♥‿♥
Recorded at @noname_community • June 2025

thank you @aspetuck

e25.orbit07 • aspetuck

With the summer festival season drifting into memory, it feels like the right moment to linger on one of the most thoughtfully shaped events in recent years. The Mostra Festival unfolded over the Easter weekend across two Barcelona locations, and what set it apart wasn’t just the programming, but the curation - a balance of trust, patience, and precision. The first two days leaned toward the ambient and the experimental, tipping into rhythm as the nights wore on. Yet the real magic of that opening stretch lay in the beatless hours. Friday in particular offered a moment that still reverberates among Mostra regulars and beyond: Robert Henke’s performance of Dust. If there is any place in the world designed for such a work, Mostra provided the perfect frame. For one afternoon, Henke held the crowd in complete attention and reverence, something essential for any artist, but especially for one whose work is as delicate, shifting, and expansive as Dust.

For many of us, Robert Henke, Monolake to longtime listeners, has been a constant presence in the background of our musical lives. His records shaped taste, his performances redefined how electronic music could be experienced live, and his role as co-creator of Ableton changed the very tools we use to make and share sound. Few artists can claim such a dual legacy: architect of both the music and the machinery. Whether in moments of joy or frustration, whether in the studio or on the dancefloor, it’s impossible to imagine modern electronic music without his fingerprints on it. Henke embodies the link between technological innovation and artistic expression, and his influence runs deeper than most of us can trace.

Dust is perhaps the clearest expression of that link. Powered by a custom granular synthesis engine, it reduces sound to particles, field recordings, analog tones, machine hiss, bells, and waves, then disperses them into clouds that evolve in real time. The result is less like a composition and more like a living organism: fragile, unpredictable, always becoming something new. At Mostra, this unfolding took shape in late afternoon, after Patrick Russell’s set had sharpened the air with its own restraint. Henke stepped in with a 360-degree surround system that transformed the floor of Fabra i Coats into a resonant body. The sound was cosmic and liquid, grainy and immense, stretching outward until it seemed to erase the horizon. Every surface in the space shimmered with detail, as if the air itself had been tuned. What made it remarkable was how fragile it all felt. Nothing was forced; every movement seemed to arise on its own, like dust caught in late-afternoon sunlight. Yet the immersion was total. People surrendered, leaning into the space as if trying to hold onto something that could never be held. For that hour, Mostra wasn’t a festival anymore. It was a room of people floating together in a world made entirely of sound, knowing it would never happen in quite the same way again.

https://soundcloud.com/monolake
https://www.instagram.com/studio.robert.henke/

www.mostra.barcelona
www.instagram.com/mostrabcn/
@mostrabcn

Write up by @gilleswasserman

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linktr.ee/delayed
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Delayed x Mostra: Robert Henke presents Dust

Ebbs and Flows was chosen as the perfect platform to share a side of Romi's sound that is rarely played out but holds a very special place in his heart. The recording took place in Berlin at the studio of close friend Rami Abirafi, using CDJs and Technics 1200s.

Romi has been across the techno scene for decades, developing a vision for music that spans genres and moods. Bringing it all together coherently with a focus on deep, hypnotic sounds, he expresses this vision through Kizen's consistently high-quality output, that traverses multiple facets of electronic music.  A seasoned artist and world traveler now based in Berlin, Romi has spent over two decades creating atmospheric depths with an effortless touch.

@romi808
@kizenrecords

FlowCast #008 | Romi

Recording of Loidis' set at the Selectors stage during Dekmantel Festival 2025.

Loidis at Selectors - Dekmantel Festival 2025

Record collector, artist, and mystic, Millie McKee shares organic spirtualized oddities and stories, dancing between rare variations of jazz, psych, dub and rock and more.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/millie-mckee/episodes/millie-mckee-30th-september-2025

Millie McKee w/ Kyle Toole 300925

thanks to @resonant_ev, all dancers, dreamers and to

Khlav Kalash
Chaos in the CBD
Youandewan
Tarik Hensen
planet uterus
Martinou
Ben Kaczor
Eletun Selona
Dwig
Pure Science
Tintin Quarantino
El Choop
Lance Desardi
Jay Tripwire, Delano Smith
30/70, Chaos in the CBD
Logic1000
Mainline Magic Orchestra, Eden Burns
DJ Balduin
boaksi, noc:turne
Martinou
Prime Minister of Doom
Hame
Ori Raz
The Mountain People
Edward
Opus III, Grigoré

Motiv for resonant @ Tarmac 2025

"From stillness, motion grows. After hours suspended in ambient haze, pulse and movement return - deep, measured, and alive with detail. From layered harmonics to the weight of each kick, the set unfolds like a slow ignition: serious, immersive, and unrelenting in its drive. A live moment at Mostra that reminded everyone where the dancefloor begins."

As a Mostra resident since the first edition, Timnah (@timnah-sommerfeldt) has shown throughout the previous years a great versatility, adapting to any venue and time slot of the festival always brilliantly. After closing Mostra24 in a masterful way, the Swiss artist visited Mostra25 to do a hybrid set with Mario (@mario-7), who also joined Mostra with Varuna (@varuna4053) a couple of years ago in a performance of which we also keep very nice memories.
The hybrid DJ/live set of Timnah and Mario is a match made in heaven, linking top notch selector capabilities to swirling hardware techno aesthetics and flawless execution. Both hailing from Basel, their collab also entangles the two local labels Amenthia Recordings (@amenthia-recordings) and A Walking Contradiction (@awalkingcontradiction). Through their close collaboration with both labels and heaps of collective of studio time, their musical taste and approach have become deeply intertwined, resulting in long build-ups and transcendental sound sculptures.

Mostra (@mostrabcn) is an independent, small-scale festival of avant-garde and experimental electronic music that emerged at the end of 2021 as a counterpoint to the macro-festivals and the overcrowded, commercial, and impersonal offerings of other large events held in Barcelona. Mostra will celebrate its fourth edition from March 12 to 15, 2026.

Don't miss the 5th edition of Mostra!!

https://es.ra.co/events/2270686
https://www.mostra.barcelona/en

HOCast #264 - Timnah & Mario (Hybrid) - Mostra 2025

Peter Van Hoesen performed on the second day of #Mostra25 at Fabra i Coats: Fàbrica de Creació.

+ + + + + + + + + + + + + + + + + + + + +

Clubs, festivals, theaters, football stadiums, museums, beaches, mountains and beyond - Peter Van Hoesen's take on visceral techno has been presented worldwide in many different settings for nearly two decades.

One central element always remains: a deep love and understanding of sound and all its influential effects. Peter Van Hoesen runs Time To Express and Center 91. Together with AtomTM he is SYNC. - a live techno project focused on improvisation and collaboration. Together with Yves De Mey he is Sendai, a forward looking experimental outfit with releases on Editions Mego, Archives Intérieures, Konstrukt and Stroboscopic Artefacts.

@petervanhoesen

Peter Van Hoesen @ Mostra 2025

We're excited to present @ZaraOlsen with a live recording at @mostrabcn; traversing immersive clouds of pads and shimmers infused with a wide range of rhythms guiding you through the stunning trip. Get to know her through the Q&A here below. Thank you Zara!

[Photo: Maika / Mastering: Other Joe]

𝘊𝘢𝘯 𝘺𝘰𝘶 𝘵𝘦𝘭𝘭 𝘶𝘴 𝘢 𝘣𝘪𝘵 𝘢𝘣𝘰𝘶𝘵 𝘵𝘩𝘪𝘴 𝘴𝘦𝘵?
This set was recorded at Mostra Festival in April – a beautiful four-day experimental music festival in the heart of Barcelona, and my first Europe show of the year! I had the opportunity to bridge the gap between Ena’s incredible live ambient set and Timnah & Mario (Hybrid)’s deep techno set.

I themed my set around spiralling synths, beginning the journey with broken beats and moving through half-time into 170 BPM, while maintaining a sense of hypnotic groove throughout. 

The crowd and energy in the room were magnetic – they were with me every step of the way. It was such a beautiful experience and definitely a highlight of my year. Huge thanks to the amazing team at Mostra!! :)

𝘊𝘢𝘯 𝘺𝘰𝘶 𝘵𝘦𝘭𝘭 𝘶𝘴 𝘸𝘩𝘦𝘳𝘦 𝘺𝘰𝘶 𝘢𝘳𝘦 𝘧𝘳𝘰𝘮 𝘢𝘯𝘥 𝘸𝘩𝘢𝘵 𝘺𝘰𝘶 𝘢𝘳𝘦 𝘶𝘱 𝘵𝘰 𝘭𝘢𝘵𝘦𝘭𝘺?
Hello :) I’m Zara and I’m originally from so-called Australia, but I’ve been living in London since April.

I’m finishing up my last EU/UK gigs for the year this week, and then I’m sooo excited to head to Japan and Korea for a mini tour – still pinching myself that I get to play there!

𝘏𝘰𝘸 𝘭𝘰𝘯𝘨 𝘢𝘳𝘦 𝘺𝘰𝘶 𝘱𝘭𝘢𝘺𝘪𝘯𝘨/𝘱𝘳𝘰𝘥𝘶𝘤𝘪𝘯𝘨?
I’ve been DJing for about seven years and producing for around five.

𝘞𝘩𝘪𝘤𝘩 𝘵𝘳𝘢𝘤𝘬 𝘱𝘶𝘭𝘭𝘦𝘥 𝘺𝘰𝘶 𝘪𝘯𝘵𝘰 𝘥𝘢𝘯𝘤𝘦/𝘵𝘦𝘤𝘩𝘯𝘰?
XLB by Pearson Sound completely rewired my brain and pulled me into the subterranean world.

𝘞𝘩𝘪𝘤𝘩 𝘵𝘳𝘢𝘤𝘬 𝘢𝘳𝘦 𝘺𝘰𝘶 𝘢𝘥𝘥𝘪𝘤𝘵𝘦𝘥 𝘵𝘰 𝘮𝘰𝘴𝘵 𝘳𝘦𝘤𝘦𝘯𝘵𝘭𝘺?
They Feel, They Know by SHIVARASA.
I first heard it during a yoga class while I was recovering from a back injury that made daily life difficult and it really stayed with me. It reminded me of the value of stillness and the beauty of inner peace - especially as the weather turns colder and the state of the world feels increasingly bleak.

𝘋𝘰 𝘺𝘰𝘶 𝘩𝘢𝘷𝘦 𝘢𝘯𝘺 𝘣𝘶𝘤𝘬𝘦𝘵 𝘭𝘪𝘴𝘵 𝘧𝘦𝘴𝘵𝘪𝘷𝘢𝘭𝘴 𝘰𝘳 𝘤𝘭𝘶𝘣𝘴 𝘺𝘰𝘶 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘱𝘭𝘢𝘺 𝘢𝘵?
So many… but festivals like Waking Life, Monument, Parallel, and Organik really inspire me for their beautiful locations and community-focused approach. For clubs, I’ve always dreamed of playing at Bassiani, Club Raum, Ankali, and Oil.

𝘞𝘩𝘪𝘤𝘩 𝘢𝘳𝘵𝘪𝘴𝘵𝘴 𝘸𝘰𝘶𝘭𝘥 𝘮𝘢𝘬𝘦 𝘺𝘰𝘶𝘳 𝘥𝘳𝘦𝘢𝘮 𝘭𝘪𝘯𝘦𝘶𝘱?
Again, so many!! I have so many artists I admire, so let’s say the dream lineup would be a festival in nature taking place over a couple of days :D

Donato Dozzy, Mama Snake, Timnah, OK Williams, Objekt, Woody92, Sybil, A Strange Wedding (live), Ema, Hysterical Love Project (live), Livwutang, James K (live), Konduku, Polygonia (live), Marco Shuttle b2b Jane Fitz, CCL, Djrum, Temple Rat (live), Upsammy, Harold, Tangerine, Kia and garçon - the list could go on haha, too many to name!

𝘞𝘩𝘢𝘵'𝘴 𝘺𝘰𝘶𝘳 𝘢𝘥𝘷𝘪𝘤𝘦 𝘧𝘰𝘳 𝘢𝘴𝘱𝘪𝘳𝘪𝘯𝘨 𝘋𝘑𝘴 𝘰𝘳 𝘱𝘳𝘰𝘥𝘶𝘤𝘦𝘳𝘴?
The dance floor is your greatest teacher, community your strongest ally, and fear of failure your greatest enemy.

If you’re able to, get out, dance, and soak in as much diverse music as you can. I’ve learned so much from watching how people respond to certain moments and from the energy of the room itself. I take inspiration from different elements within tracks and from how I feel and move when I hear certain sounds.

Being in clubs or music spaces also helps cultivate a sense of community. By genuinely supporting artists, collectives, and venues, we can help the underground not just survive but thrive. And most importantly, the dance floor is the best place to meet like-minded people – some of my closest friends are those I met through a shared love of music <3

Nous'klaer Radio #41 - Zara (Live at Mostra 2025)

Oct 26

All tracks in this mix are the property of their respective artists and labels.
This mix was created purely for promotional and educational purposes, with the intention of supporting and sharing music I love.

If you enjoy any of the tracks, please support the artists by purchasing their music directly from Bandcamp, Beatport, or the artists’ official channels.

If any artist or label wishes for their material to be removed, please contact me and I will do so immediately.

Attic Session 001

The idea of the breakbeat was born in the Bronx, but its evolution since then has been a transatlantic dialogue, a rhythmic exchange between continents that never really settled. In London, this language found its most elastic form, bending through jungle, drum & bass, and techno, mutating with each new generation of producers. The city remains a living organism, constantly reshaping itself through DJs, club nights, and collectives that resist repetition. Unknown Species, a London-based platform and event series that blends music and environmental awareness in support of endangered species, has carved out a corner for artists to explore that freedom. Its founder, Rado, better known as Naturalisten, is the musical mind behind this week’s edition of Delayed with.

This mix was recorded almost a year ago at Espacio Perpendicular in Madrid, during the first collaborative event between Unknown Species and the Perpen crew, alongside Delayed friends F-on, Fran Campos, Lynne, DB1, Felix K, Muted, Vrika, and Pillen. It’s a space where rhythm meets reflection, and Naturalisten rises fully to the occasion. The first half builds tension through shifting grooves and subtle rhythmic displacements, a controlled energy that feels alive and restless.

As the set unfolds, the edges blur. Synths stretch into stranger territories, textures become unmoored, and the intensity softens into something beautifully off-kilter, a reminder that unpredictability can be its own kind of balance. Naturalisten lets the music speak, and it speaks fluently, with groove, curiosity, and a quiet sense of purpose.

https://soundcloud.com/unknownspecies
https://www.instagram.com/unknown____species/

Write up by @gilleswasserman


Follow us on social media:
https://soundcloud.com/itsdelayed
https://linktr.ee/delayed
https://www.delayed.nyc
https://www.facebook.com/itsdelayed
https://www.instagram.com/_____delayed
https://www.youtube.com/@_____delayed

Contact us: 
info@delayed.nyc

Attic Session 001

Miki de la Rosa