Widely considered to be one of the chief innovators in the genre of electronic dance music known as deep house, Kerri Chandler has carved out a unique musical vision brought to life in marathon sets known to go on for 6 hours or more, he infuses elements of soul, jazz, funk, and practically any other dance rhythms to create the vivid sound tapestry unique to him. That has earned this world-class DJ, producer the affectionate nickname the Stevie Wonder of House music.

As a skilled multi-instrumentalist and Dolby Atmos certified recording engineer with a propensity for tinkering under the hood, Chandler strives to understand every aspect of sound recording and amplification. Kerri is constantly pushing the boundaries of recording technology and live-performance sound systems. When this talented DJ, and producer is behind the decks at notable venues as diverse as Printworks in London and Sub Club in Glasgow, you are guaranteed to be awash in quality music that reflects his experience as a global performer. You can never anticipate what you’re going to experience. Seamlessly transitioning from live DJing to live jam session complete with keyboards, live vocals, and loops or perhaps merging mid- 20th century studio grade reel to reels as a mixing source combined with state-of-the-art custom projection mapping design, newly developed by Panasonic to create immersive 3D environments, complete with tracks Chandler blends together while simultaneously interacting with holograms of legendary vocalists that Kerri has collaborated with though out his career.

With a discography spanning three decades, Kerri's first release Super Lover/ Get It Off on Atlantic Records in 1991 set the stage for what was to become a signature sound. His creations launched a wave of admirers and imitators of his deep lush chords and soulful grooves that stir emotions and movement. In his continuous search to inspire and nurture new talent, he forged MadTech Records and the eclectic Kaoz Theory imprints soon followed becoming the flashpoint for such artists as the Martinez Brothers, Seth Troxler, and Tony Lionni.

Kerri having just released his latest album the 24-track homage to international nightlife “Spaces and Places”, jumps headlong into the world of spatial audio with Dolby Atmos This new immersive sound format allows sounds to travel through a space not merely backward and forwards but circles in all directions. With the international support of club owners and engineers, a total of 24 iconic night spots were transformed into recording studios infusing each track with the full sound characteristics of the rooms they were recorded in. Spaces diverse as London's Ministry of Sound, Paris Rex, Berlin’s Watergate, Barcelona’s Razzmatazz, or New York's Knockdown Center creating a whole new layer of complexity and accuracy. “If I wasn’t working doing the stuff I love doing, I’d probably work at Dolby,” Chandler says. “My job became my hobby, and my hobby became my job.”

Kerri's latest series of dates brings all of this time and attention full circle combining the meticulous attention to sound, atmosphere, and craft that ensures that you will be taken on a musical adventure second to none.

Management - Donal@purplewall.com 

Bookings Worldwide (excluding territories listed below): 
dave@arcade-talent.com

Italy / Portugal / Spain: 
maurizioclemente@mac.com

14 year music obsessor/ dj/ producer.
music is the answer

any info 
lukepardmusic@hotmail.com 

thanks.

Buttery bits since 2017

Distributed by Prime Direct.

Label run by Sune (@emilsunesson)

Deeeeep into the vibe of house

London

Bookings: maslowunknown@gmail.com

Label from xxxy 

SOUR001 - xxxy - out now
SOUR002 - Marcin Krupa - out now
SOUR003 - xxxy and Braga - out now
SOUR004 - VA out now
SOUR005 - A/P Out soon
Demos welcome

"We’d thought our last evening in Barcelona was going to be a musical blunder. The events throughout the city were less than appealing, and we were left wandering around aimlessly for a good portion of the evening; until we found our way by disregarding every lesson we ever learned as toddlers"

"Past 3am local time, our options were scant, so we walked down one of the most hostile corridors in all of Europe, Barcelona’s Las Ramblas, rampant with some of the most terrifying creatures of the night. A quick right down some grim alleyway, and there it was — Moog. From the outside, nothing more than rotting stucco, a small congregation of degenerates and random gypsies selling cans of beer. We paid the fare for entrance, descended into the seizure inciting strobes, and ultimately discovered an acid haven that any techno fan would have crowned king"

"If the world does in fact end today, I can sign off as a truly satisfied enthusiast of techno music"

(The Vamp for www.electrotoronto.com)

mikecorrigan is following