naviar02

naviarhaiku402 – 
How cool cut hay smells
when carried through the farm gate
as the sun comes up

Nozawa Bonchō was a haikai poet and disciple of Basho who worked as a doctor in Kyoto. Later in life Bonchō distanced himself from Basho’s school and was imprisoned for a crime. He died in 1714.

For this track I made heavy use of Spitfire Audio's LABS Instruments: Soft Piano, Tape Orchestra Strings Flautando and Peel Guitar Ensemble. The field recordings in the background are from LABS' magnificent Tundra Atmos.
#labscommunity13 #labssoftpiano #labstapeorchestra #labspeelguitar #labstundraatmos

haiku by Nozawa Bonchō https://en.wikipedia.org/wiki/Nozawa_Bonch%C5%8D
image by mike liu https://unsplash.com/@mike33538

to participate visit https://www.naviarrecords.com/about/naviar-haiku

Cool Cut Hay [NaviarHaiku402]

naviarhaiku403:
On the spring equinox
Clouds wander about
The entrance of a mountain temple.

haiku by Ida Dakotsu https://en.wikipedia.org/wiki/Dakotsu_Iida
picture by Artem Sapegin https://unsplash.com/@sapegin

On this track I made use of Gatelab and Filterstep - fantastic FREE plugins from @audiomodern (https://audiomodern.com/)

Equinox [NaviarHaiku403]

naviarhaiku404:
A red sun
Falls into the sea
What summer heat!

haiku: Natsume Sōseki https://www.britannica.com/biography/Natsume-Soseki
image: Jonathan Borba https://unsplash.com/@jonathanborba

Summer Heat [NaviarHaiku404]

naviarhaiku405:
A day of rainbows
As Summer gives way to the
Damp days of Autumn

haiku: John Hinks https://soundcloud.com/flownblue
image: Dewang Gupta https://unsplash.com/@dewang

Damp Days [NaviarHaiku405]

naviarhaiku406:
first winter rain –
a nameless mountain
quaintly

Ryōkan Taigu was a Japanese poet and calligrapher who lived during the Edo period. A Buddhist monk who lived much of his life as a hermit, he spent most of his time writing poetry, calligraphy, and communing with nature. His poetry is often very simple and inspired by nature.

#labscommunity14 #LABSpianopads #LABSfrozenstrings #LABSmoonguitar #LABSorganictextures #LABSarcticswells #LABStundraatmos

haiku: Ryōkan Taigu https://artofwonder.org/2014/11/14/forgetting-the-moon-the-poetry-of-ryokan/
image: Paul Earle https://unsplash.com/@paulearlephotography

Nameless Mountain Rain [NaviarHaiku406]

A groove in Dm @ 104 bpm played on a mahogany guild parlour guitar with a figure overdubbed. A foundation on which to ground your energy for the long struggle ahead.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Disquiet0697 - First Third

Solo ronroco, 2 microphones, a great sounding room, some convolution reverb added.

This is  a simple idea I've been practising today, recorded Thursday 8th may 2025 at noon, first and only take.
----------
later released with an alternate version, multitracked:
https://daniel-diaz-ronroco-lullaby.sbmt.to/
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For this collaborative project:

https://llllllll.co/t/disquiet-junto-project-0697-first-third/

Ronroco Lullaby (disquiet0697)

Track created by Frank Humphries for round 1/3 of disquiet 0697.  Bass Sequence made with Full Buckett Ragnarok VST Synth. Key of E, Tempo 38.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/


Go Figure (disquiet0697)

[disquiet0697] seq

As usual, there is an abundance of fantastic pieces to collaborate with. I finally decided on Aaron Hofman's work, because there was something about its slightly off kilter ambience that seemed to suit the later spring rain that is settling in for a few days. I added just a bit of gritty drone, augmented with a bit of reverb to further set the mood. 

disquiet0698

Disquiet Junto Project 0698: Second Third
The Assignment: Record the second third of a trio.

I chose ‘Unmaking Music’ because of its physical materiality. 

https://soundcloud.com/raincat-306596410/unmaking-music-disquiet0697

I had initially made a first version that contained many different movements on six tracks. That was pretty okay. But then I added some lurking piano - and somehow I felt that Raincat's hammering of whatever was the perfect partner for it. So I removed all the other tracks (only crow field recordings from Vienna remained, also the amplification of a kinda bell-like sounding Raincat “solo”). I didn't try to accompany Raincat, but let him accompany me. Thank you, Raincat, for your track!

I think this waits for a lead instrument. If someone wants to trio: The Piano is now 90bpm and somehow C-ish… (mainly CDCD, sometimes CDGC).

No total left-right-panning HERE, because I can't stand it. If you want to have one, download it THERE: https://soundcloud.com/winterer/panned-unmaking-together

Trio here:
https://soundcloud.com/blisterpop/composition-made-with-glue-disquiet0699-by-krakenkraft-raincat-jimmy-lem

--

Image based on image by Олег Воронцов / Unsplash
https://unsplash.com/de/fotos/nahaufnahme-eines-klaviers-vor-einem-gebaude-kM46wOZKouY
Thank you!

--
More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at https://disquiet.com/0698/

Discussion: https://llllllll.co/t/disquiet-junto-project-0698-second-third/71900

Unmaking Together: Krakenkraft joins Raincat [disquiet0698]

This song done in collaboration with Leon Clowes 
https://soundcloud.com/leonclowes/hole-third-disquiet0697

Disquiet Junto Project 0698: Second Third
The Assignment: Record the second third of a trio.

There are two versions of the instructions for this week’s project — one very short, the other very long.

Very short version (about 25 words): Select a track from last week’s project (disquiet.com/0697), pan it to the left, and add your own line to the right, leaving room in the center for someone to eventually turn it into a trio.

More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at https://disquiet.com/0698/



two of three [disquiet0698] with Leon Clowes

More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at https://disquiet.com/0698/

Uses "With the Bathwater" by modusMatt (https://on.soundcloud.com/AFmmUzYmSvYUDzUr9)

disquiet0698 (feat. modusMatt)

A collaboration using the track by modusMatt (https://soundcloud.com/modusmatt/with-the-bathwater-disquiet0697) to which I added a sequence of recordings of noises made with stones.

More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at https://disquiet.com/0698/

Stones in the Bathwater - with modusMatt(disquiet0698)

More on the 699th weekly Disquiet Junto project, Third Third — The Assignment: Record the final third of a trio — at https://disquiet.com/0699/

Source tracks:
Marjorie Van Halteren, "Disquiet0698 second with Torpid Scorpion"
https://soundcloud.com/vanwindmill/disquiet0698-second-with

Torpid Scorpion, "Disquiet0697 - First Third"
https://soundcloud.com/torpidscorpion/disquiet0697-first-third

tercero (third) (ft. Torpid Scorpion & Marjorie Van Halteren) [Disquiet0699]

mikey_a is an ambient and soundscape artist living in Melbourne, Australia.
Though now producing mainly in the box with a mix of VST and field recordings he still likes to occasionally crank out some of the physical treasures he's owned since the '80s: a Korg MonoPoly, a Roland TR-606, TB-303, S-10 and D-110 along with a TEAC 3440 reel-to-reel.
He is a frequent contributor to the Naviar Records' Haiku Challenge and Disquiet Junto projects.

Summer Heat [NaviarHaiku404]

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