https://artist.landr.com/music/672985811362

Apple Music / Spotify

After Rain

▼Spotify
https://open.spotify.com/album/29yAsyMgzxcLHttjnTjbVw?si=MMjck5GHQu65ZTE64Zn8mw

▼Apple Music
https://music.apple.com/jp/album/log-10/1675916712

▼Bandcamp
https://miyauchiyuri.bandcamp.com/album/log-10

"LOG" is a project by Miyauchi Yuri to create music at his own pace, leaving fragments of music with environmental sounds of the day and place whenever he feels like it. On his official website (miyauchiyuri.com), He upload demo versions made on the same day (or sometimes later). I think I will mainly record and produce music in Chiba, Japan, where I live, but He will also try to do it in various places such as expeditions and travel destinations.

Log 10

Log_20221210

▼ Spotify
https://open.spotify.com/intl-ja/album/1WNqcUJmCkApp4Ub442J67?si=_AAK67I6TdWImEbR3V8NBg

▼ Apple Music
https://music.apple.com/jp/album/log-12/1695138103

▼ bandcamp
https://miyauchiyuri.bandcamp.com/album/log-12

"LOG" is a project by Miyauchi Yuri to create music at his own pace, leaving fragments of music with environmental sounds of the day and place whenever he feels like it. On his official website (miyauchiyuri.com), He upload demo versions made on the same day (or sometimes later). I think I will mainly record and produce music in Chiba, Japan, where I live, but He will also try to do it in various places such as expeditions and travel destinations.

Log 12

Log_20230501

Log_20230413

▼ Spotify
https://open.spotify.com/intl-ja/album/3gdmktCYO0ZlTQIQ2BKHqv?si=3hmfzdH8QzqIuA-oHsRIrA

▼ Apple Music
https://music.apple.com/jp/album/log-14/1716855841

▼ bandcamp
https://miyauchiyuri.bandcamp.com/album/log-14

"LOG" is a project by Miyauchi Yuri to create music at his own pace, leaving fragments of music with environmental sounds of the day and place whenever he feels like it. On his official website (miyauchiyuri.com), He upload demo versions made on the same day (or sometimes later). I think I will mainly record and produce music in Chiba, Japan, where I live, but He will also try to do it in various places such as expeditions and travel destinations.

Log 14

Listen

Log_20230810

AOKI,hayatoとharuka nakamura

2014 RELEASE
1st ALBUM
「FOLKLORE」より
「days」short ver.

photo by Yatoo Takashi
fete musique.

days

Bowed electric guitar with evolving percussion. Experimental, psychedelic, ambient. A dark and probing report from a jungle filled with mysterious rituals. Divinity meets dystopia. Peacefully rarefied exotica.
2024 remaster. Original release 2003

Message Service

Emergence

Bandcamp

Kin Leonn’s 1st album “Commune” will be out on 21st December 2018 on KITCHEN. LABEL

Preorder the album here on LP/CD/DL: 
https://www.kitchen-label.com/store/no-23-commune-kin-leonn/

“In endless patience, the days abide. They write themselves: blue flourish and tender instinct. They are haunts and reveries and all manner of dwelling. They are seconds; they are years. They are forevermore.”

Commune is the debut full-length album by Singapore born, London-based producer, composer, electronic artist and pianist, Kin Leonn. Heralding a new era of accomplished young musicians in Singapore, Kin Leonnʼs transportive music projects as founding member of electronic act ‘midstʼ, and his genre-melding solo DJ sets, have instituted him as an in-demand music presence in the cityʼs thriving electronic underground.

Affectionately known by peers as the “ambient boy from Singapore”, Kin Leonnʼs arresting dream-music in Commune is sourced from a well of preconscious phrases, an evocative meditation of sorts – perhaps one that transmutes the city dross into a peaceful self-discovery in search of spiritual unity.

Commune is an atmospheric work mostly recorded using upright piano, reverb-soaked guitar, and synthesisers, with altered virtual instruments and other digital elements added later to create a tension between the organic

and the synthetic. The moods are contemplative and the melancholy, almost all-pervasive. However, within this framework, Kin Leonn explores as much ground as he can, from sweeping ambient bliss to understated piano etudes.

Illustrative song titles like Shinrin-yoku and Somewhere evoke inviting landscapes of reflection and resonance. The more electronic, rhythm-oriented cuts – particularly twin centerpieces Visionary and There were days – find common cause with the producerʼs approach of balancing programmed and improvised music, before dissolving into a liberating resolution of harmonics and noise. Quieter moments in Desire #9 and Detached also stun with their hypnotic beauty and spaciousness, revealing the artistʼs cinematically-attuned approach.

This very sense of fluidity and non-structure gives the record its shape-shifting identity, but across 10 songs and 43 minutes, Commune still functions as a single, cohesive piece of music. Itʼs easy to get lost in the album and it’s a pleasantly disorienting sensation. In the closing piano track, Nightlight serves as the coda for the whole album, showing that Kin Leonnʼs strength as a musician isnʼt all about production complexity, but in the emotional nuance he is able to coax from his instruments with sure instinct and enormous sensitivity.

Kin Leonn releases Commune on 21 December 2018  via KITCHEN. LABEL worldwide. Available on 180g transparent vinyl LP, CD and digital formats, with artwork by Jonathan Yong-Ern Lim. This record is mastered and cut by Francesco Donadello at Calyx Mastering in Berlin, Germany

Kin Leonn - There were days (Commune, 2018)

Pre-order: https://www.kitchen-label.com/store/no-24-kotonoha-ironomi/

“kotonoha” is ironomi’s 8th album and first ever release on vinyl. A tonal portrait of microscopic nuances particular of a Japanese midsummer saunter through deep emerald green forests and tranquil fields, transcribed into a meditative pastoral reverie created with crystalline piano playing, lute acoustics and real-time processing.

The title “kotonoha” (琹の葉) comes from a poetic anachronistic metaphor, combining form of leaves (葉 ha) and plucked string instruments (琹 koto) depicted in classical antiquity. With a distinctive sound that matches the sonic architecture of Japanese aesthetics, ironomi adds “koto no ha” into their extensive catalog already defined by its uniquely committed minimalism and serenity.

“kotonoha” was originally built on a sequence of four continuous scenes that makes up one long-form composition. The titles of these improvisational pieces (shioribi, namisora, ayumikaze, hagoromo) invoke a literal kind of sensuous, fleeting phenomena. The beauty and charm of these tracks lie in their impressionist fusion with Japanese nature and sensibilities. ironomi’s pieces rarely build and despite their sparse acoustic density, they have a presence that cuts sweetly into the listener’s reality. ironomi created their very own brand of “environmental music”, the literal translation of the Japanese term kankyo ongaku (環境音楽) - music designed to harmonise with, rather than dominate, its natural surroundings. In the specific spatial context of “kotonha”, the record heals the aural sense away from our jangling cities and restless daily environments.

The album includes two additional compositions “tsukishirube” and “maigo”, the latter being regularly featured as the concluding passage that brings ironomi’s live performances to an end. The expanded cadence remained a firm fan-favourite since 2010 and now documented in recording for the first time.

ironomi releases “kotonoha” on 30 August 2019 via KITCHEN. LABEL worldwide. Available on limited edition translucent green vinyl LP (Estimated shipping: 29 Sep 2019), CD and digital formats, with artwork by Tokyo-based photographer Yoichi Onoda. This record is mastered by Gen Tanabe at Studio Camel House in Yamanashi, Japan.

Tracklist
1. 栞日 shioribi
2. 波空 namisora
3. 歩風 ayumikaze
4. 葉衣 hagoromo
5. 月導 tsukishirube
6. 舞子 maigo

Released by KITCHEN. LABEL
Ⓟ & © 2019 KITCHEN. LABEL

琹の葉 kotonoha

ironomi - 葉衣 hagoromo (琹の葉 kotonoha, 2019)- preview

2nd piano album Release !!
01はじまりは、
02航海
03ひかりのつぶあびて
04もしもし、もしも、地図はなくして
05あなたはどうおもう、
06帆をたてて
07音は語る
08真実はどこ、
09もういちど、
10静寂の海
11みちて、ひいて、どこへゆく、
12薄ら雲
13霧の雨
14刻
15夕風
16みせじまい

“enonimu is other project by no11room.”
2020年12月22日リリース。

今作は自宅のアップライトピアノで収録した、ピアノソロアルバムです。

Physical版
Booth no11room MusicStore
https://no11room.booth.pm/items/2556126
Bandcamp
https://no11room.bandcamp.com/album/mouhitostuno

あなたにとっての、
「もうひとつの、」
とは一体なんであろうか
もうひとつの、世界、
もうひとつの、あり方、
もうひとつの、生き方、
もうひとつの、何か。

もうひとつの、
その先はあなた自身で見つけてほしい。
2020年12月22日、
それはひとつのふしめ。
あたらしい時代の幕開けに贈る16編の音の波。

あなたはどこへむかい、
何を想い、
何をみつけるのでしょうか。

もうひとつの、 予告編

◆01. Rêverie : 0’00” //◆02. First : 0’30” //◆03. dew : 0’44” //◆04. rêve : 1’09” //◆05. Data Taken Over Under Rating : 1’26” //◆06. koharu : 1’51” //◆07. First Love : 2’19” //◆08. Seventy Seven Years Later : 2’44” //◆09. Leaving : 3’05” //◆10. String Quintet No. 1 in E flat major II. Larghetto affettuoso : 3’26” //◆11. SENNE I : 3’55” //◆12. Clair Du Lune : 4’24” 
HP: www.resonancemusic.jp/
online store: www.rmusic.base.ec/

rêve 

reve demo mixed by hiroshi yoshimoto(bar buenos aires / resonance music)

Miyauchi Yuri / 宮内 優里
https://miyauchiyuri.com

Composer/Musician. Born in 1983. Based in Chiba, Japan. He made his CD debut with Rallye Label in 2006. He has released seven albums. The latest work is "Instruments 3" (2025). He specializes in organic electronic music that interweaves instrumental performance and programming.​ His live performances include improvised multi-recordings. In recent years, he has been performing mainly in the form of background music at various places such as bookstores, museums, and libraries throughout Japan.​ In addition to his own activities, he has composed music for films such as “Misaki no Mayoiga" (Director: Shinya Kawatsura, CV: Mana Ashida, etc., Original Story: Sachiko Kashiwaba), "Little Forest" (Director: Junichi Mori, Cast: Ai Hashimoto, etc., Original Story: Daisuke Igarashi), as well as for NHK E-television's "Aokiiro" ,"Q - Philosophy for Children," as well as for TV programs, dramas, commercials, and BGM for stores.​ He is also active in the music project "BGM LAB." with KENJI KIHARA.​