naviar02

naviarhaiku402 – 
How cool cut hay smells
when carried through the farm gate
as the sun comes up

Nozawa Bonchō was a haikai poet and disciple of Basho who worked as a doctor in Kyoto. Later in life Bonchō distanced himself from Basho’s school and was imprisoned for a crime. He died in 1714.

For this track I made heavy use of Spitfire Audio's LABS Instruments: Soft Piano, Tape Orchestra Strings Flautando and Peel Guitar Ensemble. The field recordings in the background are from LABS' magnificent Tundra Atmos.
#labscommunity13 #labssoftpiano #labstapeorchestra #labspeelguitar #labstundraatmos

haiku by Nozawa Bonchō https://en.wikipedia.org/wiki/Nozawa_Bonch%C5%8D
image by mike liu https://unsplash.com/@mike33538

to participate visit https://www.naviarrecords.com/about/naviar-haiku

Cool Cut Hay [NaviarHaiku402]

naviarhaiku403:
On the spring equinox
Clouds wander about
The entrance of a mountain temple.

haiku by Ida Dakotsu https://en.wikipedia.org/wiki/Dakotsu_Iida
picture by Artem Sapegin https://unsplash.com/@sapegin

On this track I made use of Gatelab and Filterstep - fantastic FREE plugins from @audiomodern (https://audiomodern.com/)

Equinox [NaviarHaiku403]

naviarhaiku404:
A red sun
Falls into the sea
What summer heat!

haiku: Natsume Sōseki https://www.britannica.com/biography/Natsume-Soseki
image: Jonathan Borba https://unsplash.com/@jonathanborba

Summer Heat [NaviarHaiku404]

naviarhaiku405:
A day of rainbows
As Summer gives way to the
Damp days of Autumn

haiku: John Hinks https://soundcloud.com/flownblue
image: Dewang Gupta https://unsplash.com/@dewang

Damp Days [NaviarHaiku405]

naviarhaiku406:
first winter rain –
a nameless mountain
quaintly

Ryōkan Taigu was a Japanese poet and calligrapher who lived during the Edo period. A Buddhist monk who lived much of his life as a hermit, he spent most of his time writing poetry, calligraphy, and communing with nature. His poetry is often very simple and inspired by nature.

#labscommunity14 #LABSpianopads #LABSfrozenstrings #LABSmoonguitar #LABSorganictextures #LABSarcticswells #LABStundraatmos

haiku: Ryōkan Taigu https://artofwonder.org/2014/11/14/forgetting-the-moon-the-poetry-of-ryokan/
image: Paul Earle https://unsplash.com/@paulearlephotography

Nameless Mountain Rain [NaviarHaiku406]

naviarhaiku421:
White and white
Heaven and bottom useless
–Winter cloudy

haiku: Yoshida Donguri https://haiku.kaigonokaeru.info/
image: Das Sasha https://unsplash.com/@dasdasha2015

White Winter Clouds [NaviarHaiku421]

First in a trio - looking forward what will happen to this tracks in the next week, when we enter round 2 and participants are invited to add  and play with the tracks from this week.
Download is enabled - have fun with my track

Fern (disquiet0697)

Wilfried Hanrath - Fern (disquiet0697)

My track notes regarding the creation of this track can be found here: https://llllllll.co/t/disquiet-junto-project-0697-first-third/71838/18

The Assignment: Record the first third of a trio.

Please note: While this project is the start of a three-part sequence that will unfold over the course of three consecutive weeks, you can participate in any or all three of those parts.

Step 1: This week’s Junto project is the first in a sequence intended to encourage and reward collaboration. You will be recording something with the understanding that it will remain unfinished for the time being. Your part will be done, but more will happen. Read on.

Step 2: The plan is for you to record a short and original piece of music using any instrumentation of your choice. Conceive the piece as something that leaves room for something else — other instruments, other people — to join in. (Keep in mind that your piece resulting from this week’s project will be panned to the left in the second and third weeks of this sequence.)

Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2.

Step 4: This is important: be sure to make your track downloadable because it may be used by someone else in the next Disquiet Junto project, and the one after that.

[Disquiet Junto 0697] Mr. Bowed Jangles

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Field recording from this morning, recorded in the garden while - - - gardening. I cut it into three equal parts of one minute each: work, walk, church bells.



Disquiet0697 - Sunday Morning Gardening

The Assignment: Record the first third of a trio.

Please note: While this project is the start of a three-part sequence that will unfold over the course of three consecutive weeks, you can participate in any or all three of those parts. 

Step 1: This week’s Junto project is the first in a sequence intended to encourage and reward collaboration. You will be recording something with the understanding that it will remain unfinished for the time being. Your part will be done, but more will happen. Read on.

Step 2: The plan is for you to record a short and original piece of music using any instrumentation of your choice. Conceive the piece as something that leaves room for something else — other instruments, other people — to join in. (Keep in mind that your piece resulting from this week’s project will be panned to the left in the second and third weeks of this sequence.)

Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2. 

Step 4: This is important: be sure to make your track downloadable because it may be used by someone else in the next Disquiet Junto project, and the one after that.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/



alarm [disquiet0697]a

I wanted to create something simple and circular that could stand alone for this first part of the @disquiet trio project. Using the Silver Age piano preset on Logic Pro with no effects, I repeat the note sequence D, G, D, A, F# eight times, sometimes letting the D and A overlap. There is no bpm to this and the only alterations I made when listening to this several times after recording this sequence, was to reduce the velocity on many of the notes to evoke an almost 'not really playing' quality to the piece.

Looking forward to hearing if anyone takes this further.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Hole Third (disquiet0697)

Track created by Frank Humphries for round 1/3 of disquiet 0697.  Bass Sequence made with Full Buckett Ragnarok VST Synth. Key of E, Tempo 38.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/


Go Figure (disquiet0697)

[disquiet0697] seq

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

SONG 93 - DisquietJunto0697 - First Third

This track is inspired by the beautiful and unique landscape of Brittany, especially the Côte de Granit Rose.

It is intended to be the first part of an asynchronous trio - as inspired by this week's Disquiet Junto project. But it is also meant to be a composition on its own.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Ploumanac'h (Disquiet0697)

Progetto per un call for works per flauto e fixed media, abbandonato per difficoltà e dubbi riguardo la partitura del flauto. 
2 contrabassi, tape delay, e flauto (canale destro, tongue ram).


Project for a call for works for flute and fixed media, abandoned due to difficulties and doubts about the flute score. 
2 double basses, tape delay, and flute (right channel, tongue ram).

FIRST-Tongue Ram [disquiet0697]

mikey_a is an ambient and soundscape artist living in Melbourne, Australia.
Though now producing mainly in the box with a mix of VST and field recordings he still likes to occasionally crank out some of the physical treasures he's owned since the '80s: a Korg MonoPoly, a Roland TR-606, TB-303, S-10 and D-110 along with a TEAC 3440 reel-to-reel.
He is a frequent contributor to the Naviar Records' Haiku Challenge and Disquiet Junto projects.

White Winter Clouds [NaviarHaiku421]

mikey_a

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