This is great - would love to remix this track

Taxonomy Domine

www.soundcloud.com/viadeacceso present a mix from experimental music community, recent movement in taRka+ space as an extention & the new project from www.soundcloud.com/ois-agver & www.soundcloud.com/enternetboy named «Desertic Garden». Listen tracks from: www.soundcloud.com/idglitch, www.soundcloud.com/teth-sin, www.soundcloud.com/isaacsoto, www.soundcloud.com/shshellsh, www.soundcloud.com/belialpelegrim, www.soundcloud.com/spiralizer, www.soundcloud.com/grevusanjl, www.soundcloud.com/tominagayuki, www.soundcloud.com/wust, www.soundcloud.com/countchadwyck, www.soundcloud.com/trippingmotionmusic, www.soundcloud.com/scilentsymphony, www.soundcloud.com/rodrigo-assa5, www.soundcloud.com/demochx & Eustaquio El Plagio in Radio Ensayo at 21:00 CST.

TRACKLIST:
Count Chadwick - Send Me Up
Assá - Ease High
Motion X & Special Cecilia - World is Sppining
Teth SIn - The Great Conjuction
WÜST - Telemark
Scilent Symphony - Mindset
Grevus Anjl - Cute Little Fellow, My Inner Darkness
IDGlitch - Searching
Isaac Soto, Shshellsh - Amber
Spiralizer & Belial Pelegrim - Whenever God Spoke
demochx - ANtIMAteriaL
tominagayuki - Nessi was on the balcony
Desertic Garden - Remain [PREMIERE]
Eustaquio El Plagio - Status, Tristes, 2020

Transmisión de @viadeacceso en www.radioensayo.com el 22.4.21
Artwork: www.instagram.com/vda.adv x www.instagram.com/coisagverart
Show completo en: https://www.mixcloud.com/viadeacceso/via-de-acceso-10-radio-ensayo-22421/

Vía de Acceso

Showcase: Vía de Acceso 10 @ Radio Ensayo (22.4.21)

"Remember the song about Oleg's mushroom hat? This is a remix! The mushroom friends asked for a vinyl record with this because they only have an old gramophone. Who knew that they would play with the record and put their effects there? They invited us to a ball in honor of some of their seasonal holiday. It was fun! "

@mystique_wind

The first part of the story, where Oleg discovers a mushroom on his head: https://soundcloud.com/mystique_wind/tits-sunrise-and-shrooms-mystique-wind-oleg-yastrebov

The second part of the story where Oleg's mushroom head is turned into a hat: https://soundcloud.com/myrhyum/mystique-wind-olegs-mushroom-hat-w-myrh-mauko

Mystique Wind | Oleg's Mushroom Hat Reworked

This cover was originally planned to be a collaboration, but it has been aborted about a month ago, since my alleged collaborative partners stated that I was "unable to cooperate on the sort of creative level that they generally expect" from those who have the privilege to work with them. Being well aware of my inadequacy, I usually try to make music for fun, simply because I love doing that. I can't spend as much time as I'd like to on my music, unfortunately, so I really can't afford to waste it: that's why I eventually decided to add a few drums and keyboards parts to the aborted collaboration and release it. Please watch out for your ears while listening to it, as it probably sounds poor and shoddy. It surely does if compared to the original, that goes without saying. May Syd Barrett rest in peace, despite of all of the slandering and treachery he had to endure.

I'd like to dedicate this cover to my uncle, who initiated me into the sonic mysteries of "Ummagumma" at a very early age, giving me a chance to open up the doors of my perception.

Teth Sin: guitars, bass guitar, samplers (drums & keyboards), vocals, sound design

Original composition by Syd Barrett
Arrangement, mix, mastering & cover artwork design by Teth Sin

Astronomy Domine - Syd Barrett cover by Teth Sin

Me and Hideo rock-in' it out, good old spontaneous jam style, in fun-fun-fun mode. Nothing's better than a live jam...I l-i-v-e for it! In case you might be wondering, the far off distant psychedelic vocals are in fact deliberate...I tried to create the picture that we are up in the cosmic realm among the planets and stars jamming it up oh so blissfully, trying to please the Gods, the universe and all who dwell within. We are physically so far away from one another yet spiritually, we are so near and ready...ready to give you the instant magical vibrational feeling. At least we hope we're doing that. The intox-hypno-trance vocals are actually me telling Hideo how excited I am to be jamming with him....jamming to his super charged up kit-percussion! From the first moment I heard Hideo play his drums, I was completely gone as in stoned out of my mind. We're both feeling happy high elated in the Cosmos so please do come along and join us in our Happy Hap-Hap number...take your first dose now XOXOXO

Happy Hap - Hap M1 Basic -11.0db May 25th, 2021

Listen to the amazing music of PrimaLoop here: https://soundcloud.com/primaloop

Happy Hap-Hap - Music & Lyrics by REKHA IYERN [Fe] | Coming Soon

Percussion by PrimaLoop
Electric Guitars and Vocal Improvs by REKHA IYERN FE
Cover Art Design: Photo & Graphics by REKHA IYERN FE

Music by PrimaLoop in Australia
Music and Improv Vocals composed & produced, performed & recorded, mixed & mastered by REKHA IYERN FE RECORDS IN CANADA

Happy Hap-Hap

Happy Hap-Hap | Music/Percussion by PrimaLoop | Music/Guitars🎸/Vocal Improvs by REKHA | Cosmic ROCK

Mizero (2021)
Video: https://www.youtube.com/watch?v=NoR1KXB7LC8

Inside My Head

Inside My Head (Video)

This recording is a completed work of Wild Christopher's work "Jolene (Ever Find Your Forever Man)" with my guitar playing. "Jolene" is based on "Let Me Know", one of the "Paploviante Open Collab" pieces.
I received warm compliments and words of welcome from both of them. I am very grateful.I would like to thank them from the bottom of my heart for including me in their wonderful work.

This work is over 6 minutes long. My guitar playing starts with a low volume and rhythm. About a third of the way through, my guitar starts playing to complement Christopher's great singing.

Below are links to each work.

Wild Christopher-Jolene (Ever Find Your Forever Man) - Paploviante Open Collab
https://soundcloud.com/neon-blur/jolene-ever-find-your-forever-man-paploviante-open-collab

Let Me Know - Offer Open Collaboration 80 Bpm(Paploviante and friends)
https://soundcloud.com/paploviante-and-friends/let-me-know-offer-open-collaboration-80-bpm

"Let Me Know" by Paul (one of the "Paploviante Open Collab" pieces)
A few days after the release, he received a number of really excellent works. I was really surprised by the ability of the artists to finish such amazing works in such a short period of time.

Results Offer Open Collaboration Let Me Know(Paploviante)
https://soundcloud.com/paul-racle/sets/results-offer-open

Chord= A ,E
Key = E

After listening to the above works, I realized immediately. Simplifying the scales that form the melody, assuming the case of playing the guitar, it was divided into the case of  Cm/E pentatonic, and the case of  Cm/E and Em/G pentatonic. I thought, ``This is a great exercise for me. For example, putting four songs together on one track, listening to them all in order, and playing the guitar along with each scale is a very useful daily practice. I could imagine that this would be useful not only for myself, but also for most people who are learning to play the guitar.

For example, alternately play the following:
1)Cm/E　Pentatonic scale(Key = E)
2) Cm/E, Em/G Pentatonic scale(Chord = A7,E7)
2) '  Am/C,Cm/E,(Em/G) Pentatonic scale

It's easy to envision it that way, but first, what do I do with the first one? So I started playing guitar while listening to Wild Christopher's "Jolene".
I found it possible to use two chords, A and E7, and finish off with some rock'n'roll backing, but it's too simplistic a way to spice up Christopher's cool and passionate vocals. 

So I took the plunge and tried using the A7 and E7 chords to make a blues rock song. And I was convinced that depending on the way I played, I could proceed without discomfort. An image of the rough blues rock of the early 1970s came to mind. However, I was conscious of keeping the taste of the country blues that was popular before that.

I thought that Wild Christopher's wonderful singing voice would suit slightly rough guitar playing based on precise rhythm composition. A playing style that many great guitarists and predecessors have developed over the decades. I hope that people who come across this piece will want to listen to it again and again :))

Wild Christopher - Jolene - Paploviante Open Collab ft.JUNZO on electric guitars

Wild Christopher - Jolene - Paploviante(Let Me Know) ft.JUNZO on electric guitars

Artwork by @beautyspot.art
Mixed amd Mastered by @bradbeats

Sunset Ride

All music written and composed by Jeffrey Lasky 

All rights reserved by Jeffrey Lasky 

Thanks for listening

Madrid to London

This is a cover of an Arrows of the Sun. All words and composition are Arrows of The Sun. 

For this version of the song:

S. Drysdale : Vocals, Electric Guitar, Bass, Keyboards
A. Reed: Engineering and Programing

Keep On Running

As each November approaches I try to make my own little Remembrance-time tribute.  Seems more relevant as each year passes...

Following the huffing and puffing empire lunacy in the summer of 1914, the next four years would see 40 million casualties, half of them deaths and of those, half were civilian.  

40 million.

40 million tales of poignancy, pain, grief and human tragedy, through times that can often seem littered with coincidence, symmetries …. bookends and mirrors.

In the Military Cemetery of St Symphorien near Mons rests John Parr.  At only five foot three inches and several years under age he (amazingly) managed to enlist in 1912 - hoping to see the world, and get the advertised “two square meals” a day.  He was the first British Army casualty, killed in the battle of Mons aged just 17, his body left behind, fate unknown until much later in the conflict;  the army unable to answer his mother’s letters of enquiry about her “silent” son.

By pure coincidence, John lies just a few yards from the last British soldier to die in the great war.  George Ellison served for four long years including at the same first battle of Mons as John, and most of the famously grinding, attritional infantry battles of the conflict.  His working life bookended by military service, George had first enlisted in 1902, leaving the army in 1912, just as John joined, he became a coal miner, re-enlisting at the outbreak of war to dig mud not coal and fight from trenches he helped excavate.  George was killed just 90 minutes before the armistice took effect at 11:00 on the 11th day of the 11th month.  The futility of the conflict was cruelly illustrated by the fact that George’s war had started and ended at exactly the same place, Mons in Belgium.  They had literally gone nowhere.

As a postscript to progress since "the war to end all wars" the human race is currently reckoned to be engaged in 7 major wars, 15 significant ongoing conflicts and 21 “minor” conflicts (the latter defined as up to "only” 1000 deaths per year).  By way of another macabre bookend, the longest of these has been going on, unbelievably, since the year .... 1918.

As always, this simple ballad is offered as a live one mic one take effort - please excuse the fluffs and gaffes.
_______________________

Bookends and Mirrors

Sun turned cold ‘cross every sky in the summer of ‘14
The Good Lord shook his head, and he placed it in his hands
Braided declarations flying, whose like was never seen
Lunatics in feathers stockpiled lead, bagged their sand.
Slapstick Mephistopheles, unleashing of his flame
Spiral minds lobotomised in the waltz of the insane
Simple lives unknowing of the mud that would become
A mirror in the resting place of two Holy Mother’s sons.

Signed the line, five years young, fingers crossed behind his back
Chance to see the world, grab a future, two square meals.
At 17, John’s angels sung, first to fall in dawn’s attack
Abandoned and forgotten, deaf to all his ma’s appeals.
Never knew the miner, his bookend pal to be
Fighting down the line, many battles that he’d see
Full four years in trenches, George’s hell lived through them all
Cruelty was smiling wide at England’s last to fall.

In service time they travelled nowhere, nothing to achieve
Embracing 40 million weeping mothers left to grieve
The crime of puffing chest bravado beggared to believe
Hall of mirrors seeping others’ blood of the innocent naive.

Now John and George lie facing each to seek their mirrored peace
Raise my eyes and brim a tear for the lessons never learned
Pray God, don’t ever let them know man’s insanity but increased
The war to end all wars a mere sequel oft’ returned 
By comedies of leathered fools stuck on infinite repeat
Bemedalled and bejewelled, they prosecute their moral defeat
But here, on sallow turf twixt heroes, broken mirror in my broken hand
Met by my own broken eyes, I still fail to understand.
_________
Photo by Michael Yuan on Unsplash

Bookends and Mirrors

Shredded an old instrumental track I wrote a couple of years ago & added a few extra instruments, new sections & some vocals 😊

Free download if you like it.

Thank you for listening ♥

I Let You Go Again

Janine: voice, words, vocal melody https://soundcloud.com/janinelevinson

Jonathan: initial music, instruments, mix

----------------------------------------------------------------------


on a frozen berm
in a carriage house
with a veil of gauze
on a frosted hearth
 
on a ledge of iron
in a blinding storm
on the peat and earth
of the winded moor
   
in the ink and lead
in the skin of men
in the final beats
of a trembling heart
 
it is quiet, shhh
oh but it is quiet 
 
it is quiet
oh it is quiet
 
on the rolling sea
in the folds of sails
in between the planks
on the salty rail
 
in the thorny vines
in the rumpled flowers
in a nest of crows
on a crumbling tower
 
in the swirl of smoke
from a dying fire
it is grey and green
and it is quiet
shhh

--------------------------------------------------------------------
image: Boudewijn Huysmans via Unslpash

It Is Quiet (with Janine Levinson)

Black Madonna (Instrumental)

This is a song inspired by a wonderful poem of the same title that I came across on the web recently.  It's written by a guy named Christopher without further information (not me though).   I eventually took the liberty & converted it into a song.  I gave it a bit of a country feel and hope you would enjoy listening.  

[CREDITS]
Music / Vocals / Arrangements / Programming – Michael C. Lynn
Lyrics – Christopher 
Fiddle - Andy Leftwich @Band_in_a_Box
Guitar Solo & Fill-ins – Brent Mason @Band_in_a_Box

[LYRICS]
She looks into air, herself falling rain
Dripping coldness past, memories old pain.
Drops fall, the puddling her damp water-life.
Spiraling a mirror, self-lonely strife.

Clouds a-whorl, dark sky sheltering fair heart.
But how can she joy, while taking no part?
Covering cold soul, corona of defense.
Defying the stab of her fate's intents.

This is madness, she thinks in plaintive cry.
I'm here, on the cusp, of lay down and die.
What my destiny, but an empty-off dream?
A plaything with which gods and angels scheme.

Am I doomed then to live, time never-free?
Subsumed wholly 'neath life's scattered debris?
Is justice outside this torrential doubt?
Perhaps more than sorrow,  painful fall-out?

Instrumental break

Personal paradise, which I can own,
Evoking happiness, hither unknown?
She raises from streets of lonely no more.
Light slicing through darkness, hopes washed ashore.

Her withered gait now straightening with pride.
She glides like an angel 'cross future's tide.
Caressing the ground, sing the beat of her heart.
Into the sun seeking love's brand new start.

Into Every Life

Subterranean air flows and echoes can beautifully bend and distort sounds (and conversations). Riding the 'tube', 'underground', 'metro' or 'subway' systems is a fascination for some (myself included), for some a mystery and for some an onerous necessity.

Track: 3 track saxophone conversations / clarinet background

Image c/o Pinterest: graphic of London's Piccadilly Circus Undergound station tunnels (1989).

Underground Voices

The artwork is from the film 'Daisies' (1966)written and directed by Vera Chytilová.

YouTube:
https://www.youtube.com/watch?v=ZFFHTXzPXg8

Magnolia

More music on my second account 'Cocktail Club': 
https://soundcloud.com/milla-r-106877347

First album, "That's Sin", is out on Bandcamp @ https://tethsin.bandcamp.com/album/thats-sin

Magnolia

Milla R

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