Track created using software on iPad:
AUM, BLEASS SampleWiz/Phase Mutant, GeoShred, Sugar Bytes Aparillo, iceWorks Lagrange, Rozeta LFO, Altispace2 by Igor Vasiliev, AudioDamage RoughRider 3/OtherDesertCities, rymdigare by Erik Sight, Bram Bos Kosmonaut, Imaginando DLYM, Pagefall Ioniarics, 
Mixed and mastered in Cubase 12 with Ozone 10
Photo by zenbytes (2020, Bretagne, France)

summer night transforms - Naviarhaiku 479

This is this week's response to the Naviar Records Haiku Challenge.

filling my shadows
glorious rays bringing growth
heavenly ascent

Jennifer Doty was born and raised in the beautiful wilds of the Ozarks in southern Missouri. She was taught to value literature, music, the arts and spirituality. Her upbringing encouraged creativity, open mindedness and self-expression.

Always attracted to the outdoors, she draws much inspiration for her poetry from nature, as well as human nature. Her interest in poetry and writing as a form of self-expression began in her early teens, only recently is she beginning to publicly share her work.

Jennifer obtained a B.S. in Child, Adult and Family Services and an M.S. in Health Sciences. She has always had a passion for helping others. She raised 2 children and currently spends time helping with her four grandchildren. She enjoys family, writing, travel, photography, painting and working on improving her guitar skills.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

 

Deadline: 22nd March 2023

haiku by Jennifer Doty https://twitter.com/jenncord

picture by Elton Sa https://unsplash.com/@bigeruta

heavenly ascent (naviarhaiku480)

This track was created for the Naviar Haiku group.
481 week 
https://www.naviarrecords.com/2023/03/22/naviarhaiku481-travel-home/

2023-03-23

Travel Home  ( Naviarhaiku 481 )

The Assignment: Use probability to remove material from a track.

I made a 3 track piece specifically for this idea instead of using something I already had because I figured it should be done with tracks that always have something happening so the silence is more noticeable/dramatic.  I think the moments where everything cuts out are the most dramatic.  Silence is sort of the 4th track in that sense (or what ever is going on around you when listening).  The piece itself used a fair bit of aleatory.  "Dr Chaos" is a max for live instrument I used with the drum kit.  It plays random samples at a regular beat division (1/8th, 1/16th, etc.). The 2 other tracks are just moving through different interval cycles (minor 3rds and perfect 4ths) at different paces so they create different unpredictable harmonies.  I used Random.org to decide where to cut and how long the cut should be (1-8 beats).  I figured cutting on beats instead of seconds would give the breaks a rhythmic quality.

More on this 586th weekly Disquiet Junto project, Chance the Eraser (The Assignment: Use probability to remove material from a track), at: https://disquiet.com/0586/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0586-chance-the-eraser/

Nothing Hear (disquiet0586)

naviarhaiku481:
travel home
even the air
has changed

haiku: Wai Mei Wong https://twitter.com/wmwongcreator
image: Kate Bezzubets https://unsplash.com/@k8_bzz
for the Naviar Records Haiku Music Challenge www.naviarrecords.com/about/naviar-haiku/

Travelling Home [NaviarHaiku481]

I made a video for this track and it can be found here.
https://youtu.be/s_ofqGKi23I

travel home
even the air
has changed

Wai Mei Wong is a former early childhood educator living in Toronto, Canada. Her picture book Hello, Dark was shortlisted for the 2022 IODE Jean Throop Book Award, and chosen for the 2022 CCBC Spring Best Book for Kids & Teens Selection. She enjoys poetry, nature walks and funny movies.

She started writing Haiku in October 2022, after she became curious about this deceivingly simplistic form of poetry. Her inspiration comes mostly from her experience or the stories from people close to her.

Travel Home (naviarhaiku481)

naviarhaiku485

The rain is over:
South Mountain puffs out
Spring clouds.

(Tr. Sōiku Shigematsu)

One of the most influencial modern Japanese writers, Natsume Soseki’s literary career started in 1903, with a series of haiku and renga published on various literary magazines. Between 1900 and 1903 he studied at the UCL in London, but this proved to be quite a dramatic experience for the young Soseki:

“The two years I spent in London were the most unpleasant years in my life. Among English gentlemen I lived in misery, like a poor dog that had strayed among a pack of wolves.“

Despite this, when Soseki returned to Japan he exploded into prolific writing activity.

Seven days to make music in response to the assigned haiku: to participate visit [https://www.naviarrecords.com/about/naviar-haiku](https://www.naviarrecords.com/about/naviar-haiku?fbclid=IwAR13scfvxClSzTfbNs1PyRDX65m4R99UML_QBEtUPDsPMit3Jyu6uT0xpvk)

Deadline: 26th April 2023

haiku by Natsume Sōseki
picture by Daniel J. Schwarz

Tension (naviarhaiku485)

in dream world
was I laughing at a turtle?
winter seclusion

Among the four great masters of Japanese haiku, Kobayashi Issa was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun. If you want to find out more about this prolific author I suggest you check out this database of his haiku.


haiku by Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa

picture by Todd Trapani https://unsplash.com/photos/ymEcUhbjCrI

Nawak

Turtle winter seclusion (naviarhaiku488)

Noise Cathedral 852 Hz [Dark Nature Concept]

mikey_a is an ambient and soundscape artist living in Melbourne, Australia.
Though now producing mainly in the box with a mix of VST and field recordings he still likes to occasionally crank out some of the physical treasures he's owned since the '80s: a Korg MonoPoly, a Roland TR-606, TB-303, S-10 and D-110 along with a TEAC 3440 reel-to-reel.
He is a frequent contributor to the Naviar Records' Haiku Challenge and Disquiet Junto projects.