Reflexión a positive story that takes us somewhere where we can re-charge our inner energy and where we can reflect.

11-04-2021

Reflexión

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Morning Coffee

PROGnosis 2.0 (Rerecorded)

This song started with myself playing the melody on the piano and I developed it from there, a short wintery sounding track.

Plugins used:

Spitfire Audio Labs - Soft Piano, Frozen Strings, Christmas instrument pack
BBC Symphony Orchestra 

The Crow Hill Company Vaults - Celestatone

EZ Drummer 3



Snowfall

Mon Beau Sapin  CHRISTMAS WALTZ 3'22''

Album: Die schönsten Weihnachtslieder, Vol. 1
Titel: Kommet ihr Hirten
Interpret: Ronny Matthes
Komponist: Public Domain | Traditional
Laufzeit: 02:31

Am Ende des Videos kann der Titel direkt kostenlos heruntergeladen werden. Es ist keine Anmeldung nötig, der Titel wird unter dem Link sofort als Download zur Verfügung gestellt und kann als Hintergrundmusik für die Social Media Plattformen verwendet werden.

Dieser Musiktitel ist GEMA-frei. Er wird direkt auf dem offiziellen Youtubekanal von Ronny Matthes zur Verfügung gestellt und kann für eigene Videos zur musikalischen Untermalung verwendet werden.

Noch mehr Musik, die Lizenzdokumente; MP3 und Wave-Downloads gibt es auf unserer Verlagsseite unter: https://www.matthesmusic.de
Kontakt: youtube@matthesmusic.de

Titelfolge mit Angaben zur Widerlegung der GEMA-Vermutung für die gesamte CD:


1. The First Noel - (Komposition: Public Domain) - 07 : 11
2. Kommet ihr Hirten - (Komposition: Public Domain) - 02 : 31
3. O Little Town Of Bethlehem - (Komposition: Lewis Henry Redner (1831-1908) - 03 : 08
4. Es ist für uns eine Zeit angekommen - (Public Domain) - 03 : 43
5. O Tannenbaum - (Komposition: Public Domain) - 03 : 53
6. Alle Jahre wieder- (Komposition: Johann Gottfried Herder 1744-1803) - 01 : 34
7. Vom Himmel hoch, da komm ich her - (Komposition: Martin Luther 1483 - 1546) - 01 : 38
8. Ihr Kinderlein kommet - (Komposition: Johann Abraham Peter Schulz 1747-1800) - 06 : 16
9. Schneeflöckchen, Weißröckchen - (Komposition:  Hedwig Haberkern 1837–1902) - 01 : 21
10. Over The River and Through The Woods - (Komposition: Lydia Maria Child 1802 – 1880) - 02 : 45
11. Joy To The World - (Komposition: Georg Friedrich Händel 1685-1759) - 03 : 28
12. O du Fröhliche - (Komposition: Johann Gottfried Herder 1744-1803) - 03 : 40
13. Es ist für uns eine Zeit angekommen - Solopiano - (Komposition: Public Domain) - 02 : 47
14. Hark, The Herald Angels Sing - (Komposition: Felix Mendelssohn Bartholdy 1809-1847) - 03 : 17
 

Album: Die schönsten Weihnachtslieder, Vol. 1 - Gemafreie Weihnachtsmusik
Erscheinungstermin: 06. Juli 2015
Label: Matthesmusic - Verlag, Vertrieb & Gemafreie Musik
Copyright: Matthesmusic - Verlag, Vertrieb & Gemafreie Musik
Gesamtlänge: 47:12
EAN: 4260264510646

#jesuschrist #lobpreisliederdeutsch #lobpreis  #christmas #weihnachtsmusik #weihnachten #weihnachtslieder #gemafreiemusik #royaltyfreemusic #lizenzfreiemusik #publicdomain #traditional #matthesmusic #ronnymatthes

Kommet ihr Hirten -  Royalty Free Christmas | Gemafreie Weihnachtsmusik (kostenlos für Instagram...)

Spheres features one of America's greatest piano trios, the Claremont Trio, and consists three trios by Robert Paterson: Sun Trio, Moon Trio and Elegy for two cellos and piano. The Claremonts are joined by their former pianist Donna Kwong on Sun Trio, and cellist Karen Ouzounian on Elegy. The entire album was recorded at the Academy of Arts and Letters in New York City and produced, engineered, mixed and mastered by legendary producer and engineer Adam Abeshouse.

Robert Paterson and the Claremont Trio first became acquainted through Adam Abeshouse. Paterson asked, "which is the best piano trio you've worked with recently?" Without hesitation, Adam said, Oh, Rob, the Claremont Trio, of course." Paterson then contacted the trio, sent them a copy of his Sun Trio, and waited to hear back. Fortunately, they liked his trio, and agreed to record it for this album, but at the time, Paterson had no idea what the other works would be on the album.

After recording Paterson's Sun Trio, the Claremont Trio suggested the idea of Paterson composing a brand new trio especially for their ensemble, and for this album, which ended up being Moon Trio. To round out the album, Paterson suggested his Elegy for two cellos and piano. All three of the works on Spheres are inspired by or have something to do with celestial bodies—the sun, moon and the cosmos.

Spheres

Moon Trio - I. Moonbeams

A new Deep Folk take on the Neil Young classic.

Old Man

Freya's Tears for Violin and Harp
Duration ca. 15'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=987

For More Information: https://robertpaterson.com/freyas-tears

PROGRAM NOTES
Freya’s Tears is a companion or sister piece for another work I wrote entitled The Book of Goddesses, scored for flute, harp and percussion. Each of the movements is inspired by one of three goddesses: Iris, Freya, and Sekhmet.

In Greek mythology, Iris is the personification of the rainbow and messenger of the gods. She is said to have golden wings and is associated with communication, messages and new endeavors, and travels on rainbows while carrying messages from the gods to mortals. That image in particular provided inspiration for Iris.

The second movement, Freya’s Tears, is inspired by Freya (or Freyja), one of the major goddesses of Norse Paganism. She is often described as a goddess of love, beauty and fertility. She was also associated with war, death, wealth, prophecy and magic, as well as the reading of runes, trancing and casting spells. Her most treasured possession was the Brisings’ necklace, a golden necklace crafted by four dwarfs with such artistry that it glittered like a constellation of stars in the night sky. She was married to the God Od (or Odur) who mysteriously disappeared. When she could not find him, she wept tears of gold. The tears that hit trees turned to amber, or Freya’s Tears. I try to evoke these images in the violin and harp by using harmonics, glissandi and delicate arpeggios.

The final movement, Sekhmet, is inspired by the mythological warrior goddess Sekhmet of Upper Egypt. She is depicted as having a human body with a lioness’s head, and is the fiercest hunter known to the Egyptians. She was viewed as the protector of the pharaohs and led them in warfare. It was also said that her breath created the desert.

The first and third movements call for an optional, specialized mute called the Kerrod mute. This mute muffles some of the strings during certain passages, creating a xylophone-like sound. It was invented and developed specifically for this piece by Jacqueline Kerrod and Marc Uys of Clockwise.

Freya’s Tears is written for and dedicated to Clockwise: Marc Uys violin and Jacqueline Kerrod, harp.

The Book of Goddesses

Freya's Tears - I. Iris

I liked the idea of writing a happy go lucky sounding song that’s really about a fundamental predicament, and not so happy go lucky after all...

remixed Dec '21

WESTERLY WIND

are we so different from the trees on the hill
we feel uprooted but we're standing still...

are we so different from the silt in the sea
We're drifting in a current that we can’t see

We're all drifting in a westerly wind
We're all breathing in a westerly wind
We're all leaning in a westerly 
Westerly wind 

there’s no endeavour 
now or never
known to ever
change the weather
and change things….
ooh, trade winds

there’s no endeavour 
known to ever
Come together
change the weather
and change things….
ooh, trade winds

are we so different from the seeds on the breeze
We’re rising and falling and we’re on our knees

We're all drifting in a westerly wind
We're all breathing in a westerly wind
We're all leaning in a westerly 
Westerly wind 


instr

there’s no endeavour 
now or never
known to ever
change the weather
and change things….
ooh, trade winds

we’re all chilling in the northerly wind
we’ve all been slaving in the southerly wind
we are all so fearful of the easterly wind
we’re still counting on the westerly
relying on a westerly wind
soon we’ll all be dying for a westerly
yes, we’re all still breathing in a westerly wind
were all still leaning in the westerly wind
yeah, we’re all believing in the westerly wind,
westerly wind…

Light Cloud

Midas De Phrygie