Occupying the fertile ground between organic band land and an all-electronic production project, Bob Moses draw on the two poles to vividly resonate across both. 

Buy on iTunes: https://itunes.apple.com/gb/artist/bob-moses/id877845967

Listen on Spotify: https://open.spotify.com/artist/6LHsnRBUYhFyt01PdKXAF5

Management: 
Please send all Management enquiries to - geoff.barnett@redlightmanagement.com

Booking:
Avery McTaggart - amctaggart@tbaagency.com
Latane Hughes - lhughes@teamwass.com

For Inquiries: mikhailbeltranmusic@gmail.com

instagram : prodbySRNO

prodbySRNO@gmail.com

Signed to Atlantic Records, Singer/ Songwriter/ Producer/ Multi-instrumentalist Max Frost is a citizen of Earth, creating a musical spaceship to travel into distant galaxies. His influences include everything he’s ever heard.

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

Hailing from Zurich, Switzerland, Sons of Maria is a prolific dance outfit that makes essential house music in many different styles from deep to tropical to driving to progressive and future house. The Swiss project first emerged in 2015 and since then has put out eight fascinating EPs. The labels they have worked with include disco:wax, Enormous Tunes and No Deifniton and their influences take in chill wave, downtempo and lush pop as well as club facing house grooves. Tracks like “Where You Want Me At” and “Love Is” have been streamed hundreds of thousands of times online as well as soundtracking clubs around the world.

Sons of Maria have also collaborated with the likes of Angelika Vee, Nadia Ali, Alok, Nora En Pure and have gave remixed The Golden Pony amongst others. From Miami Beach to Washington DC, World Club Dome in Frankfurt Germany to Johannesburg, this man and woman twosome have taken their fresh sets to many different places and always impress. Mixing up the old with the new, they have their own unique style which has made them one of the fastest rising pairs in the global scene. BBC Radio has played plenty of their tracks and their Tracy Chapman sampling “You & I” proved one of their biggest cuts. Right now they are in a fine run of form in the studio and the DJ booth and bring the heat to any party at which they play. The future, then, is just as bright as the recent past for this expressive musical partnership.

If it keeps on raining, the levee is going to break...

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