This is the Soundcloud of Marc Doty, also known as Automatic Gainsay.  

d00mscrvll out now 
https://hypeddit.com/diplo/d00mscrvll

Submit Music: https://aia.ag/Submit-Music

Spotify Playlists: https://aia.ag/Spotify

Apple Music Playlists: https://aia.ag/Apple-Music

> Licensing Inquiries: licensing@indiemusicgroup.com

the Indie Select family:

Azureon Select:
@Azureon
@HouseMusic
@DeepSounds
@IvoryOasis
@FirstEdition

Hegemon Select:
@Hegemon
@Wonderlust
@Chill
@XXX
@Your_Secret
@Lavish

Pantheon Select:
@WeArePantheon
@Dubstep
@TrapMusic
@Type91

Henton's DJ career began at a young age after a family holiday to Ibiza. After managing to sneak into some of the worlds biggest clubs; Amnesia, Manumission and Es Paradis, and seeing the masters such as Carl Cox, Judge Jules, Fatboy slim and Seb Fontaine, he instantly knew he wanted to be a DJ. 

After returning home he bought some old Technics 1210’s, saved up all his school dinner money every week to buy records at the weekend where he soon started to build up a strong collection of House, Trance, RnB and Hip Hop. After spending endless hours in his bedroom and at private parties mixing with his mates this rounded his musical knowledge and allowed him to traverse the boundaries.

It wasn’t long before he had his first weekly residency in a local bar, even though at 16 years old he wasn’t technically old enough to be on the premises. A few years later he was comprehensively working the Birmingham club scene, which was and still is one of the healthiest in the UK. Once he had conquered Birmingham bars and clubs such as DV8, Rainbow, Velvet, Indi Bar and Apres he set his sights higher and headed off to Galaxy Fm to use the skills he had learnt in a different way - learning how to produce, edit and present radio shows. This is where he excelled in not just DJ’ing but using the Microphone. He has the unique ability to look at a crowd, know what they want, communicate with them, keep them entertained and most importantly, on the dance floor.

In 2011 Henton was DJ’ing at least 5 nights a week every week but he wanted to try something new so he set up his own House night called ‘Kinetic’. With all the industry contacts and followers he had met over the years, this monthly event went from strength to strength. Not just your normal ‘club’ night, ‘Kinetic’ often showcased live Percussion shows, Saxophonists, Live PA’s and Fire Dancers. This also allowed him to warm up for the likes of Jaguar Skills, Brandon Block, Artful Dodger,  Will Bailey, Nick Rafferty and many more.

In 2012 Henton moved to sunnier climates, settling in Perth, Western Australia. And as luck would have it flew straight into a residency at one of Perth’s best underground house music clubs - Geisha. Carving a niche for more Deep House and Nu-Disco vibe, these days Henton excels at reading the crowd, structuring his set and building a night up. He has already played at big-name nights including Hed Kandi, along side Gregor Salto and also Maiko – Perths Longest running Deep House Night alongside Fred Everything.

Henton also DJ’s every weekend on some of Perth’s Liveliest and Best Boat Parties and Raft-Up’s. With the ability to appreciate all genres of music, the adaptability to play to any crowd and his energetic and enthusiastic style on the Microphone this man knows how to get people going and bring out the party in everyone!

Music brings us together
Music is everything 
Music never dies

Send us your demos for Friends & Family Records! fandfdemos@gmail.com

Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

Leo Kid is following