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Mike Verba (Michal Wierba) - Tapestry

Music addict!
Love to compose, write, and perform!
DIY mindset!
Always open to new collaborations!
Thanks for your support and repost!

★ futuristic keyboardist ★ | virtuoso pianist  | 6 albums, PhD in music
     |★jazz pirate★|
See how I do it here ☟☟☟

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Welcome to the psychedelic time machine. 

Recorded with Garageband.

Guitars; Washburn HB35 semi acoustic, Fender Stratocaster, Eastwood Sidejack 12 string electric, Epiphone inspired by 1964 Texan and Encore Acoustic guitars, Sire V7 Bass guitar. 

Keyboard; Line 6 Mobile Keys.

Other instruments; mandolin, banjo, piano, bhodran.

Amps; Fender, Line 6. 

Drums; Ginger Baker and Mitch MItchell inspired loops, sounds and hits played by the awesome Dave Martin.

Gear; Behringer UB502 Eurorack, Behringer U-Control UCA202, Macbook Pro, Standard Garageband VST's and plug-ins, Catalinbread Echorec, Dunlop Cry Baby 535Q Multi-Wah.

Thanks for stopping by.
Peace and Love.

All lyrics and recordings copyright The 1969.

All material recorded, mixed and mastered by The 1969.

Chat and share all things retro, psych, prog, 1960's/70's cool on Facebook and Twitter...

the creative arts industry is about the algorithms and the billionaire sex predators whom have gained control of them(metro), not the music or the artists. The industry blocks bad goy Christians like us DOGGOMUZIK from any living(cancel culture). Boycott the demons like Spotify etc. Free Palestine. all plays are free from us. Peace.

In the beginning was pure goofiness, reckless fun just for the fun of it. After impacting head-on with this fast-paced, modern, dehumanizing world, a smiley-face with fangs, heavily compressed down to less than a pinpoint in hyper-dimensional volume, imploded to become the artist Spastic Goofball.

Influences:
Muddy Waters, The Rolling Stones, Weapon of Choice (MegaNut), NIN, New Order, Frank Zappa, Depeche Mode, Ministry, Talking Heads, Metallica, Rage Against the Machine, Babes in Toyland, Jesus & Mary Chain, Miles Davis, My Woshin Mashin and others....

Deutscher Singer-Songwriter über fünfzig Jahre alt. Seit fast vierzig Jahren schreibe und singe ich Lieder. Mein Hauptinstrument ist die akustische Gitarre, aber ich mag auch Perkussionsinstrumente (Cajon, Maracas, Gurio). Ich liebe es, melancholische und poetische Balladen zu komponieren. Aber manchmal schreibe ich auch (schwarze) humorvolle Songs, Jazzstyle und -Rocksongs. Meine Hauptsprache ist Deutsch. Aber in Zukunft will ich mehr Songs auf Englisch und vereinzelt auch Französisch schreiben.
In meinen Kompositionen bin ich inspiriert von Leonard Cohen, John Lennon, Jacques Brel, Van Morrison und Bob Dylan. Auf meinen Platten spiele und singe ich alles alleine. Meine Vision für die Zukunft ist es, Musiker aus verschiedenen Kulturen zu finden, die gerne ihre Tracks mit mir teilen wollen.
Mein persönliches Mantra ist ein Satz, der von Paul Mccartney auf dem Beatles-Album "Abbey Road auf dem Track "In the end" vor fast Fünfzig Jahren geschrieben wurde:

Die Liebe, die Du bekommst ist gleich der Liebe, die Du gibst.

German singer-songwriter over fifty years old. For almost forty years I have been writing and singing songs. My main instrument is the acoustic guitar, but I also like percussion instruments (Cajon, Maracas, Gurio). I love composing melancholic and poetic ballads. But sometimes I also write (black) humorous songs, jazz style and rock songs. My main language is German. But in the future I want to write more songs in English and occasionally also in French.
In my compositions I am inspired by Leonard Cohen, John Lennon, Jacques Brel, Van Morrison and Bob Dylan. On my records I play and sing all by myself. My vision for the future is to find musicians from different cultures who would like to share their tracks with me.
My personal mantra is a sentence written by Paul Mccartney on the Beatles album "Abbey Road on the track "In the end" almost fifty years ago:

The love you take is equal to the love you make.

My warmest thanks to everyone stopping by for listening to my tracks, the most of the representing a  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and in addition to them, also to a minor but growing  LISTS of MY MY OWN RENDITIONS, all of the latter representing a variety of piano music, & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

Instrumental rock/ post rock solo project. All rights reserved.
Thanks for your amazing support. Recently, I have reduced my music time. I apologize here that can't reply to all comments.
69twoZERO is a sideproject of TOTHM

https://templeofthehauntedman.bandcamp.com/follow_me

https://soundcloud.com/2econd_skin -> Temple Of The Haunted Man repost

Love life, love music, love my kids and my Granddaughter - simple :-)
Some of my tracks maybe incomplete - but that's the art of music.
DON'T FORGET...ALL MY TRACKS ARE DOWNLOADABLE (click on the MORE button) but remember though, they are copyrighted :-)

I spend about 6-8 hours a day on here in between work and sleep and I can honestly say that there is far more talent on Soundcloud than can be found on any street corner or TV show. I am very grateful for my followers support and for the many musicians I have chatted with on here. I salute those who give it their ultimate best, I applaud those who never give up and I credit DJ's, whose tireless dedication to the art of joining not one but many records together to make a party atmosphere seem like one long holiday.
I would like to thank Alex Ljung and Eric Wahlforss (the creators) for giving us Soundcloud but most of all, a chance for all musicians good or bad to unite as one and share our passion for music. By listening to most of the artists on here it has given me a real surge to do what I have loved for 40 years...make music for the world to hear. 

I hope you like the tracks I have created and I WILL flourish into a more competent musician and produce more better and durable tracks for you all to listen in the future.

God Bless you Soundcloud,

John Neilan :-)