Something between Stranger Things and Dawn FM by The Weeknd: that's what my new EP titled "Billy Summers" sounds like.

Billy Summers is a fascinating recent novel by Stephen King that combines crime and noir themes, coming-of-age story and road trip. Billy, a former Marine sniper, is a killer for hire who only kills really bad people, and he prepares to face his last assignment amidst a thousand vicissitudes, all the while writing a kind of diary of his life. Of course as I was reading I couldn't help but imagine a soundtrack, and it couldn't help but be synthwave.

Each track tells five different aspects of the story, so mystery, wild escapes, love, remembrance, and why not, the beauty of the setting.

I hope the good Stephen King won't be offended if I've coated his story with an 80s patina; the beauty of novels is that you never know what suggestions they may trigger.

Billy Summers

Billy Summers in the Rain

Voltaroxx is the sound of forgotten futures, midnight circuits, and dust-covered dreams rendered in rhythm and noise. Born from the flicker of CRT screens and raised on a steady infusion of cyberpunk cinema, glitchy game consoles, and VHS fuzz, he builds music that’s less about genre and more about atmosphere—audio collages from the back alleys of the imagination.

Growing up, Voltaroxx was glued to the glow of Blade Runner, Akira, Ghost in the Shell, and obscure sci-fi anime taped over Saturday morning cartoons. The worlds were bleak but beautiful, eerie but electric. At the same time, he was living inside the soundchips of machines like the ZX Spectrum, NES, and Mega Drive—systems that hummed, beeped, and crackled with strange life. Those early sounds never left; they just evolved.

His music doesn’t follow rules or trends. One moment it's dusty lo-fi techno, the next it’s eerie ambient, then suddenly it's chaotic 160 BPM jungle with warped pads and broken memories. Tracks like VizzerLine show just how deep the time capsule goes—an atmospheric 90s jungle homage that blends ghosted-out pads with rolling breaks and a dreamlike energy..

Voltaroxx doesn’t believe in “sticking to one style.” He follows moods, fragments, old files, and the static of ideas half-remembered from forgotten arcade cabinets or the background hum of a tube TV. Some days it’s electro with a sci-fi edge. Other days, it’s decayed ambient or synth-heavy jams with melodies that loop like a corrupted memory card.

He never really thought anyone would listen. These tracks were, and still are, made mostly for himself—just an outlet, a way to exorcise digital ghosts. So when people started listening, following, commenting—it was surreal. It still is. Every play, every follow means a lot. No PR machine. No hype. Just raw sound from a bedroom somewhere, echoing into the void and somehow landing in your headphones.

Thank you for tuning in. Really.
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Music is my air, I can't live without it.

The real 80s Retrowave and Outrun

Musician, vintage lover, retrowaver and retrogamer / I'm stuck somewhere in the middle of the 80s and I spend most of the time near the window, looking outside: in the morning the city is full of life, at night it's full of lights... sometimes it rains, but it's warm. From the tall buildings of the centre to the beautiful palm trees of the beach I see a lot of interesting people passing by. They don't know me, but I know everyone of them; you can find them in my pieces of music, short pieces like stories... "micro scenes". My name is Mat, and I'm MicroMatscenes.

I am a constantly self-improving person. I am dedicated to knowing more about life, the universe and everything there is to know.  I really want to help save the human race from possible thermonuclear extermination or whatever catastrophe could occur. Please check out my other links. Thank you for viewing my profile.