Written 1984 by Terry Reeves
Performed by: Vocals - Terry Reeves, Guitar Terry Reeves, Bass - Brian Reeves
Recorded: Wallington Croydon London


For me George Best was the greatest player that ever lived, but suffered from being better at what he did than everybody else. 
At one time in my life I think I was within an inch of becoming an alcoholic and yes at the time it solved all my problems. I was rescued by a beautiful women but unfortunately George was not.
He was one of my greatest heroes and I spent a large amount of my early years trying to emulate some of his football skills. I was given the opportunity to meet him on two occasions and he was a really nice genuine man and I was really upset when he died.
My brother Brian and me completed this recording in one afternoon and he came up with the fantastic bass line, it was always our intention to develop it and take it further.

This is my tribute to George Best

LYRICS

Yes I drank the bottle dry
Please don't ask the question why
Just except this drunken man
Drinking for another plan

Couldn't take things in my stride
Second place it hurt my pride
Told to take some time to think
Think I'll have another drink

CHORUS

Yes he's the greatest he really has it all
The king of any man who ever kicked a ball
He makes the head lines every time he shows his face
I wonder if they know our hero up in space
If not it's just a disgrace

He's here
Georgie   
No fear

Tried to force me to retire
From the bottle I admire
Knew I'd lose out in the end
Destroying me or my best friend

Belong to no one else but me
I'm not public property
I know I have myself to blame
Life is not my favourite game

CHORUS

It's not as sad as you might think
Not looking for a missing link
And I don't need an open door 
Cause all I have to do is poor

Georgie Georgie come back Georgie
Georgie Georgie come back Georgie

Best Of Both Worlds

What Is Right？

Producer-Art-Guitar-videographer  Texmex Shamans
lyrics vocals- StonerJazz

check out The vldeo     youtu.be/vYRrSahKHng
'"Disclaimer"

"Any similarity to real or imagined events ls probably not a coincidence
No TOADS were injured or molested ln any way during the making of this song--

The headwaters of this song came from Stephens rendition of that Toad ln our New Mexico song's cover art-- We were discussing that toad and lt's significance  to the riders on the bus--as the conversation became more Hilarious We resolved to write a song about that toad and that ls what we did--😎- Huge respect and gratitude to Stephen for hls Production and art skills and of course his amazing guitar Play and his Excellent Friendship--- Welcome to those of you who find your way to this tune We hope you enjoy lt!!

THE TOAD
l was flying down state 95
just ten miles East of Blyth
Hot Rod Lincoln blaring on the radio
My ole pickup truck lt overheated
l had to stop and find some shade
underneath a Palo Verde tree
a blg ole Toad There he spoke to me
He sald "Why don't you give me just a little lick Right here, Right behind my ear

Now you may think lt's a little funny, but l can guarantee
You will thank me ln the end my Friend--

Not wanting to disappoint my new found friend
l took a little tiny lick
and washed lt down with a Beer
After Frothin at the mouth for a little blt
my Consciousness lt took a hit
and headed south ln a flood of light

There are no word that can describe what happened next-
but l can say for sure without a doubt, unequivocally
My brand new Paradigm got tangled up with my Epiphany!!

Shit kickin Toad lickin with TexMex Shaman

Arcangel feat Ñejo & Dalmata & Lui-G VS Jorja Smith (Dramantic Remix)

Lyrics: Francesco Petrarca (1304-1374)
Music: Michele Ansani & Francess Harris (@pianofran)
Piano: Francess Harris
Vocals, keyboards and electronic strings: Michele Ansani

[Eng lyrics below]

It would actually be a cover, but I do not know whether Petrarch (or others to him contemporary) had also given musical form to the sonnet. For him, the compositions of the Canzoniere (late title) were actually 'Rerum Vulgarium Fragmenta'. Modest, the poet. The literature about this introductory sonnet is endless, one can easily start from Wikipedia.
In the late 1970s and early 1980s, I had taken this and other texts from the italian vernacular lyric tradition of the origins, giving them some melodic texture: a normal operation for a student of Literature oriented towards medieval studies and a lover of medieval tunes.
I proposed to Francess (@pianofran - please visit her SC page, full of great piano performances) to play a piano base for this song, and she went much further (as I imagined), with her usual delicate and unmistakable touch, helping to generate a melody and an atmosphere that seemed to me perfectly suited to this very famous poetic composition.

Englsh lyrics (translation by A S. Kline)

You who hear the sound, in scattered rhymes,
of those sighs on which I fed my heart,
in my first vagrant youthfulness,
when I was partly other than I am,

I hope to find pity, and forgiveness,
for all the modes in which I talk and weep,
between vain hope and vain sadness,
in those who understand love through its trials.

Yet I see clearly now I have become
an old tale amongst all these people, so that
it often makes me ashamed of myself;

and shame is the fruit of my vanities,
and remorse, and the clearest knowledge
of how the world's delight is a brief dream.

Original poem

Voi ch’ascoltate in rime sparse il suono
di quei sospiri ond’io nudriva ’l core
in sul mio primo giovenile errore
quand’era in parte altr’uom da quel ch’i’ sono,

del vario stile in ch’io piango et ragiono
fra le vane speranze e ’l van dolore,
ove sia chi per prova intenda amore,
spero trovar pietà, nonché perdono.

Ma ben veggio or sì come al popol tutto
favola fui gran tempo, onde sovente
di me medesmo meco mi vergogno;

et del mio vaneggiar vergogna è ’l frutto,
e ’l pentirsi, e ’l conoscer chiaramente
che quanto piace al mondo è breve sogno.

---

Cover picture: Anonymous, 'Francesco Petrarca in the Studium', wall fresco, last quarter of the 14th century, Reggia Carrarese, Sala dei Giganti, Padua.

------

Posted on SoundCloud: 2024, September 24.

In rime sparse il suono [Petrarch, Canzoniere - Introductory Sonnet] **

A little good mood song. The music is again almost unplugged. Acoustic guitar, tongue drum, djembé, tambourine, shaker, triangle, clapping hands. Only bass & drums are plugged in. 

Check out the video: https://youtu.be/Dk0Lws79tlQ

Vocals by CloudyDaze on Looperman:  https://www.looperman.com/loops/detail/321573/vocal-fun-1-free-120bpm-acoustic-vocal-loop

 Music & Arrangement: OMCB

Cover Picture: pixabay.com

Music Video

What A Beautiful Day - OMCB [Music Video]

The excitement and anxiety that a traveler must feel after a long jorney, when returning home sees land.

Sailing Back Home

Terre

method: three devices and voice. polyend tracker mini, ingpartner y8, zoom r12. that's it.
narration: heraclitus is one of those 
movers of mental furniture we keep referring to despite knowing next to nothing ..... in the book publication, the poem on him was paired with the one on verdandi, Listen to Verdandi by jo richter on #SoundCloud
https://on.soundcloud.com/c5qCz , see  DIE KINETISCHE KUNST DER LIEBE UNTERSUCHTEN DIE ALTEN AN KÄFERLARVEN UND DUNKLEM GETIER in : CHI
image: the tracker creates crossword grids, copyright jo richter

poem / copyright jo richter:

Galen fand die Säfte innen, Kneipp
aussen und Schauberger liess sie
wirbeln, Hahnemann schütteln: Blut und
Lymphe, Laune und Gemüt. Aus

der inneren Umwelt, der äusseren
Inwelt strömt und färbt sich das
Geschick in den Wassern: Zu deuten
aus Treibgut und gelösten Erden,


die als Schicksal verwirklicht ein
Leben sind. Das war es, was ihnen
zwischen den Fingern zerrann: Ach,
Heraklit wusste um kein Ende
des einzigen Stroms, der in jedem
Dasein mündet - und aus ihm quillt.


[An interlinear translation might be made available in the future]

heraklit

Cast of characters:

I have to thank Kenneth at K2 and the Three for contacting me about a collaboration. Without him (and his killer drums & bass) and Tex Mex Shaman (Stephen – fantastic sound on that guitar), I may never have known what one of my songs could sound like with proper playing and production. This collaboration was a lot of fun and a truly humbling experience for me. Thanks guys.

Joseph Shenton: composition, lyrics, vocals, acoustic guitar, lead guitar, harmonica, piano

Tex Mex Shaman( Stephen Watkins): Rhythm and texture guitars, production mix and master

K2 and the Three( Kenneth Karasek): Drums, bass guitar, and shakers

This song began with Ken and Joseph liking each other’s music. Ken invited Joseph to collaborate. He provided such a wonderful song, that maybe sounds better without drums, but we totally dig this version, as well! Ken asked Stephen to add something special, and for a fantastic third party mix down and master! This is the first collaboration with a couple of the Eclectic Collective collaborators.. we hope you all enjoy it!!

____

One Twist a’Whisper
Lyrics and Music by Joseph Shenton

Bang the drum
Call the ghosts out
It’s ten to one
N’ we’re under looming doubt

Pull down the shade
Cut the light
We’re one twist a’whisper tonight

The cradle is tilted
Fires breath is getting hot
Pine needles are falling
Your poised to spill all you got

Pull down the shade
Cut the light
We’re one twist a’whisper tonight

Skin on skin
Check to cheek
You pull apart quiet
To become the object seekers seek

Pull down the shade
Cut the light
We’re one twist a’whisper tonight

Jump the line
Cheat the deck
The 'bound to be foolish'
Won’t hesitate for even a sec

Pull down the shade
Cut the light
We’re one twist a’whisper tonight

One Twist a'Whisper

16.12.2024 Nopro 2

Update (December 9, 2025). 
https://www.youtube.com/watch?v=MagLpl21qdY
I’ve posted the entire suite “In case nothing happens” on YouTube, including the parts (7 and 8) that are still missing here, accompanied by a very simple video.


Hello! I’m a university professor of history who enjoys playing guitar and piano/keyboard, and occasionally composing — unpretentiously, just for fun. I’ve been here for at least 10 years, but only recently have I started using the platform for something other than just external digital storage.
Most of my recordings (made with a KorgD8, Audacity, and more recently Reaper for MIDI and the Spitfire Audio libraries) are entirely homemade and decidedly imperfect. My music includes old songs (all written back in the last century; here I’ve only shared the ones I’ve reworked in recent years) as well as both old and new instrumentals.
Thanks for stopping by and giving something a listen; in the description you’ll often find explanatory notes or translations of the lyrics.

Here I’ve discovered a community of talented musicians and songwriters, and plenty of beautiful music to enjoy. Whenever I like, comment, or repost a track, it’s always the result of attentive listening. For the same reason, I’m not interested in trading empty “likes” without real engagement, and I won’t reply to messages from would-be promoters — follower counts don’t matter to me in the slightest.

Update (2024, September 9). Completed the "AI & (fake) songwriting project". Here: https://soundcloud.com/mick-hansan 

I've posted some 'live' homemade performance here: https://www.instagram.com/michele_ansani/