tilulilu

Snowflakes

Spacetrip (Planetarium Edition)

Drops

This track is the recording of an improvisation by the artist, globe reader, door reader and water sommelier Giorgia Bo on the handpan

Globomante

Si l’on doit s’éloigner  
Qu’est-ce qu’on fait là  
Si l’on doit se quitter  
Qu’est-ce qu’on fout là  
Triste ou pas, ne me laisse pas là  
Triste ou pas, ne me laisse pas là  

Jamais sans toi, j’aimais te laisser  
Rien que toi, à moitié vidé  
J’avance d’un pas, petit à petit vers là  
Les larmes coulent et dégoulinent vers le bas  

Si l’on doit s’éloigner  
Qu’est-ce qu’on fait là  
Si l’on doit se quitter  
Qu’est-ce qu’on fout là  
Triste ou pas, ne me laisse pas là  
Triste ou pas, ne me laisse pas là  

Attendre et croire, les traces s’effacent  
Sur mes pas, je suis son chemin  
Petit à petit, on coule vers le bas  
Et tu arrives à temps, le verre à moitié vidé  
J’aimais sans toi, et jamais te laisser  

Si l’on doit s’éloigner  
Qu’est-ce qu’on fait là  
Si l’on doit se quitter  
Qu’est-ce qu’on fout là  
Triste ou pas, ne me laisse pas là  
Triste ou pas, ne me laisse pas là  

Si l’on doit s’éloigner  
Si l’on doit se quitter  

Qu’est-ce qu’on fout là  
On doit s’éloigner  
Qu’est-ce qu’on fait là  
On doit se quitter  
Qu’est-ce qu’on fout là  
On doit s’éloigner  
Qu’est-ce qu’on fait là  

Plus rien sans toi, les souvenirs s’effacent  
Rien que toi, avec le temps qui passe  
Je recule d’un pas, toujours plus loin de toi  
Sers-moi dans les bras, et finis le verre avec moi  
J’aimais sans toi, jamais te laisser  

Si l’on doit s’éloigner  
Qu’est-ce qu’on fait là  
Si l’on doit se quitter  
Qu’est-ce qu’on fout là  
Triste ou pas, ne me laisse pas là  
Triste ou pas, ne me laisse pas là  


Ne me laisse pas là

Ne me laisse pas la

Fugue No.1 Op.54

Life is very short (be what your are)

Liquid Crystal  -   Musical Variations for organ

One track of improvised Ukulele and two tracks of sympathetic synths or echos...can't remember which...

ProjectNov25_1

This evening a difficult task... a struggle in the soul... an event that is not easy to deal with... a real storm of thoughts battling with each other...


THE GREAT FIGHT

deep in jump

Free Men

From the album EARS released April 1st 2016 on Western Vinyl

iTunes: http://hyperurl.co/gz5pqt
Bandcamp: http://hyperurl.co/vo3n6n
Amazon: http://hyperurl.co/qypau1
WV: http://westernvinyl.com/shop/wv145

Artist Page http://westernvinyl.com/artists/kaitlyn-aurelia-smith
Website http://kaitlynaureliasmith.com/
Facebook https://www.facebook.com/kaitlynaurelia/
Twitter https://twitter.com/kaitlynaurelia
Instagram https://www.instagram.com/kaitlynaurelia/

TOUR DATES
April 	28 - Fayetteville, AR - George’s Majestic Lounge w/ Animal Collective
April 	29 - Austin, TX - Levitation
May 	01 - Tulsa, OK - Cains Ballroom w/ Animal Collective
May 	03 - St. Louis, MO - Pageant - St Louis, MO w/ Animal Collective
May 	04 - Royal Oak, MI - Royal Oak Music Theatre w/ Animal Collective
May 	06 - Nashville, TN - Marathon Music Works w/ Animal Collective
May 	07 - Atlanta, GA - Buckhead Theatre w/ Animal Collective
May 	08 - Asheville, NC - Orange Peel w/ Animal Collective
May 	10 - Washington, DC - 9:30 Club w/ Animal Collective
May 	13 - Wilmington, DE - World Café Live at The Queen w/ Animal Collective
May 	14 - Sayreville, NJ - Starland Ballroom - w/ Animal Collective

Listeners familiar with Kaitlyn Aurelia Smith's previous album Euclid (an album that prompted Dazed to call her "…one of the most pioneering musicians in the world.") will no doubt notice her heavier use of vocals on her new album EARS.  On all but one song, her gently ecstatic swells of vocals emerge to soar over a dense jungle of synths and woodwinds.

After initially composing on a Buchla analog synth, she wrote arrangements for a woodwind quintet, added vocals, and further refined the pieces with granular synthesis techniques she developed in her sound design work (she contributed sound design to Panda Bear's "Boys Latin" video, and handled sound design and original compositions for Brasilia co-written by and starring Reggie Watts).   

Kinetic arpeggios of synths pulse, often buoying her graceful vocal mantras, while woodwinds breathe and flutter, emulating the wildlife Smith observed while growing up on the West Coast (she even studied recordings of slowed down bird calls prior to composing these pieces).   Though some of her gestures echo the musical tropes used by early minimalist composers, the world she creates on EARS is uniquely hypnotic and full of life, not unlike Miyzaki's film Nausicaä, which she cites as an inspiration.

Kaitlyn Aurelia Smith - "Existence In The Unfurling"

First Traction

ALEX SENT ME TWO LOVELY, SPACEY, AND ALWAYS FRESH SOUNDS FILLED WITH SPACEY AMBIENT TONES...I WAS GOING TO USE ONE OR THE OTHER BUT I BLENDED BOTH OF THEM TOGETHER B/C THEY WERE TOO BADASS TO NOT USE THEM BOTH...I BLENDED AND WEAVED MY SOUND INTO HIS AND WHAT WAS BORN WAS PSYCHEDELIC SPACE TEMPLE.  THE TITLE SUGGESTS THE VIBE OF THE TUNE AND IT IS ALWAYS A PLEASURE WORKING WITH THE GREAT ALEX.
CHECK OUT  ALEX https://soundcloud.com/alex-magic-art-productions

PSYCHEDELIC SPACE TEMPLE: ROOTS DUBMAN & ALEX MUSIC ART

Inlandsis

Pat Pik  - Inlandsis

Minimalism #1

I'm here to share and appreciate all genres of music.  Most of what I am currently recording is electronic, and largely ambient, in nature; however, I have recently started recording cover songs of various tunes.  So, since I'm no longer strictly ambient (only mostly), I've changed my SoundCloud name to Smooth Waters Sonic Journeys.  Headphones greatly enhance the listening experience.  Thank you for listening.

Minimalism #1

Smooth Waters Sonic Journeys

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LUÍS F. SILVA

LUÍS F. SILVA

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