My Classical Muse

An upcoming music producer/artist originally from Bangor, Wales but lived in Manchester England for the majority of my life. I am looking to mix tracks for free as practice and i am always open to collaborations.

There are so many great pieces of music in this place and and all over, that it almost feels  unnecessary to put any more out there.
But its not a competition and if it makes us feel happy by making beats and listen to it, then lets continue the ride🤝😎




https://open.spotify.com/artist/53j8FXLjlmWJ0GmlzpbwDw?si=3ptxHczRTsqdKO511ITGGw

"You don't sound like anyone else," said Danny Thompson - renowned bass player for Nick Drake and Joe Strummer - about English musician Conil.

The GRAMMY-winning engineer for Tom Waits and Elvis Costello, Tchad Blake said: "Strange Part of the Country is an awesome album! I still listen to it."

Fleetwood Mac legend Peter Green liked Conil's music so much he stopped by Conil’s house to record with him. They recorded a version of Conil's homage to the jazz greats "Round Midnight". 

Strange Part of the Country never conformed to any current trends and has remained timeless. Now, people are discovering this album and it is becoming an all-time favourite. 

When the album was released in the UK, it received some amazing press. Britain's biggest selling music monthly Q magazine gave it: "Four stars - Q Recommends". Blues Matters magazine wrote: "One of the most original artists out there". In the next issue, Blues Matters put him on the front cover.

Conil left London after Strange Part of the Country was released and has spent the last ten years living in the United States and Europe - including New Orleans, New York City, and Berlin.

Oi Oi. TOTALLYORANGE events & psyRANDOM project
We thank appreciate your support Re:- Likes, re posts & comments.
The biggest THANK YOU is for My Angie XXOXX

I am obsessed with arranging classical works with 21st century tech and collaborative inspiration.  I limit my active upload count to a rolling collection of my favs.

musical sketchbook
DIY, low skill, low fidelity

I’m a song-writer who enjoys creating music of any genre.

My son recently introduced me to A.I. and taught me how to do covers of my previously released non-A.I. music. Since I've never considered myself a performer (except playing with worship bands at church or solo-piano at a rehab center) using A.I. is right up my alley.

Since I've  exhausted using my previously released music for A.I. covers, I now compose music in a DAW, rip to a wave file, and make an A.I. cover of this wave file. I then write lyrics to the A.I. music. It takes around 100 A.I. iterations to complete the lyrics and get a style I'm happy with.  

Brief Bio: Lived more than a quarter of my life overseas (Egypt, Saudi Arabia, Turkiye, Italy, Japan, South Korea, and Taiwan). Each country gave me an appreciation for different types of music plus probably why I get bored easily in sticking with one genre or another.

#StartTheNextWave - New Wave. Post Punk. Art Pop Experimentor. New songs always in the works. Stay tuned.

Since 1998 I made and released lots of sound art, music, and noise, and wrote and published lots of poetry. You can find most of it online, in record stores, and in bookstores. On May 28 2025 I returned to my roots, and started working low profile on new folk music, like in 1998. Inspired by Syd Barrett, Robert Calvert, Chris Karrer, Peter Hammill, Bob Dylan, Leonard Cohen, Richard Hell, Daniel Johnston, Roky Erickson,  Dave Bixby, Jandek, James Douglas Morrison, jazz, modern poetry, and painting I set on a trip that knows no end. Hope you're with me.

My Classical Muse

Mike Krath