beautiful song, Mike - really like this!!

I like how this built up and then dropped out

loves the vocals and of course the synthesisers taking over then fading to let that voice back in again

Music:  PJ Project & Janne Hennie
Lyrics & Vocal:  Janne Hennie
Instruments & Mix:  PJ Project

Lyrics:

So much to catch up on
Some of it never gets done
Time is too short, passes to quickly
suddenly the day is gone

It will be fine, it will be okey
Just speak up
And the help is on the way

People fussing, children shouting
So much noise all around
High demands coming from all sides
No peace to be found

It will be fine, it will be okey
Just speak up
And the help is on the way

Life is short, use it well
There is so much to gain
By slowing down, take a break
Time will pass anyway

It will be fine, it will be okey
Just speak up
And the help is on the way

It Will Be Fine   W/PJ Project

FUNKY SATELLITE // what's actually going on out there?
@docfritz // Soundscapes, Drums & Percussion, Mix & Production
A special thanks goes to the extraterrestrial Anonymous Allstars ;-)
© 2024 // composed, arranged & performed by DOCFRITZ

Funky Satellite

V-Life is not in Vain

DAW: Reason
Assorted VSTs for atmosphere
Loops: Splice

Oh, Look What You've Done To Me

Band 4

Red Egyptian Musk

Lyrics & Vocals: TheGrey
Music,Mix and Production: dj baubau
original song:
   TheGrey - the lone wolf
       https://soundcloud.com/thegrey-1/the-lone-wolf
   TheGrey soundcloud:
       https://soundcloud.com/thegrey-1

TheGrey & dj baubau - The Lone Wolf

Japanese Child

Here's a collab with the exceptionally talented https://soundcloud.com/frawstakwa

The original vocal can be found here

https://soundcloud.com/frawstakwa/lemme-show-you-whats-1


Cover art created at https://www.canva.com/

FRAWSTAKWA X RiZLiX - Lemme Show You

The Lantern Fouling the Brittle Air, Listening to the Dog and the Echo

method: first, I created a shaman-monk-version (mostly ‚Gregorian‘ voice and jaw harp) on cassette tape (this is where some of the noise - especially in the first section - derives from) and zoom r20 with a vacuum-tube pre-amp for the voice ….. all of which I then treated like a field recording sample in Samplitude - sculpting it with vst instruments and effects. 
narration: it feels like I have sonified this poem a million times before …. which might be the case because I have lived through it that often - I and others I dearly care for …. but then again … I might have actually done so. it is also part of the cycle SONIC CASCADE published in  A SINGLE LOOP OF FORTUNES. Alternative titles are ‚TWO-PLACE‘ and ‚04s SAMPLE‘. For this publication, I simplify the title to  ‚SAMPLE‘.
Image: copyright jo richter. you see some of the instruments used in the shaman-monk-version, arranged with a bracelet as though displayed in a museum. 

poem / copyright jo richter:

two-place sleeps on the ground
and still doesn‘t know where it is -
all of its strings sound sound
in heaven-hellish bliss -
nothing, it says, goes amiss
that doesn‘t want to be found

sample

I'm a keyboardist with a love for layering sounds to create ambient, ethereal atmospheres and composing simple piano pieces to embellish. I love all genres of music, and find myself composing different types depending on my mood of the day.

I’ve never had formal training. As a teen, my parents wouldn’t let a piano in our house in Egypt, so I studied piece-meal at friends’ homes. When I got to college, I learned by going to university piano practice rooms. In my 40’s, I met my birth-mom who turned out to be a child prodigy, winning a Van Cliburn competition by playing Rachmaninoff at age 11. Most of what I play today, I learned from the techniques she taught me. 

I’m an American who has lived abroad for a good part of my life in Egypt, Turkey, Japan, South Korea, Saudi Arabia, Italy, Taiwan, and now back to Texas.

Oh, Look What You've Done To Me

Mike Krath

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