We are a Widespread Panic tribute band located in Austin, TX.

Highway Prayers, the latest album from Billy Strings, is out now on Reprise records and CDs.

Recorded in Los Angeles and Nashville, the album features Strings and his longtime band—Billy Failing (banjo, vocals), Royal Masat (bass, vocals), Jarrod Walker (mandolin, vocals) and Alex Hargraves (fiddle)—as well as additional contributions from Jon Brion (bass, drums, percussion), Matt Chamberlain (drums), Jerry Douglas (dobro), Jason Carter (fiddle), Lindsay Lou (backing vocals), Nathaniel Smith (cello), Taneka Samone (backing vocals), Cory Henry (piano), Peter “Madcat” Ruth (harmonica, jaw harp) and Victor Furtado (clawhammer banjo).

Including fan favorites like “Seven Weeks In County,” “Cabin Song,” and “Leadfoot.” Plus treasures in the making “Stratosphere Blues / I Believe in You,” “Gild the Lily,” “Don't Be Calling Me (at 4AM),” and many more.

Twenty songs total! Get your copy today.

Produced by Billy Strings & Jon Brion.

New Album ‘Olustee’ Out Now 🐓 Tour Tickets 🎟️ Join the Live Wildly Movement🐊 Rolling Rooster Bourbon 🥃
↓↓↓
https://ffm.bio/jjgrey

“There’s this great duality to our band,” reflects Greensky Bluegrass mandolinist, vocalist, and songwriter Paul Hoffman. “We’re existing in a few different places at once: we’re a bluegrass band and a rock band, we’re song-driven and interested in extended improvisation.”

“We play acoustic instruments,” adds dobro player Anders Beck, “but we put on a rock’n’roll show. We play in bigger clubs and theaters, there’s a killer light show, and we’re as loud as your favorite rock band. It’s not easy to make five acoustic instruments sound like this – it’s something we’ve spent years working on.”

From these seemingly irreconcilable elements, the five members of Greensky Bluegrass have forged a defiant, powerful sound that, while rooted in classic stringband Americana, extends outwards with a fearless, exploratory zeal. The tension and release between these components – tradition and innovation, prearranged songs and improvisation, acoustic tones and electric volume – is what makes them so thrillingly dynamic, in concert and on record. “In theory,” Hoffman explains, “greensky is the complete opposite of bluegrass. So, by definition, we are contrasting everything that isn’t bluegrass with everything that is.”

Michelob70 is following