAW in 2024. It has become an important part of my life, my way of still creating something when my hands no longer can.

Here on SC there are so incredibly many amazing artists and people from all parts of the world … for me, it’s my universe. And the certainty that something is always possible, no matter how bad things get.

"In the midst of the deepest winter, I finally realized that within me lay an invincible summer…"
A. Camus


Stay strong - Fight fascism!
STOP TRUMP ❗️

Michael - 2024