Deadline: 2nd March 2022

All submissions to Haiku 425:
https://www.naviarrecords.com/2022/02/23/naviarhaiku425-looking-not-seeing/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us

haiku #425: Looking, not seeing – / Suddenly I realise / Spring buds unfolding.

This track was created for the Naviar Haiku group.
425 week haiku
https://www.naviarrecords.com/2022/02/23/naviarhaiku425-looking-not-seeing/

2022-02-24

Looking, Not Seeing  ( Naviarhaiku 425 )

A live electronic sequence created in Pure Data.

Spring Buds (naviarhaiku425)

For this week's naviar haiku I tried the VSTs Noises and Wires by Audiothing / Hainbach. Adds some warmth to my sound textures. Ridiculously great plugins.

naviarhaiku425 – Looking, not seeing

Looking, not seeing –
Suddenly I realise
Spring buds unfolding.

John Hinks, aka FlownBlue, is a prolific and talented composer, and a regular participant in the Haiku challenge. Aside from his solo project, John is also involved in three improvising duos: ‘Windfall Light‘ (with Jim Tetlow), ‘Abstract Blue‘ (with Kevin Buckland) and ‘Light Fragments‘ (with Steve Escott).

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 2nd March 2022

haiku by John Hinks https://soundcloud.com/flownblue

picture by Alexandru Tudorache https://unsplash.com/@andurache

Visit my other pages:

Official: http://www.seramind.de
Spotify: https://open.spotify.com/artist/22xH66OU00shKM5kcwbAeK
SoundCloud: https://soundcloud.com/seramind
Discogs: https://www.discogs.com/artist/4709745-Seramind
Facebook: https://www.facebook.com/seramind
Twitter: https://www.twitter.com/_seramind
Instagram: https://www.instagram.com/epp_elias
Tumblr: https://www.tumblr.com/blog/seramind
Bandcamp: https://seramind.bandcamp.com
MixCloud: https://www.mixcloud.com/seramind
HearThis: https://hearthis.at/elias-epp

Inspired By A Poem

Spring Sky

Spring Sky (naviarhaiku425)

naviarhaiku425:
Looking, not seeing –
Suddenly I realise
Spring buds unfolding.

haiku: John Hinks https://soundcloud.com/flownblue
image: Alexandru Tudorache https://unsplash.com/@andurache

Spring Buds Unfolding [NaviarHaiku425]

28Feb22

My naviarhaiku425 submission;
https://www.naviarrecords.com/2022/02/23/naviarhaiku425-looking-not-seeing/

:D

Looking, not seeing [naviarhaiku425]

This is a recycled improvisation that I did a while ago. It seems to suit my haiku for this week. It's played on a six-string fretless bass, with some effects added. Recorded and mixed in Reaper. Mastered with CloudBounce.
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

Looking, Not Seeing (naviarhaiku425)

First in a trio - looking forward what will happen to this tracks in the next week, when we enter round 2 and participants are invited to add  and play with the tracks from this week.
Download is enabled - have fun with my track

Fern (disquiet0697)

Wilfried Hanrath - Fern (disquiet0697)

My track notes regarding the creation of this track can be found here: https://llllllll.co/t/disquiet-junto-project-0697-first-third/71838/18

The Assignment: Record the first third of a trio.

Please note: While this project is the start of a three-part sequence that will unfold over the course of three consecutive weeks, you can participate in any or all three of those parts.

Step 1: This week’s Junto project is the first in a sequence intended to encourage and reward collaboration. You will be recording something with the understanding that it will remain unfinished for the time being. Your part will be done, but more will happen. Read on.

Step 2: The plan is for you to record a short and original piece of music using any instrumentation of your choice. Conceive the piece as something that leaves room for something else — other instruments, other people — to join in. (Keep in mind that your piece resulting from this week’s project will be panned to the left in the second and third weeks of this sequence.)

Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2.

Step 4: This is important: be sure to make your track downloadable because it may be used by someone else in the next Disquiet Junto project, and the one after that.

[Disquiet Junto 0697] Mr. Bowed Jangles

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Field recording from this morning, recorded in the garden while - - - gardening. I cut it into three equal parts of one minute each: work, walk, church bells.



Disquiet0697 - Sunday Morning Gardening

The Assignment: Record the first third of a trio.

Please note: While this project is the start of a three-part sequence that will unfold over the course of three consecutive weeks, you can participate in any or all three of those parts. 

Step 1: This week’s Junto project is the first in a sequence intended to encourage and reward collaboration. You will be recording something with the understanding that it will remain unfinished for the time being. Your part will be done, but more will happen. Read on.

Step 2: The plan is for you to record a short and original piece of music using any instrumentation of your choice. Conceive the piece as something that leaves room for something else — other instruments, other people — to join in. (Keep in mind that your piece resulting from this week’s project will be panned to the left in the second and third weeks of this sequence.)

Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2. 

Step 4: This is important: be sure to make your track downloadable because it may be used by someone else in the next Disquiet Junto project, and the one after that.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/



alarm [disquiet0697]a

I wanted to create something simple and circular that could stand alone for this first part of the @disquiet trio project. Using the Silver Age piano preset on Logic Pro with no effects, I repeat the note sequence D, G, D, A, F# eight times, sometimes letting the D and A overlap. There is no bpm to this and the only alterations I made when listening to this several times after recording this sequence, was to reduce the velocity on many of the notes to evoke an almost 'not really playing' quality to the piece.

Looking forward to hearing if anyone takes this further.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Hole Third (disquiet0697)

Track created by Frank Humphries for round 1/3 of disquiet 0697.  Bass Sequence made with Full Buckett Ragnarok VST Synth. Key of E, Tempo 38.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/


Go Figure (disquiet0697)

[disquiet0697] seq

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

SONG 93 - DisquietJunto0697 - First Third

This track is inspired by the beautiful and unique landscape of Brittany, especially the Côte de Granit Rose.

It is intended to be the first part of an asynchronous trio - as inspired by this week's Disquiet Junto project. But it is also meant to be a composition on its own.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Ploumanac'h (Disquiet0697)

Progetto per un call for works per flauto e fixed media, abbandonato per difficoltà e dubbi riguardo la partitura del flauto. 
2 contrabassi, tape delay, e flauto (canale destro, tongue ram).


Project for a call for works for flute and fixed media, abandoned due to difficulties and doubts about the flute score. 
2 double basses, tape delay, and flute (right channel, tongue ram).

FIRST-Tongue Ram [disquiet0697]

mikey_a is an ambient and soundscape artist living in Melbourne, Australia.
Though now producing mainly in the box with a mix of VST and field recordings he still likes to occasionally crank out some of the physical treasures he's owned since the '80s: a Korg MonoPoly, a Roland TR-606, TB-303, S-10 and D-110 along with a TEAC 3440 reel-to-reel.
He is a frequent contributor to the Naviar Records' Haiku Challenge and Disquiet Junto projects.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Spring Buds Unfolding [NaviarHaiku425]

mikey_a

Recent comments

FlownBlue

mikey_a

Related tracks