Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

We're not the best, but we're pretty good.

FatCat Records is a British independent record label founded in 1997.

K: a conspiracy of gravediggers, spies, swim instructors and international pop stars. There are hangmen and there are saints. K as a label has released cassettes, phonograph records and compact discs documenting the audio works of over 150 artists. The main focus K of has been artists working in and around Olympia, Washington, where K is based, but has included comrades from across the U.S.A. and as far away as Japan, Scotland, Australia, Canada, Germany and England. Yes, k explodes the teenage underground into passionate revolt against the corporate ogre world-wide.

Colleagues in the International Pop Underground collide at the K vanishing point. The sounds cross back and forth through a number of genres, some known and some less so: punk, hip hop, atom-powered folk-pop, haunted garage, restless singer-songwriter, epic soul shock, noise expirements, blurred-eye visionary psychedelia, roadhouse mod and the silent film soundtracks composed by Timothy Brock, as performed by the Olympia Chamber Orchestra.

In describing K to a friend, you might say: Hit the streets to the motorbike beat of the cranked and crush crashpop. Raise the standard and hail: a revolution come and gone behind your eyes. Blood and sand and sidewalk. Radio blast the punk pop implosion that is the new breed: a bee in your bonnet, love in a goldfish bowl, zombie rockin behind the iron curtain. Hey, love rocker, pull on your slacks and Mexican army boots, get ready for some sonic pogo action. Jazz the glass, here they come, screaming and clawing, scooters and dune buggies roaring. Bless. Can you dig it? K Collaborators. King loser and teenage underground. Screech and saw. Buzz. Cut. Spin. Slice. Crush. Squirt. Sweaty basement rock and rule. A crown of barbed wire for your hooded throne. Lose it on the ball and chain.

Hey, gravedigger: ignite. 

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