Instrumentals IV

https://eighthhouse.bandcamp.com/album/instrumentals-i-iv

Pure

The spike organ or nail chello (sic) is thought to originate from an early middle Europe monastic sect, the Iscariotians. They may have used the instrument to accompany their lengthy rituals contemplating the pain of the crucifixion.  

The Iscariotians are said to have been wiped out by returning crusaders at the behest of emperor Leopold III. Other commentators have suggested that the whole story may have been a constructed  alibi for the defeated crusaders plunder and desecration of the brewery of ..Santa Quaffa...


A possible surviving 'chello' object, made from of lignum vitae and iron, resides in the Musée des Beaux-Arts de Rouen. Its interpretation is not without controversy with some critics asserting the object is nothing more than a kind of agricultural implement, though this does not explain its cruciform shape and carved decoration.

In 1972 the scholar . Roland de Févin was granted permission to investigate the Rouen Chello, explore its sound making capabilities and make recordings. his theory was that the instrument was to be played by a rosined bow.  Unfortunately de Févin's playing and handling resulted in two of the nails fracturing and so the investigation was terminated after only one day. The single recording de Févin made was never released but it was played to audiences on an European lecture tour he conducted shortly before his death in 1974. 

It has been subsequently alleged that de Févin's  investigation  coincided with the great fire at  Nantes cathedral. This lead to several occultist conspiracy theories, most notably retold in the pulp fiction novel Blood Nail-(Brownie Dane,1975) much of the plot was lifted for the Italian soft core film Sistero Orgasma (1977) where the action was switched away from a monastery to a scantily clad convent.(citation needed) 

On the film soundtrack, the sounds of the Chello were replicated by experimental electronic synthesiser the achoirorium- itself the  subject of intrigue- as its extremely high operating voltages caused the death of its creator  Luigi soon after the recording session.


This recording was made in 1980 by UK avant geographer Forster Iberix who attended several of de Févin's lectures.  He set about building a replica device and making reconstructions of the Iscariotarian mass based on a column of scribbled numbers  which appear reverso  in one of Leonardo da Vinci's codex's (Coded notebooks). The recording was released on an untitled flexi disk issued by cult French label sordide sentimental -who now deny any knowledge of its existence. It does not appear on their official discography.  Improbably- Haringey local studies library, London, has a copy in their archive. The library does not provide any method of playback for the flexidisc and items from the archive cannot be withdrawn -so some subterfuge was involved in me getting this track taped. Whilst the disk was in my possession an inexplicable number of minor disasters befell me -so I can assure you I hurriedly returned it.

disquiet0385
More on this 385th weekly Disquiet Junto project — Audubonus Instrumentum / The Assignment: Imagine a fake instrument, and make music with it — at:
https://disquiet.com/0385/
More on the Disquiet Junto at:
https://disquiet.com/junto/
Thanks to Paul Harrington for the Latin assistance.
Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0385-audubonus-instrumentum/

The Nail Chello (disquiet0385)

https://neotantra.bandcamp.com

https://neotantra.co.uk

Darren McClure_ Otaru Box

memo ; 耳だけ起きてるくらいのかんじ　14 mar 2020

Head,ears

Fog diver

Nothing is Written

Mastered By exm
Artwork & Design by Grid Pattern (www.gridpattern.co.uk)
Photo by Matthew Hampshire (www.matthewhampshire.com)
Music By Keiss

TR606 
released August 14, 2020
(c) Touched Revolutions

Buy Vinyl, CD, Digital

Gate 55 (outro)

Loop 34 (Bucles)

It was back in February 2012 that Michel contacted me to say he had sent me an mp3 "with a funny melody". "I am just wondering if you can play that. Exactly with the same tuning", he said. I had a listen and thought "You must be joking", as what I was presented with appeared to have no fixed notes nor conventional tuning, and sounded almost impossible to play. (I learnt later that the synthesized tune he had sent me was a melodic tracking - via software - of the musical pitches inherent in the voice of a man talking, recorded in Ghana by his friend Mark Dingemanse from the Radboud University). I put the strange sounding melody on repeat so that I could listen to it again and again, and by playing along continuously with it I eventually found the required notes on the trombone. After a week I could play the whole thing. And that was 2012. More recently, I found myself thinking, "Whatever happened to that tune". I had done a lot of work on it, and it seemed to have disappeared with no resulting composition appearing. So, I searched through my archives, found mine and Michel's original recordings, and played around with them until I had the beginnings of something coherent. At this point I contacted Michel, and he performed his usual magic, and eight years later we have our composition! Over the years Michel and I have occasionally swapped musical ideas, and our 'B-side' is the result of another such exchange, from a recording a year earlier.   (Robert Jarvis, Faversham, December, 2020)


This single is a download only.

An Agreement Of Sorts

An Agreement of Sorts

buy at bandcamp

Robert Jarvis & Michel Banabila: An Agreement Of Sorts

A short improv, one pass, one track.

Enjoy!

2020

Bird's Eye View

This is the third episode of the Disquietude podcast of ambient electronic music.

The goal of the Disquietude podcast is to collect adventurous work in the field of ambient electronic music. What follows is all music that captured my imagination, and I hope that it appeals to your imagination as well.

All six tracks of music are featured with the permission of the individual artists. More information at disquiet.com/podcast0003. Below is the structure of the episode with time codes for the tracks:

00:00 theme and intro

02:01 Dance Robot Dance's "Tangents"

09:43 Jeannine Schulz's "Beacon"

14:50 Orbital Patterns' "Found in the Fog"

22:15 Alan Bland's Boulder siren field recording

26:58 Heymun's "Ambient Cello & Strings on the OP-1"

29:31 Kin Sventa's "Octatrack Saxophone Drone"

35:56 track notes

40:01 outro

41:39 end

Thanks for listening.

Produced and hosted by Marc Weidenbaum. Disquietude theme music by Jimmy Kipple, with vocal by Paula Daunt. Logo by Boon Design.

Disquietude Ambient Podcast 0003

Michel Banabila, born 1961, is a sound artist, composer, and producer. Banabila has released music since 1983 and has produced musical scores for numerous films, documentaries, theater plays and choreography. His music varies from minimal loop-based electronica, fourth world, and neoclassical pieces, to drones,  experimental ambient,  and punk-as-fuck tape music. His work has been published by labels like Bureau B (DE), Eilean Rec (FR), Knekelhuis (NL), Pingipung (DE) and Séance Centre (CA)

Robert Jarvis & Michel Banabila: An Agreement Of Sorts

Michel Banabila

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