Phases of this example -
1) starts off in orgone[11], LLsLsLs mode, moves around by half step within that mode
2) abandons the MOS in order to obtain more consonant harmony, shifts the base chord from 7:9:11 to 4:7:9:11
3) once you have some basic "resolution," whatever it is, just go crazy and use it everywhere, setting the tonality up in a bunch of disparate keys, a la Bach. Of course, since we hate 12, we won't do it by rotating around the meantone circle of fifths - in this case we'll do a 5625/5488 comma pump instead

Tonality, Patterns in 11-EDO

IMDB: https://www.imdb.com/title/tt27197127/
A speaker of seven #languages, 2021 #Eisteddfod Winner (2nd and 3rd prize) at North American Festival of #Wales, entertainer JenX (also credited as "Jeni Rizio" and "Jen Rizio") is a learner and speaker of #Welsh helping new learners. Articles published in Bylines.Cymru, interviewed by #BBC Radio #Cymru, Radio Glannau Dyfrydwy, The #Utica Observer-Dispatch and St. David's World. Remixed for German #EDM group B.P.M. Creator and former webmaster for Caroll Spinney, Jen has been credited in "I AM BIG BIRD."

This is mostly goofy experimental music theory stuff to see how different microtonal scales sound - no real musical compositions here (yet)

Tonality, Patterns in 11-EDO

Mike Battaglia