Made purely with Berlin Strings v2.0 default patches, Tree mics only, no EQ. Orchestration is for a large string section, two percussion and piano.  Articulations featured for each section: Legato, Sustain, Pizzicato, Spiccato, Playable Runs, and Tremolo.

Berlin Strings 2.0 Demo

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

Violinist, pianist, chamber and orchestral musician, devoted to composing neo-classical music. 
I want to weave a gentle, emotional orchestral language, that speaks about live and touches the heart. 
I try to capture these ephemeral, timeless, and moving moments, transcribing them with devotion to sound and recording them in the sound studio.

The music creations are a testament to the value of retreat,
where silence gives birth to the most profound expressions, contrapuncting the noise of our world.

Thanks for your kind listening and commenting !
Helmut / HELMUTunes

July 3, 1967. Born in Nagoya City, Aichi Prefecture, Japan.
I was a game music composer working mainly on FM sound source of PC 9801 until 1996. Now i am an ordinary middle-aged man (^∀^*)

shitposting, reposting and cumming at the same time

Glass and concrete are so intertwined with the neural network of their inhabitants that a kind of symbiosis is obtained, reaching parasitism of one above the other. A small person has a choice: to be free or to become a link in this system, having realized this choice, the choice as such ceases to exist.

Dolbania was founded in January 2008 by two friends and a cat - lovers of good heavy music. Then a gloomy Gothic composition was recorded on the poems of I.V. Goethe on an acoustic guitar and synthesizer.
In the first year of her existence, she was in a creative search, with an admixture of depression. We searched for inspiration at abandoned industrial facilities and in listening to a huge amount of music. We fucked for a long time and a year later we finally decided on the style that you can currently hear in our songs.

Berlin Strings 2.0 Demo

Mike Verta