Ujjaya enconférence-concert le samedi 8 Novembre 2025 au 100 (100 rue des cités) à Aubervilliers 
Ujjaya is a french/malagasy ethno-ambient  musician , a spiritual seeker.
His tribal and experimental side is mainly influenced by Steve Roach,Robert Rich, Brian Eno and Jorge Reyes. 
Ujjaya  also play open tuned 6 and 12 strings folk guitar in a more new age way,reminiscent of Willam Ackerman.

Mutant Metropolitan Culture. 
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Audiobulb Records is an exploratory music label designed to promote creativity in all its forms. Audiobulb releases artist works on CD & download formats as well as multimedia works, VST (virtual instruments), audio hardware and other creative tools. We embrace the complexity of unique electronics, intricate acoustics and detailed microsound. Home of 'Endless Endless', 'Root of Sign' and the AMBIENT and Lissajous sound modules.

Walter Zimmermann
(b. April 15, 1949, Schwabach, Mittelfranken).
German composer of stage, orchestral, chamber, choral, vocal, piano, and electro-acoustic works that have been successfully performed and recorded across Europe.
Prof. Zimmermann learned piano, violin and oboe at an early age and began composing at age twelve. He attended the Fürth Gymnasium, where he studied piano with Ernst Gröschel. From 1968-70, he was pianist in the Ars Nova ensemble in Nuremberg and studied composition with Werner Heider. From 1970-73, he studied with Mauricio Kagel (at the Kölner Kurse für Neue Musik) and at the Institute of Sonology in Utrecht (with O.E. Laske) and the Jaap Kunst Center of Ethnology in Amsterdam.
In 1974, Zimmermann began his stay in the USA, first in Hamilton, New York to study computer music, and then around the States to have conversations with 23 American composers (which were published in the book Desert Plants). In 1976, he recorded folk music in the Siva Oasis, in a ghetto in Pittsburgh, an Indian reservation in Montana, and in the Fürth hinterlands. In 1977, he opened his Beginner Studios in Cologne and gave regular concerts of new music until 1984. In 1992, he and Stefan Schädler organized the Anarchic Harmony Festival in Frankfurt to honor John Cage on his 80th birthday.
He has received numerous awards, including the Förderpreis from the city of Cologne (1980), First Prize at Ensemblia in Mönchengladbach (1981), a scholarship to stay at the Villa Massimo in Rome (1987), the distinguished Prix Italia for his Die Blinden (1988), and the Schneider-Schott Preis (1989).
He has taught composition at the Liège Conservatoire (1980-84) and in Karlsruhe (1990-92) and has been Professor für Komposition at the Hochschule der Künste in Berlin since 1993; he has also lectured at Darmstadt (1982, 1984) and at the Royal Conservatory in Den Haag (1988). He has written the books Desert Plants (1976), Insel Musik (1981) and Morton Feldman Essays (1985).

Welcome to my place of musical experiments and my endless journey of exploring new sound textures, rhythms and melodic ideas. I am a multi-instrumentalist coming from a background of having actively played, harmonica, recorder, piano, organ, clarinet, tin whistle, pan pipes, guitar, violin, Shakuhachi, jaw harp, didgeridoo and accordion. My genre is mostly a fusion of Jazz and Soundscape, however I often seek inspiration from a wide variety of music, Celtic, Rock, Heavy Metal, Classical, Folk, Micro-tonal, just to name a few. I also build my own instruments, various Shakuhachi using them either directly in recordings or sample the sounds to incorporate in pitch shifting tools in Ableton Live. I often set myself a music challenge, taking every day sounds not considered musical, sampling, transforming and moulding them into a virtual musical instrument. Experimenting with evolving polymeters is a favourite feature of my works. I have been classically trained but soon ventured into free improvisation, which is my happy place.

I am based on the South Island of New Zealand, enjoying the great outdoors there. I often take inspiration from this for my music and associated cover art.

I have a no cover’s policy, all my works being original compositions, the only exception would be the odd jazz interpretation of a Bach piece from the Baroque era. My percussion sections do not use any artificial intelligence drum machines, nor do I use auto tuners for my violin playing. Paid likes and plays — none of that either. 

I also participate in musical collaborations, from accepting sound samples to see what I can do with them, to instrumental collaborations. Send me a message if interested.

Please join me on this wonderful journey of music exploration.

𝐀𝐫𝐜̧𝐨𝐧 𝐝𝐞 𝐍𝐢𝐞̀𝐳𝐞 / Napoli / 𝐔𝐧𝐡𝐞𝐢𝐦𝐥𝐢𝐜𝐡𝐞
_________________________________
* 𝐎𝐑𝐀𝐆𝐄 [𝐠𝐞𝐧~] (Full Six missing album) --> https://soundcloud.com/arcondenieze4/sets/orage-gen-six-missing-upcoming  
ORAGE [gen~] is a new project managed by Arçon de Nièze, focused on electronic generative music. 

* 𝐂𝐨𝐫𝐩𝐮𝐬𝐜𝐮𝐥𝐥𝐢𝐬 (Full excerpts Corpuscullis album) --> soundcloud.com/user-678992529/sets/canzoninne-corpuscullis
(with Julien Boutonnier poetry)


contact : arcondenieze@gmail.com 


L’ès-change au cuer brillant, se détourne chez les velés 
la calmisse d’estompté ès loggia, se carnoie en leurisse 
ritournelle ricrenelle, Arçon de Nièze couroinne les leurats, 
leurrait de soier, de Nièze falcon des épées cuer signantés 
turmants del profondis, luzsas y cièl pour toutes cuer 
Casvités stellis antemps . Anfenté grane suvenirs 
casvités anfentti stellis . 

Parinne bleumi 
aux arssères du grane en velés 
se ssarnoîcinne en leurisse 
l’Éreucline dans cruquel, de soier y pleure pourpre .
Casvités stellis antemppi . Résonann bleumi . pourse tousjoures . 
Lachryssoremène i lachrymmè blumise du dessein 
Stellirre pourse tousjoures . 


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• Terrassement en Andoyries (chap.I), 
   Virelai 1 de l’ancor

• Terrassement en Andoyries (chap.I), 
   Virelai 2 des velés 

• Terrassement en Andoyries (chap.I), 
   Virelai 3 n'enlèvement d'Assi des tremblères d'ornie 

• Terrassement en Andoyries (chap.I), 
Virelai 4 & 5 da éreucline y cruquel ès solaceram, dagli occhi . annegare viola

• Terrassement en Andoyries (chap.I),
Virelai 6 en Leurisse

• Terrassement en Andoyries (chap.I end), 
   Virelai 7 di Stellirre falconertti lachrymmè 
(with William Fowler Collins)

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• Terrassement en Andoyries (chap.II),
Virelai 8 Stellare cuer bleumie di scelssibè 

• Terrassement en Andoyries (chap.II), 
   Virelai 9 è fiddebaquè matiera primmatti
(no inputs/sources material)

• Terrassement en Andoyries (chap.II end), 
   Virelai 10 y Solacellam anfentti stellirre  
(90’s band own material) 

__________________________

• Terrassement en Andoyries (chap.III), 
   Virelai 11 Simonetti, prima della lava 

• Terrassement en Andoyries (chap.III), 
   Virelai 12 Napoli, amore sotto la lava dei tuoi occhi 
forgive me, i saw the pontoon of your soul .  
(with martelli/piano rehearsals material)

• Terrassement en Andoyries (chap.III), 
   Virelai 13/14 make Niblock Greataar againnis, 
    sotto la lava dei tuoi occhi, y Droni 
(with instrumental ensemble drone, rehearsals material) 

• Terrassement en Andoyries (chap.III), 
   Virelai 15 senglarine thisè Sicknessam ian.Um Stellirre 
(with Senglar "Sustain" ep material)

• Terrassement en Andoyries (chap.III end), 
   Virelai 16 Scarrabeesam stellarris è leurissè 
(with ensemble/fields rehearsals material) 

___________________________ 

• Terrassement En Andoyries (chap.IV), 
  Virelai 17 Diggazinne moltostellirre Di velés, 
usually you're drenched into dawn

• Terrassement en Andoyries (chap.IV),
Virelai 18/19 Tombborine millènious è carnoie en periferica

• Terrassement en Andoyries (chap.IV), 
  Virelai 20/21 è Rackhaminne sovetti slavenam, stelli Cuer infinitè 

• Terrassement en Andoyries (chap.IV end), 
Virelai 22/23 Auroressinnè pourse tousjoures, y finè 
(with Laszlo Umbreit material, and with instrumental ensemble rehearsals material)


(≈ 3h)


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Slow-mo magic/RMX/covers/readymades/karaoke
{{{{{ Music for weddings Vol I MEGAMIX }}}}}

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