I love your saxophone playing. So smooth on this piece.

Cool song , great motif , love this saxo Mikey 👍👏

Great track, Mikey.  A great performance.

Awesome saxophone! Enjoyed it! Thank you! 🛸🤝

You're amazing to be able to improvise such a beautiful piece of music!

Yamaha Tenor Saxophone
Mahalo Flying V Ukelele
Addictive Drums
Kontakt
Komplete Kontrol
Xpand2!
Mercury 4
Quadra

Chuck a ey

Chuck a uey

Emisarios   

La noche me encima queriendo desanimar.
la lluvia decide trayendo un tesoro
Es agua del cielo, me dijo prestá atención.
Sos hijo del suelo, sos savia, sos bendición.
hablan sin hablar, cuando estamos solos.
y a su corazon recibo igual.


El tiempo me envuelve, sumando me arrastra,
Mi alma y el cielo, son fuego que basta.
Son flama que grita, son guerra sin rendición,
son  furia del trueno, caida y resurrección.
Hablan sin hablar, cuando estamos solos
y a su corazon recibo igual.

Hablan sin hablar, cuando estamos locos
y a su corazon recibo igual. 

Letra y Música: Pichy Sotomayor
Picture: Princess Mononoke by Hayao Miyazaki (1997)

Emisarios

This song was a bit of an experiment. While the tune is kind of poppy and upbeat, the lyrics are a little ambiguous. I had some fun trying to figure out the harmonies. A bit of a hot mess, but I am happy with it. I hope you enjoy!  

Stepping Out

method: minilogue xd, zoom r12, swiss german voice leni on magix hub, samplitude

narration: at my age, it might be time to pretend to know about personal panic modes ;-)

image: panikhase on the minilogue, copyright jo richter



,


poem / copyrght jo richter:

der panikhase in trance und ekstase

im wirbel der grünen, der gelben, der roten

der panikhase hat dreizehn pfoten

die batterien sind schwupps geliehen

der panikhase hat schon verziehen

die elektrische spinne der zehntausend sinne

der panikhase in trance und ekstase

interlinear translation: the panic rabbit // the panic rabbit in trance and exstasy / in a whirlwind of the green, the yellow, the red / the panic rabbit has thirteen paws / the natteries are borrowed, just like that / the panic rabbit has already been absolved / the electric spider has ten thousand senses / the panic rabbit in trance and extasy

panikhase

My orchestral and piano tribute to this amazing composition by Handel

Passacaglia

Blowholes from Mars

Il Gigante di Monterosso – Feat: Sergei Govorov
June 2025
Duration: 3:20
Music Composition - Bruce Klepper
Effects and Mixing - John-Marc Ventimiglia 
Cover Art Photography- Heidi Schnicker 
Soprano Sax- Sergei Govorov 

On our recent trip to Italy, one of the places we stayed was Monterosso, one of the 5 villages in Cinque Terre. From our patio, we were able to see Il Gigante looking out over the ocean. I am pleased to announce this new music collaboration, Il Gigante di Monterosso - Feat: Sergei Govorov, celebrating the beauty of Italy.  Listen to Sergei's music on Spotify and Apple Music.
Sergei Govorov completed his doctoral degree at the Gnessin Academy of Music in Moscow with the highest honors.  In 2022, Sergei moved to the United States.  Sergei's repertoire ranges from classical saxophone to avant-garde, jazz, and pop. He has performed over 4,000 concerts worldwide.  For the last year I have been writing music for the sax and piano duo, Govorov & De Groot.  Sergei Govorov and Britta De Groot have performed my music in Colorado and have future plans for more concerts and possible recordings. 

For soprano sax, piano, tubular bells, sound effects and percussion

Il Gigante di Monterosso - Feat. Sergei Govorov (demo)

Taken from the 'Beyond the Veiled Horizon' series of tracks

soundcloud.com/mrbouzouki/sets/beyond-the-veiled-horizon-series

Dee Zee and Mr B YouTube Channel 

https://www.youtube.com/@DeeZeeandMrB
---------------------------------------------------------------------------
This track is part of an ongoing SoundCloud collaboration with accomplished keyboard player and Prog Rock enthusiast Dave Zeitlin.

Be sure to check out more of his music here :- @dee-zee
---------------------------------------------------------------------------
Expedition Journal

10th June
The hieroglyphs are faded and unclear, but the riddle might be solved.

15th June 
A secret entrance, long buried in the sands of time, finally a way inside the Sphinx.

16th June
We hear the sound of an ancient mechanism and an opening appears. Stepping inside, we discover chambers of wondrous size and form, but all are empty. Our flickering torches show air still moves inside this wonder of the ancient world.
 
Suddenly we find ourselves in danger and running for a possible exit. A mechanical sound of rock sliding over ancient rock. We barely escape with our lives.

17th June
Our entrance and hurried exit are both now fully sealed from intruders. There will be no second chance.

Flying away in the helicopter, the enigmatic Sphinx looks on.

As it always has.

As it always will.

---------------------------------------------------------------------------
Dave had worked hard to create a great template of ideas in a fully realised track. Whilst thinking of the title the idea was formed of making it an almost 'Indiana Jones type adventure' with explorers finding a secret way into the Sphinx. This resulted in the journal entry above to set the scene. 

I spent a fair bit of time getting the Phrygian Dominant scale under my fingers for the electric guitar work to contrast Dave's sinuous, winding synth lines.

The end result hopefully does lead the listener on the adventure, with a grand start, a way inside, wonder, peril then danger, before a hurried escape by a different exit as the Sphinx defeats the intruders and seals all the doorways forever. Finally a tiny reprise featuring a departing helicopter closes out the track.

Instrumentation

Low Drone - Dee Zee
Sinuous Synth Lead - Dee Zee
Low Pulse Synth - Dee Zee
Drum Ostinato Pattern - Dee Zee
Shimmer Synth - Dee Zee
Warm Rise Synth - Dee Zee
High Solo Synth Lead - Dee Zee
High Pedal Synth - Dee Zee
Ending Synth Lead - Dee Zee
Choir Synth - Dee Zee

HALion Spacious Strings - MrBouzouki
VSL Altair Strings - MrBouzouki
HALion Easy Modern Funk Bass - MrBouzouki
Electric Guitar - MrBouzouki
HALion String Swells - MrBouzouki
VSL Timpani - MrBouzouki
HALion Thunderstrom (Door FX) - MrBouzouki
Sliding Stones / Gear / Chains FX / Helicopter - MrBouzouki
HALion Odyssey Synth - MrBouzouki
Darbuka (Percussion) - MrBouzouki
Tombak (Percussion) - MrBouzouki
HALion St Peter's Choir - MrBouzouki

The Riddle of the Sphinx - in collaboration with D Zeitlin

Mark says - 
In the 5 years I have been working with Rod, I have been encouraged to reach as far as my experience allows me to, with complete support at all times. So far we have completed 11 songs and have experimented with several others that made for a great learning curve for me, with several more at other stages of development... Watch this space, however as we are methodical and patient, therefore it may take some time to get them off the ground.

The subject matter of this song may be based on a different scenario but it is also a token of my gratitude to my inspirational collaborator and friend Rod, who has given me much confidence to rise to the ambition of his musical creativity and meticulous arrangements. Thank you all for giving this song your time.

Rod says - 
This song was conceived a long time ago to be sung in Spanish, but Mark did a magnificent adaptation with his English lyrics, and the meaning is 100% faithful to the original spirit, even though he hadn't heard the original song in Spanish. Technically, there are three voices together, consolidating a multi-vocal performance. The synth sounds emulate my old analog and FM synths, and the guitars were routed through an old console to achieve the vintage sound I was looking for.

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix - @rplanes
Me - Vocals and lyrics
Image by Douglas Corrance

Thank You (Rodolfo Planes/Mark J Bennett)

I would like to tell you just how grateful I am,
And also how important you’ve been here in my life.
I know I don’t need to draw you a diagram,
Thank you for being there all this time as my wife.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
 
No need to show me all of your gratitude,
I already know how much you show that you care,
When you were prepared to move to my latitude,
Then I was convinced I was ready to share,
My life with you whatever it threw at the both of us.
I know that it’s true, no matter what you care to say.
I’ll always need to express all of my thanks to you 
This will always be true on that I swear.
 
I would like to tell you just how grateful I am,
And also how important you’ve been in, in my life.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
Then I was sure that I was ready to share,
My whole life with you, whatever that meant for the both of us.
I know that it’s true, whatever you say.

This song on Continental Collision's own cloud - https://soundcloud.com/user-517923604/thank-you

Also available on Spotify - https://open.spotify.com/album/5pfvPjop9XCJPrVL9a60U0

Thank You - Continental Collision (Rodolfo Planes & Mark J Bennett) on Spotify

Aetherial Reverie

Broken (Remix)

Hello and thank you for dropping by.

Thank you very much to everyone who takes the time to listen, like and share my noises. I am extremely grateful. My apologies if I take a little while to respond to those that leave nice comments.

I like listening to music, making simple, tunes when I have time, and generally faffing about in an inefficient manner. Hopefully you might like something on offer here. 

I use a Hinkler Cigar Box guitar (about $30 from Aldi, great fun), a Flying V ukulele, a couple of old keyboards, other bits and bobs, and a Yamaha tenor saxophone.

Chuck a uey

Mikey McFaffington and his Saxophonic Adventures

Recent comments

David. k. A. Spencer.

arse-myth

kensuke kotori

Victor Sea

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