https://soundcloud.com/lukemele
more at mitaminelab.org

Art by Jinhee Kim/ 김 진희

ML796: Luke Mele

I acknowledge the Whadjuk Noongar people as the traditional custodians of the land I am currently situated on. I pay my respects to their Elders past, present and emerging. Sovereignty has never ceded. This always was, and always will be, Aboriginal Land.

Producer/DJ/Promoter/Organizer/bonehead/etc - [Bounce House] -  they/them - PHL @bounce-house-phl
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For booking, production, remix work, promos, or any other inquiries, please write to: furtivetrax@gmail.com
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Upcoming Dates:
8/23 - System Activate, VT
9/19 - Making Time, PHL
9/27 - TBA, PHL
10/10 - TBA, PHL
10/11 - TBA, PHL
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Furtive is a full-gonzo rave conjurer and relentless creative tinkerer, intractably committed to the rave as a Philadelphia-based producer, DJ, underground event organizer, and dancer. A shifting sonic chameleon, Furtive brings a scintillating, sentimental, and psychedelic touch to their artistry, rooted in wormhole-traversing technoid propulsion and dependably delivering riotous, slack-jawed whiplash moments of the delightfully unexpected. Their many polished and focused genre-spanning productions are informed by over thirteen years of experience in the studio, yielding a rich selection of tracks across their self-released discography, vinyl pressings, and contributions to compilations. A veritable product of the contemporary American underground, Furtive cut their teeth as a DJ and DIY event organizer in Washington, DC’s warehouses, where they once played a variety of turnkey roles in putting on some of the District’s more proper techno parties. Furtive co-founded and co-runs Bounce House, an intimate, blossoming off-the-books venue in Philly where they regularly hold court as a resident. Furtive is on broadcast monthly through Ashen Vanity, a radio residency at Philadelphia’s indispensable cultural mainstay Great Circles. As a DJ, Furtive has played hallowed halls (recently rampaging at Nowadays and Basement), dingy holes, roaring renegades, broadcast booths, and festivals (The Great Beyond '23, '24, and headlining in '25, Honcho Campout '24) - always with eclectic selections and a steadfast focus on pacing and dynamics while regularly jumping genres to build moving and impactful sets, often alongside internationally celebrated, no-nonsense acts. Beyond the fog and speaker stacks, Furtive creates art in a variety of mediums. They're as unapologetic in their sincerity and flair as they are in being a die-hard True Believer in the rave.
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Learn more here: https://www.attackmagazine.com/features/introducing/furtive-the-astronaut-in-a-pool-of-mermaids/
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As a closing note: the journey can be summarized in their own words (or, a cheeky amalgamated existential portmanteau): “I aim for the stars, but sometimes I land in a pool of mermaids.”

https://furtivetrax.bandcamp.com/
https://soundcloud.com/furtivetrax
https://www.instagram.com/furtive.sasha/
https://ra.co/dj/furtive

MITAMINE LAB, culture curators based in Mexico City.

Contemporary sound archive and curatorial project. Original broadcasts monthly on https://soundcloud.com/resonance-extra

— Curated by http://soundcloud.com/mimilk

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
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This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
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My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
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I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
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Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

ML796: Luke Mele

Mitamine Lab