I don't mix my songs. I'm a terrible producer. I'm a wannabe punk that makes lofi music

watergate club
falckensteinstr. 49
10997 berlin
germany

Even in Arcadia are a female fronted rock band from Glasgow formed in 2014. 

Intricate guitars, thought provoking lyrics, powerful female vocals and a hard hitting rhythm section blend together to give orgasms to the ears.

The new EP "Blue Prints" is available to purchase here: https://itunes.apple.com/gb/album/id1040186933

Located in the heart of berlin at Warschauer Straße in Friedrichshain, Lokschuppen is well known for its friendly and diverse atmosphere.
We value diversity and inclusion, actively promoting a respectful and supportive community. With a diverse program featuring live music, DJ sets, performances and art installations, we aim to create a space for creative minds from around the world. Also known as Suicide Club Berlin in the past, the club opened its doors in 1994, becoming a cornerstone of Berlin‘s techno scene. Named after the influential band „Suicide,“ it hosted DJs like DJ Hell and Ellen Allien. Despite closure in 1999 due to gentrification,
it found new homes, notably at RAW-Gelände in 2009, where it continues to flourish. Since 2024 the club is rebranded as Lokschuppen Berlin.
The club is known for hosting various local collectives that form the club‘s unique character and diverse crowd. From Formula 90 to Pfandidos, Devoted, and Gabber Industries Berlin, these collectives infuse our venue with a variety of genres, ranging from groove to trance, hardtechno, hardcore, and house. we welcomed many well known techno legends such as DJ Rush and Ellen Allien, but also raising stars like Brutalismus3000, MCR-T, Klangkünstler and many more. Since 2018, Chantal‘s House of Shame has found a new home at Lokschuppen, well known for its legendary queer parties featuring (drag)-performances and a sex-positive atmosphere.

For booking or press enquiries please contact BASSmentGlasgow@gmail.com

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Glasgow based producer. Influenced by hip hop, triphop and electronic music

https://instagram.com/addressthadj?igshid=OGQ5ZDc2ODk2ZA==

There are few artists carving out a legacy for themselves like Dax J is right now. The British DJ and producer from London has gone from the backroom parties to headlining raves at every major techno institution the world over, all whilst staying true to the underground with an individual style all of his own. His technical skill, pure selection as a DJ and attention to high-end sound production has placed him at the forefront of a global scene, and established him as a singular presence within modern dance music. 

Recent accolades for his unswerving devotion to his sound have included places in the top 100 DJs polls published by Resident Advisor, DJ Mag and Groove Magazine. Over the years, he’s also received nominations as Best Techno DJ, Best Breakthrough DJ and Best British DJ from Mixmag, DJ Mag and the DJ Awards. He's renowned for playing mammoth closing sets at monumental parties including 10-hour marathons in the world’s most notorious techno clubs, Berghain and Bassiani.

Also known as a prolific producer and successful record label boss, his trademark sound remains in constant rotation among the most respected DJs in dance music, a style which was first fully recognised on his highly acclaimed 2015 album, "Shades of Black". Upon its initial release on his own Monnom Black label, Mixmag named it "Album of the Month", Hardwax described it as “brilliantly banging” and it also took the coveted No.1 spot on Juno Records. 2018 saw Dax release his multi-faceted second solo album “Offending Public Morality”. The record won support across the board, including that of BBC Radio 1 who picked it as their “Biggest Record of the Week”. By the end of 2018, “Offending Public Morality” also featured in the “Top 50 Albums of the Year” lists for DJ Mag, Tsugi and Apocalypse Mag. Two more events that crowned a year of great success were his enrolment into the BBC hall of fame with the release of his debut Radio 1 Essential Mix, and Be.At.TV’s choice of his 4-hour closing set at NeoPop Festival for their “Best DJ set of the year”

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