Phases of this example -
1) starts off in orgone[11], LLsLsLs mode, moves around by half step within that mode
2) abandons the MOS in order to obtain more consonant harmony, shifts the base chord from 7:9:11 to 4:7:9:11
3) once you have some basic "resolution," whatever it is, just go crazy and use it everywhere, setting the tonality up in a bunch of disparate keys, a la Bach. Of course, since we hate 12, we won't do it by rotating around the meantone circle of fifths - in this case we'll do a 5625/5488 comma pump instead

Tonality, Patterns in 11-EDO

This is mostly goofy experimental music theory stuff to see how different microtonal scales sound - no real musical compositions here (yet)

Tonality, Patterns in 11-EDO

Mike Battaglia