Betsy Enzensberger sculpts works that create a visceral longing and remembrance of the most nostalgic delights from childhood. The artist uses the familiarity of those sweet treats to help us remember the simplicity, value and culture of desserts so often associated with positivity and joy.
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Enzensberger was born and raised in New York. She graduated from Tulane University and is now a Los Angeles-based artist with a studio in Mar Vista. She has shown with galleries domestically in Los Angeles, Miami, Des Moines, Dallas and New York, and internationally in Hong Kong, London, Stockholm, Hamburg and Byron Bay, Australia. You can find her sculptures in multiple public and private art collections.

Betsy Enzensberger has become quite well known for her realistic, larger-than-life sculptures of dripping, frozen treats. Resin looks like candy. It appears delicious and sweet. The shiny exterior has a wet, melting quality. Her Tragically Sweet series plays with the desires of everyone’s inner child. The lure of sweet, sticky popsicles artificially instills intense longing. The colorful confections practically beg to be rescued and consumed.
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“Resin - I love it. It’s beautiful, sexy, mysterious. It’s also toxic, messy, and annoyingly exhausting to create. However, I enjoy the challenges that resin presents. There’s just something about it I can’t resist. If the process was easy, I wouldn’t be doing it.”

– Betsy Enzensberger
betsyenzensberger.com

Ep. 76 Original Melting Pops with Betsy Enzensberger

Join us for a conversation about NFTS (Non-fungible token) and learn why they are taking over the art world.
Let us start with the basics: 
Non-fungible token (NFT) is a unit of data stored on a digital ledger, called a blockchain, that certifies a digital asset to be unique and therefore not interchangeable.[1] NFTs can be used to represent items such as photos, videos, audio and other types of digital files. Access to any copy of the original file, however, is not restricted to the buyer of the NFT. While copies of these digital items are available for anyone to obtain, NFTs are tracked on blockchains to provide the owner with a proof of ownership that is separate from copyright.

In 2021 there has been increased interest in using NFTs. Blockchains like Ethereum, Flow, and Tezos have their own standards when it comes to supporting NFTs, but each works to ensure that the digital item represented is authentically one-of-a-kind. NFTs are now being used to commodify digital assets in art, music, sports, and other popular entertainment. Most NFTs are part of the Ethereum blockchain, however other blockchains can implement their own versions of NFTs. 

The NFT market value tripled in 2020, reaching more than $250 million.[3] The rise of NFT transactions has also led to increased environmental criticism. The computation-heavy processes associated with proof-of-work blockchains, the type primarily used for NFTs, require high energy inputs that are contributing to global warming. The carbon emissions produced by the energy needed to maintain these blockchains has forced some in the NFT market to rethink their carbon footprint. https://en.wikipedia.org/wiki/Non-fungible_token

Ep.77 NFTs in the artworld

Join us for a lively conversation with Klaire Lockheart and Aaron C Packard! We get an update with Klaire on all things Miss Art World South Dakota and more! We also get to know Aaron's background and career within photography. 
Visit them here 
https://www.klairelockheart.com/
https://www.aaronpackard.com/

Ep. 79 The Dream Team: MAW South Dakota Klaire Lockheart & Aaron C Packard

Jessica Elaine Blinkhorn is an Atlanta-based Interdisciplinary Artist. Blinkhorn’s work advocates for the LGBTQ+, disabled, and aging communities. Blinkhorn, who uses a powerchair, focuses her work on acceptance through acknowledgement of difference, body positivity, disability education through experience and exposure, human sexuality, and story-telling.
https://jeblinkhorn.wixsite.com/mysite

Ep. 91 Jessica E Blinkhorn Atlanta-based Interdisciplinary Artist

“Carter (born 1986, Dallas, Texas) is a transdisciplinary artist with a BFA from Stanford University and an MFA from Southern Methodist University. His work is presented as videos, publications, installations, and performances to encompass multi-sensorial and layered circumstances encountered by the artist. Personal interactions, media bombardment, observed and lived experiences, and material excess/waste influence his work towards a complex revolutionary promise. These are ecologically centered works often heavily linked to the material history of currency in how it relates to the histories of marginalized people. Carter is of Black and Native American heritage and views his work as a continuation of the survival and storytelling practices of these cultures. More broadly, he is interested in how these practices have analogies across cultures worldwide. Stories of origins, the afterlife, superhuman beings, and of love and tragedy are the most compelling for him. Carter creates work dealing with what these stories mean in an often violent and oppressive context and the power they have toward influencing revolutionary momentum.”

https://xxavieredwardcarter.wordpress.com/about/

Ep. 96 Xxavier Edward Carter

The Year Time Stopped
The Global Pandemic in Photos
By Christina Hawatmeh, Nour Chamoun

Curated by the founders of Scopio, a community-based image marketplace, a stunning and unforgettable visual history that captures the world’s response to major events that defined 2020: the COVID pandemic and the sweeping movements for racial and social justice.

In 2020, the world experienced massive change. Millions of lives were ended—and millions more upended—by the Covid-19 pandemic. The shocking police killings of Black men and women gave rise to powerful social movements and widespread collective action to rectify centuries of injustice and racism in the United States and globally. Together, these three colossal events tested the resilience of the social fabric bringing us all together. 

Attempting to illuminate and make sense of this new reality, photographers from around the world documented these transformational moments as they unfolded. Carefully combing through their archive, the founders of Scopio have curated these photographs to tell the story of the year 2020. It began with a collective sense of isolation and fear to eventually people coming together and protesting the social injustices that were uncovered later that year.

Representing artists from around the globe, The Year Time Stopped seeks to empower us and give credence to the extraordinary circumstances that changed our world. The 200 images in this striking visual collection are indelible, impassioned, and unforgettable. Taken together, they are a singular testament to this unprecedented time.

Buy the book here: 
https://www.harpercollins.com/products/the-year-time-stopped-christina-hawatmehnour-chamoun?variant=39396523442210 
https://www.amazon.com/Year-Time-Stopped-Global-Pandemic/dp/0063159511 
https://www.barnesandnoble.com/w/the-year-time-stopped-christina-hawatmeh/1139799031

Ep.98 The Year Time Stopped

We are back!! Chat with us about all things Miami Basel. What was hot and what was not? What sold and what was everyone talking about?

Ep. 100 Miami Basel

Hi Art World!! Meet artist John Bourn II who is a digital artist and illustrator specializing in representational painting, portraits and concept art. I thrive off of creating characters and worlds of my own l, I'm always excited to lend my vision to a new project.

https://johnbourn2.artstation.com/
https://crypto.com/nft/profile/jbourn2create?tab=created
https://www.instagram.com/johnbournii/
https://www.instagram.com/merlins_paintbrush/

Ep. 101 Disney, Streaming, & more with artist John Bourn II

Ashley M. Patton is a PhD candidate in the department of Art History and holds a minor in Early Modern Studies. Her research interests include early modern Italian sculpture, gender, religion, and materiality. Her dissertation project, titled "Tangible Women: Marble Sculptures of Female Saints in Seventeenth-Century Rome," explores the construction of early modern gender in post-Tridentine Rome by examining how sculptors employed different typologies of white marble sculpture in sacred spaces to present archetypal, yet largely inimitable models of the early modern, ideal Christian woman. She is also interested in the global impact of early modern Catholicism, including the trans-Atlantic relationships between Italy and the Americas in the seventeenth century.

Ashley is currently the Joseph F. McCrindle Foundation Curatorial Intern in the department of Sculpture and Decorative Arts at the National Gallery of Art in Washington, D.C. Prior to her doctoral studies, she worked at the J. Paul Getty Museum as a Graduate Intern and the Getty Research Institute as a Research Assistant. She has also contributed to multiple museum exhibitions, including “Turkish Rugs on Tudor Walls: 16th Century Trade between England and the Islamic World” at the Minneapolis Institute of Art, and “Albrecht Dürer: Master of the Black Line” at the Huntington Library.

Ep. 103 Art History with Ashley Patton

Art News! Get your Art News! Artist David Hockney paints Harry Styles' portrait. Thoughts?

Ep. 105 Art News Harry Styles Portrait by David Hockney

Davidmjester.com
"I was born in Palm Springs, California a while ago and raised in San Diego. I got my MFA at Rutgers University I always felt that I was meant to make Art, but wasnt until the last 2 years that I dedicated full time to Art. I paint on average 12 hours a day, about 330 days a year, and being in the studio so much is bliss.
I have always been drawn to the pool in my art. Metaphorically, its filled with water, and so are we - Body fluids and cleanliness were a jumping of point for this current series. Those who are inside the pool and those who are outside and the different viewpoints and the views are often distorted ones - just like the conservative views of the gay community, and vice versa. I love distortion and so it is a frequent part of my work and I enjoy pushing the abstract shapes that occur in water environments. Pool cleaners hum around working to make the water crystal clear like Prep and meds do within our veins. The pool is another world that is part of the world around it - just like the gay community is an integral part of the overall society. The water in the pool and us has been shared by every other living being since the water developed here - there is a history to it."

Ep. 71 The Amazing David Jester

What up Art World! Are you an artist? Do you like art? Are you new and interested in learning about art without any judgement? Do you have a friend or significant other that likes art and you just need help getting into it? Well then this is the podcast for you! Sit down and listen to Miss Art World and guests as they navigate this world. They discuss popular trends, interview artists, critique local and national pieces.

Ep.98 The Year Time Stopped

Miss Art World

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