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Moga Harra - SAYED & SHAHINDA

Otto A Totland - Seveen

Keith Kenniff - Branch

Music from the contemporary dance-theatre-piece "Don Nadie- Herr Niemand" by the COOPERATIVA MAURA MORALES
Foto: Klaus Handner
Check out also the clip:
https://www.youtube.com/watch?v=EBz_1aTCWkU&feature=youtu.be

Methadone

This composition is the final version of the 'first' track of my upcoming piano album. This year I changed the tuning of my virtual piano  (Pianoteq5) from 440Hz  to 432Hz 'A' pitch. This whole new tuning 'thing' also changed me; it 'tuned' me, making me  'feel'  the music in a whole and exciting different way....hope you guys enjoy it as much as I do...
Stay tuned, more like this to come ;)

From Lineal To Cyclical Thinking

Gonna make a better recording of this once I get all my equipment 

Oxygen

Neumond

A piece I wrote and recorded for Piano Day. Enjoy.(:

Listen on Spotify

The Illusion Of Motion

Luke Howard
https://soundcloud.com/lukehoward
https://twitter.com/lukehowardmusic

Nadje Noordhuis
https://soundcloud.com/nadje-noordhuis
http://www.nadjenoordhuis.com/
https://www.facebook.com/NadjeNoordhu...
https://twitter.com/nadje

Picture by Nate Bittinger
https://flic.kr/p/q3K8Kx

Sheepy on Spotify
http://bit.ly/MrSuicideSheepSpotify

Oversky

Download

Luke Howard & Nadje Noordhuis - Oversky

from the Album STAY IN THE DARK ( http://goo.gl/svwSWj )
Video: Andreas Hornoff: https://youtu.be/H2Sc5GGUFSM
Live: 04.09.2015 Dresden, Sound of Bronkow Festival Tickets: http://bit.ly/1HVrPCe
30.09.2015 Graz (AT), Steirischer Herbst Tickets: http://bit.ly/1PLEeJ2
20.10.2015 Düsseldorf, FFT Tickets: http://bit.ly/1KfcMDb
21.10.2015 Leipzig, UT Connewitz Tickets: http://bit.ly/1Gg45kT
22.10.2015 Magdeburg, Moritzhof Tickets: http://bit.ly/1Cy7VLF
23.10.2015 Hannover, FZH Lister Turm FB Event: http://on.fb.me/1HofCAB
24.10.2015 Hamburg, Kampnagel K2 Tickets: http://bit.ly/1L99uAQ
20.11.2015 Wroclaw (PL), Firlej
21.11.2015 Gdansk (PL), Klub Zak
26.11.2015 Stockholm (SE), Goethe Institut
29.11.2015 Berlin, Heimathafen Tickets: http://bit.ly/1TuxAcd
09.01.2016 Erfurt, Franz Mehlhose Tickets: http://bit.ly/1DZAEIq
12.01.2016 Nürnberg, Neues Museum Tickets: http://bit.ly/1Nvcmuf
13.01.2016 Saarbrücken, Theater im Viertel Tickets: http://bit.ly/1NEfyTr 
14.01.2016 Karlsruhe, Jubez Tickets: http://bit.ly/1JqPt4j
15.01.2016 Stuttgart, Merlin
16.01.2016 Wiesbaden, Hessisches Landesmuseum Tickets: http://bit.ly/1hVefUf
17.01.2016 Zürich (CH), Exil Tickets: http://bit.ly/1h84W2p 

Booking (Europe): Ralf Diemert
ralf@landstreicher-booking.de
…………………………………………..
Booking (North America): Todd Walker
todd@windishagency.com
…………………………………………..
Management: Sven Hasenjäger
sven@380grad.com
…………………………………………..
Label: Maurice Summen:
info@staatsakt.de
………………………………………….
Lambert: lambert@listentolambert.com

Lambert - Talk!

Taken from the compilation Piano Cloud Series - Volume One
Release date: March 11, 2016

www.1631recordings.com
www.1631recordings.bandcamp.com

Peter Broderick - Eyes Closed And Traveling

Musical excerpts of the contemporary dance production "Stadt der Blinden" by COOPERATIVA MAURA MORALES.
Check also the video clip:
https://www.youtube.com/watch?v=DDgqTYlo43A&feature=youtu.be
Foto: Klaus Handner

Small Spaces (Excerpt)

Musical excerpts of the contemporary dance production "Stadt der Blinden" by COOPERATIVA MAURA MORALES.
Check also the video clip:
https://www.youtube.com/watch?v=cs3uEiRN208&feature=youtu.be
Foto: Klaus Handner

The Rape (Excerpt)

From the album "Eingya" | CD, MP3 and Flac available at http://unseen.bigcartel.com/

Helios - Bless This Morning Year

MURCOF + PHILIPPE PETIT: 1st chapter
(LP + CD + Digital / Rev. Lab. - Aagoo)

Release date: September 2013

www.aagoo.com
www.revlaboratories.com

Fernando Corona
Hailing from Tijuana, on the Mexico/US border, and now a Barcelona resident, Fernando Corona rose to attention as part of Mexican collective Nortec, mostly for his work as Terrestre, but it is with another project, Murcof, that he has made an extremely strong impact. Merging micro-beats with samples of contemporary classical music, his work, often crystallised into sweeping haunting pieces, bridges the gap between Arvo Pärt or Henryk Górecki and part of the electronic scene of today. He is credited with being one of the main influences of the likes of Erik Skodvin and of many of the artists who have appeared on Miasmah in recent years.
www.murcof.com

Philippe Petit
This self-styled musical activist began his career as a journalist and DJ in his native Marseille, and went on to form Pandemonium Rdz., a label with which he explored the outer reaches of experimental rock, before turning his interest to electronic music by setting up BiP_HOp Records at the beginning of the noughties. Since 2009, his focus has shifted once again, this time on his own music, a refined blend which can incorporate elements of experimental rock rock or classical music and can take the form of complex electronic, electro-acousticism, experimentation or turntablism. Although Petit occasionally works alone, it is in the collaborative space where he truly thrives, casting his sonic world against that of the likes of Eugene S. Robinson, Lydia Lunch, Pietro Riparbelli, Bella Emerson, Cosey Fanni Tutti, Asva & loads more... 
www.philippepetit.info

The album
The meeting of such unconventional musicians was always going to result in a pretty incredible piece of work, but confronting such strong identities and getting them to work together was not a given. For the past three years, Philippe Petit and Fernando Corona have regularly played live together, undoubtedly refining their collaboration with each new performance and finding the right balance between their respective sound worlds. The result is this album which equally finds its roots in Murcof’s modern classical influences and Petit’s coarse post modernist soundscaping.
The album may barely reach the forty minute mark, but in the space of three tracks, Corona and Petit create a magnificent soundtrack which teems with haunting choral chants, lush string work and unsettling atmospherics. This album is rooted in ancient myths and legends, borrowing from Greek mythology for "The Call Of Circé", daughter of Helios and powerful enchantress, and winged divine horse "Pegasus", or from Nordic tales of giant squid-like sea monsters on "The Summoning Of The Kraken". This very much characterises the epic proportions of this album, echoing in parts the amplitude of Murcof’s "Cosmos" (Leaf, 2007), and in others Petit’s equally ambitious "Off To Titan" (Karlrecords 2010), but they temper this with much more delicate moments, for which they assemble incredibly detailed and refined atmospheric passages.
Clocking at just over twenty minutes, the opening piece "The Call Of Circé" is articulated around a series of sequences which range from stern, doom-like guitar stabs and harsh percussive noises to eerie choral laments and theatrical vocal flourishes. The haunting melodies and ambiences of the first half are slowly broken apart by the recurring thuds of metallic percussions. When these recede, the mood has become darker, grittier, more oppressive, and remains as such for much of the remainder.
"Pegasus" recalls some of the more baroque treatment Murcof experimented with on his commissioned work for Les Grandes Eaux Nocturnes de Versailles, especially through his use of the viola de gamba as a primary sound source, but this sound source becomes corrupted as the track progresses, perhaps subject to Philippe Petit’s radical decay processing, until only a few distorted strands of grating bowed strings remain.
With the last track, Corona and Petit opt for an overall softer, warmer atmosphere, but there is a lingering feeling of impending danger lurking below the surface of the whole piece. This is marked by the use of sparse percussions, magnified vinyl crackles and processed guitars and textures which, assembled in various combinations, weight heavily on the otherwise almost pastoral nature of the composition.
Philippe Petit knows how to find collaborators with whom he can go beyond his own sonic universe and make them venture into unfamiliar territories, and he is an expert in making these collaborations gel perfectly. And this is one hell of a collaboration: two artists, each with this visionary approach, working together to create a truly magnificent piece.
WRITTEN BY Bruno Lasnier / January 2013 (www.themilkfactory.co.uk/st/)

MURCOF & PHILIPPE PETIT : The call of Circé

Guitarist, composer and sound artist MICHIO studied both at the University of Music and Performing Arts, Vienna, and the Saarland Academy of Music and Dramatic Arts.
As a guitarist, he regularly tours Europe and Japan, both as a soloist and with various ensembles, appearing as a guest musician at various prestigious international guitar festivals. A prize winner of numerous guitar competitions, he has also worked both as guest and stage musician with renowned orchestras as well as state theatres like the Saarland State Theatre, the Darmstadt State Theatre, the Lohorchester Sondershausen, the Oldenburg State Theatre, and the Deutsche Oper am Rhein.
Michio’s compositional work ranges from commissioned works for classical ensembles and soloists, over stage music for ballet pieces, to film scores and contemporary dance theatre projects in the independent scene.
His work therefore includes compositions for the Darmstadt State Theatre Ballet Ensemble, the Linz State Theatre Ballett Ensemble, for the Saarland State Theatre Ballet Ensemble, for Landerer & Companie, for the choreographers Mei Hong Lin, Stijn Celis, Massimo Gerardi, Maura Morales and for the Swiss harpsichordist Vital Frey. 
Since 2010 he has been composer and co-director of the contemporary dance company COOPERATIVA MAURA MORALES, which was in 2013 awarded the prestigious "Kurt Jooss-Prize" and 2014 with the Culture Prize of the City Dusseldorf.

Profilepfoto by Gorka Bravo


The Rape (Excerpt)

michiow

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