With an insatiable curiosity and unstoppable drive, Robert Vosmeijer, better known as De Sluwe Vos, has been a pioneering force within the Dutch electronic music scene for over a decade. Known for his raw energy, relentless urge to innovate and independent vision, he moves effortlessly between house, techno and hip-hop. In doing so, he breaks musical conventions and shapes a distinctive, dynamic sound that is constantly evolving.

10 SHOWS, 10 CITIES
With the 10x10 Tour, he made a statement in 2024 and 2025: club culture must remain accessible. Ten shows, ten cities, ten euros, a concept that redefined the essence of nightlife and guided a new generation back to the dance floor.

FROM GLASTONBURY TO LOWLANDS
His track selection and lightning-fast mixing skills set every dance floor ablaze. But live, De Sluwe Vos pushes boundaries even further. His Kontra live show, featuring a full band and guest artists, merges electronic music and live performance into a hybrid experience. This approach garnered international attention and took him to stages such as Glastonbury, Lowlands, Pukkelpop and Awakenings.

STUDIO WORK
He continues to push limits in the studio as well: in 2025 he released Repeat with Dutch hip-hop legends Rico and Willie Wartaal, and earlier collaborated with artists including Sticks, Mula B and Lucky Fonz III, partnerships that underline his role as a connector of genres and generations. In 2024, De Sluwe Vos released his third studio album Now I Understand, on Carl Cox’s label, a milestone that expanded his sound to a broader international audience.

BUILDING BRIDGES
When he’s not digging for rare old-school gems, Vosmeijer can be found in his hardware-filled studio working on new projects and aliases (Such as Intercity 106 with fellow synth-nerd Sjamsoedin). In short: De Sluwe Vos is more than a DJ or producer; he is building bridges between genres and generations and is a driving force behind the ongoing evolution of Dutch electronic music.

Gayle San's Upcoming Gigs
Sat 21 Dec, 19 
Technodisco, Wetzlar, Germany

Powered by GigaTools



Gayle Sans career already began in the early 90 s in her hometown Singapore. She started as a warmup DJ for Bands such as Kool and the Gang Earth Wind and Fire and the Commodores,in the Top ten club which was the club of that moment on that island. Leaving her native Singapore in 90 s,to pursue her dj career in the UK, nobody expected such a massive success for Gayle in the music business. Gayle's first steps into the London clubs were via DJing at record company parties, various one-off guest spots and fashion shows.


These slots soon led to Gayle being made resident at 'Reach for the Sky' at London's Limelight club, where she played alongside global DJs which Gayle describes as "the steepest learning curve possible". Having honed her DJing skills and broadened her understanding of music, Gayle began to experiment with the harder side of dance music, particularly the lesser known techno sounds coming into Britain from Europe and the US of that time. Her chance to pioneer this music in England came when Gayle became resident at Universe's legendary Final Frontier club, at Club U.K. in south London, which then moved on to become Universe Voyager at their new club, the Complex in north London,and she was also resident at all the Tribal Gatherings Festivlas. Final frontier was widely regarded as one of the best club nights in the world, it was not long before Gayle had amassed a following of techno pilgrims who would make journeys from as far as Edinburgh to hear her play. Gayle's reputation of her 3 decks mixing skills and dj sets spread like wildfire over the techno centres of Europe, most notably a residency once a month at the legendary Omen club in Frankfurt, the socalled 'Mecca of techno' that opened doors.


Other European and American dates have included some of the most underground clubs in the world,from playing at high profile parties for Prince,Chaka Khan and Kylie minogue to name a few, to playing clubs like Bionic in Detroit, Pure Pleasure parties in Chicago, Soma in Montreal, Twilo in New York, Zouk Club in Singapore, Florida 135 in Spain, Fuse Club in Belgium,M47 in Hungary and many more all over Europe, South America and the U.S.A. In 2000 she was voted number 6. of the most popular international DJs in Germany. Remaining in the top ten list has been a regularity ever since. In regards to the massive competition of the worlds DJs,and to be the only female dj in the top ten, it was an honour of her hard work in the last years. DJing has naturally led to various studio work and starting her own label Equator. Gayle has developed a sound that takes the intelligent beats of the underground, funky/hard/groove techno sound mixed with her very own style. Gayle loves producing on her own but also enjoys collaborations with other producers to absorb outside creativity. She has released on numerous labels throughout europe. Gayle has reduced her touring dates in the last 2 years,not surprising after travelling the world for 18 years to make more time for her production /collaboration works. Gayle never fails to rock the world..s dancefloor with her mixing skills and her choice of music. Gayle has already been called the best female techno legend and she is not ready to hang up her headphones just yet. 

Mike Kivits isn’t your average DJ/producer. A veteran of some 30 years behind the turntables, the man best known as Aardvarck has spent three decades defying conventions, mixing things up and successfully overcoming personal demons. His story, soon to be published in an autobiography offering advice to those battling depression, is nothing less than extraordinary.

Now based in the Asian paradise of Bali, Kivits continues to divide his time between DJing and music making. Outside his native Netherlands it’s the latter he’s best known for, having built up a bulging discography over the last two decades. While lesser producers would focus on one or two key styles, Kivits has released everything from floor-filling house and techno to broken beat, jazz, jungle, ambient and electronica. Given his now legendary status in Holland, it’s unsurprising that he’s recorded for many of the country’s most acclaimed labels, including Delsin, Djax-Up Beats, Rush Hour, Kindred Spirits, Music For Speakers (an imprint he had a hand in founding), and Voyage Direct. Soon, he’ll also be appearing on Dekmantel, another Dutch imprint that has been wowing critics in recent years, and has an album for Skudge in the pipeline.

It’s DJing, though, that remains Kivits’ greatest passion. “You just give and take them higher,” he enthuses. “It’s fun. I do my best always, and am always happy when I’m DJing.”

He’s been doing this longer than most, of course, and has the scars to prove it. He bagged his first residency in 1985, in his home city of Den Bosch, where he’d join the dots between soul, funk, hip-hop, disco and B-boy electro. As the 1980s progressed he began adding the new sounds of Chicago house and Detroit techno to his repertoire, earning more residencies and a number of regular guest spots at Amsterdam’s legendary Roxy Club, mostly at Joost van Bellen’s infamous Wednesday night parties.

As a musical magpie, Kivits was not content with simply playing the latest house and techno, and spent much of the late ‘90s and early 2000s “avoiding the 4/4 beat”, instead playing a mix of jungle, broken beat, trip-hop and breaks. During that time he extensively travelled the world, playing alongside good friend Steven De Peven with lauded eccentrics Rednose Distrikt.

Since moving to Bali a few years back, Kivits has got his passion back for house and techno. Now, he enjoys playing sets that make connections between contemporary productions and tracks rediscovered in his vast collection of early house and techno. “I love the warm feel and raw energy of early house and techno,” he says. “So many of those records still sound fantastic. It’s great to see the reaction to these records from a new generation of dancers.”

More importantly, he’s now happy. “I spent 20 years battling with depression,” he admits. “I’ve never been happier – I’m better than ever. I’ve lived that life, now I have a new life. I changed my surroundings to help myself, and it worked.”

This newfound happiness is reflected in the quality of his club sets, which have rarely been better. While rooted in 30 years of house and techno, he often finds time to throw in tracks from his other musical passions – a trait that marks out the greatest DJs. “House is about the four to the floor beat, and you can get in and out of that easily if you know music,” he says. “If you keep the energy up, you can play anything.”

Booking: Jorn@voyage-select.com
Management: Christaan@societyfools.com

For the past twenty years, Argentinian-born, Barcelona-based artist Juan Pablo Pfirter has been a driving force behind a sound that's alternately steely, dark, and uplifting, remaining true to the founding principles of techno while infusing it with his avant-garde touch. 

Since his early days, whether through DJing, producing, or as a label owner, Pfirter has demonstrated his talent with focus and style. He's left his mark on esteemed labels like CLR, Figure, Mord, and Stroboscopic Artefacts with select singles, while headlining renowned electronic music venues and events such as Berghain, Tresor, Concrete, Awakenings, and Time Warp. Since his first European tour in 2005, Juan Pablo has tirelessly shaped one of the most distinctive sounds in contemporary electronic music, blending stadium-sized kicks with textured organic elements and hypnotic sub-bass motifs that remain captivating after countless listens. 

In 2006, Pfirter launched his own imprint, MindTrip, which has since become a prominent fixture in the techno landscape. The label serves not only as a platform for his own productions but also for those of his close friends and collaborators, including luminaries such as Flug, Kashpitzky, Nørbak, Stanislav Tolkachev, Dold, and more. Additionally, MindTrip has thrived through its monthly podcast series, featuring acclaimed artists like Angel Molina, Setaoc Mass, and Amotik, each presenting an hour of music that embodies the ethos of the label. 

Having released over 50 club-oriented records, Pfirter ventured into the realm of albums with 2019's "The Empty Space," offering a panoramic view of the subtle intricacies and emotional depth of his craft. His sophomore album, "Altered States," further explores the nuances and expressive possibilities within techno, balancing club-focused realities with introspective, psychoactive elements deeply rooted in the genre's tradition. 

Continuing to bridge the gap between the visceral and the cerebral, Pfirter consistently delivers compelling works that resonate long after the last strobe light fades. While his singles dominate specialist charts, the depth of his compositions lingers in the minds of listeners long after the club doors close. In Pfirter's hands, darkness becomes oddly comforting, inviting listeners into his unique sonic universe.

www.facebook.com/pfirtermusic
www.soundcloud.com/mindtriprec
www.twitter.com/pfirtermusic
www.pfirtermusic.com
www.mindtripmusic.com

Please also visit the Spagat Music Label Soundcloud  : https://soundcloud.com/spagat-music


Demos to:           promo@spagatmusicberlin.com
booking:   mail@spagatmusicberlin.com
Spagat Music TV : http://www.youtube.com/SpagatMusicBerlin

Mixmag "Tough beats, tough bass...we love it"! 

Included in the world's top tier dance track lists such as BBCR1's Essential Mix with Carl Cox! 

Performed in: UK, DE, FR, NOR, MAL, NL, POL, IT. 

This prolific producer, with numerous known and unknown aliases is predominantly known for his deep, groove heavy, big sounding techno tracks and at other times his downtempo electronic beats. Multiple tracks in Beatport top 100 including "Let's Do This" & "Heath". 
Jason Fernandes has an astonishing array of previous releases on techno's finest record labels such as Carl Cox's Intec, Adam Beyer's Drumcode, Sasha Carassi's Phobiq, Markantonio's Analytictrail, Cari Lekebusch's  H-Productions, The Advent's Kombination Research, Mauro Picotto's Alchemy, Matt Sassari's Panterre Musique and the list goes on.

Born the 14th of April 1992, Djigal Gergino Wattimury better known as DJ and producer Djecker. Music was no strange thing in his family, he grew with the love and the passion for house music.

As a young boy he was always busy with experimenting on his computer to create his own sounds. He decided to buy a couple of music programs to see what music more had to offer in his forthcoming life, inspired by his roots musical taste and influences.

After 2 years of producing in all kind of house styles he started to develope his own sound. With his attractive tech vibes and catchy drums.He released a  list of records on credible labels like OVRDOSE RECORDS, Difussion Records, Kubbo Records.

The talented DJ, producer, and musician from the Netherlands is known for his signature sound, which combines house & tech house with Latin influences and thick bass lines, with his infectious charismatic sets he leaves a deep impact on every crowd. A true magician in heart & soul. 

So far, Djecker performed in clubs and festivals including: Dhoem Dhaam Warehouse (Amsterdam), Chicago Social Club (Amsterdam), Toffler (Rotterdam), Luxor live (Arnhem), Brebl (Nijmegen), Poema (Utrecht), Solar weekend Festival (Roermond) And many more.

MinggusLea is following