Deadline: 7th December 2022

All submissions to Haiku 465:

https://www.naviarrecords.com/2022/11/30/naviarhaiku465-syntonic/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us/

haiku #465: syntonic / the acquiescent bend / of a willow

When The Ocean Takes Me (Where Will You go)

Asian Daydream

Deep Wood

This track was created for the Naviar Haiku group.
465 week haiku
https://www.naviarrecords.com/2022/11/30/naviarhaiku465-syntonic/

2022-12-01

Syntonic  ( Naviarhaiku 465 )

Electronic composition, sounds created in Pure Data.

Syntonic - Synchronic (naviarhaiku465)

03Dec22

My naviarhaiku465 submission
https://www.naviarrecords.com/2022/11/30/naviarhaiku465-syntonic/

:D

The acquiescent bend of a willow [naviarhaiku465]

https://caterpillarrec.bandcamp.com/album/transparent-forms?fbclid=IwAR2MDtUAVEyTzpVchoR3fwAMPJ5VHkhc6Qsdyf_xPuVaN_SZn_5DltuNFw0

Transparent Forms - Nick Ashwood - Cat 010 

Composed in 2022 for Microfest, an annual microtonal festival hosted by Kraig Grady and Michael H Dixon. 

Transparent Forms is Nick’s first group composition following on from his 2020 solo piece Unfolding/Overlay, (Inexhaustible Editions 027). Amanda Stewart wrote in the liner notes to that: “Enfolded in the shifting tones, our ears are at the edge of themselves.” With this new work, he continues this interrogation into the edges of harmonicity and perception. Frequencies from bowed guitar, flute and clarinet burst away from any notion of a stable lattice to reshape our understandings of intervals and chords, and our listening is continually surprised and delighted by the 'tastes' and 'colours' that are revealed. 

The instruments dissolve into each other to create an unrecognisable timbral unity where melody emerges from harmonic clouds.
credits
released December 2, 2022 

Laura Altman - Clarinet 

Jim Denley - Flute 

Nick Ashwood - Acoustic Guitar 

Recording at Tempe jets by the group, Tuesday 14th June 2022 
Mixed by Jim Denley

Transparent Forms

syntonic 
the acquiescent bend 
of a willow

haiku by Jenn Ryan-Jauregui https://twitter.com/jennfel

picture by SQ He https://unsplash.com/@idwyss465

For more information visit http://www.naviarrecords.com/about/naviar-haiku

flinty nachos

halF syntoniC [naviarhaiku465]

:::
my contribution
to
Naviar Records
Haiku Challenge 465

my interpretation of a
haiku
by
Jenn Ryan-Jauregui

.
.
.

syntonic 
the acquiescent bend 
of a willow

beeeeend* ::: naviar haiku 465

naviarhaiku465:
syntonic
the acquiescent bend
of a willow

haiku: Jenn Ryan-Jauregui https://twitter.com/jennfel
image: SQ He https://unsplash.com/@idwyss465
for the Naviar Records Haiku Music Challenge www.naviarrecords.com/about/naviar-haiku/

Acquiescent Bend [NaviarHaiku465]

SEIZURES - How To Avoid Euphoria

The Last Payphone In LA

Resting In The Dark -  Shane Beck & Walter Fini

Re-up with new sounds and warmer mixdown. Created with the Vital synth and my own field recordings.

0:00 -1:52: Under soil
1:52 -4:37: Apparitions everywhere
4:37 - end: The ghosts keep on singing

Summer on the old battlefield

OUR SAMPLE PACKS
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STREAM OUR MUSIC
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Usage Notice
This track is free to download and may be used for private listening or included in DJ sets.
Please note:
The track remains the intellectual property of the original artist (me). Redistribution, re-uploading, or use in commercial works (e.g. sync licensing, monetized content, remixes, edits, etc.) without permission is not allowed.

#ambient #ambientmusic #soundscape #cinematic #experimental #electronic #downtempo #deepambient #fluid #immersive #evolving #motion #dreamy #hypnotic #introspective #impermanence #evolvingtextures #atmospheric #deeplistening #thesneakiescollective #sneakiesmusic #sneakiesco #thesneakies

still air

From a series of (almost) daily ocean glimpses. The music is composed to a video of the sea (photons captured fresh every day). You can experience the full video version here: https://youtu.be/T76MOFaFNuY

Glimpse 1437 (Sep 7 2025)

mikey_a is an ambient and soundscape artist living in Melbourne, Australia.
Though now producing mainly in the box with a mix of VST and field recordings he still likes to occasionally crank out some of the physical treasures he's owned since the '80s: a Korg MonoPoly, a Roland TR-606, TB-303, S-10 and D-110 along with a TEAC 3440 reel-to-reel.
He is a frequent contributor to the Naviar Records' Haiku Challenge and Disquiet Junto projects.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Acquiescent Bend [NaviarHaiku465]

mikey_a

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mikey_a

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