AB Playlist 137 The latest songs from these fantastic Artists & Bands.

AB Playlist 137

AB_REPOSTS Playlist 144 The Latest songs from some fantastic
Artist's/Bands and a few of my own.

Playlist 144

EVER BEEN LOST IN THE MIDNIGHT VIEW?

[UNDER CONSTRUCTION]

Tradacoustic series no. 317

Music, mostly recent, a few days, a few months...

created on: 2024/08/16

hk_tradacoustic_317

September Friends

Ft.JUNZO - Candlelights - Vocalatti & Mark Dorricott , Marty Andersson --- Victim of Love

// Stevie Rain / Paploviante --- Die For You feat Stevie Rain //

// Lillithe --- Sunny Autumn Day //

Syntaleta 🇺🇦 - Daddy's Lullaby , Marty Andersson --- Victim of Love

-> https://andersson-arte.com

If you plan to use any of my vocal recordings, please provide credit where it's due. 

Much love <3

The Best of Marty Andersson: A cappella | Free to Download and Use

The Musical Dice Game, which goes back to Mozart, never ceases to amaze. Here is a "diced" piece for two pianos

Das auf Mozart zurückgehende Musikalische Würfelspiel erstaunt doch immer wieder. Hier ein "gewürfeltes" Stücke für zwei Pianos

Mozart's Dice Game

Another composition recorded before the war. I hope one day I will return to my home studio. Any support from you is much appreciated on these extremely hard times for our country, our family. 
I could have recorded much new music for the last 9 months... unless russians came to our yard to "save" us with their tanks, missiles, bombs and war planes at 4 a.m. on Feb 24th. And yes, they saved us from our house, from our normal life, from our dreams and plans. They saved my elderly parents from their home and peaceful life in retiring, saved my daughter from happy childhood, from school, from her friends and vacation by the sea. We'll never forget and never forgive it! I'm sure that russia will get what it deserves - each rocket they launch on Ukraine will turn to another 10 years of disaster for their cowardly people.
 Special thanks to Houman (@houmans) for mastering the track! Please check out his wonderful soundtracks.
Please sub for my Facebook artist page: https://www.facebook.com/syntaleta/

Gone

Recorded before the war... A big thank you Houman Check out Houman on #SoundCloud
https://on.soundcloud.com/HHxiZ for mastering!

Close To The Rainbow

Piece inspired by romanticism in the city: love within concrete walls, poetry beneath artificial light...

Three vocal parts (translated lyrics below) became in very different moods in the songwriter phase, so I couldn't fit them in the same tempo. Working hard on transitions, I got the following solution:

Intro: ad libitum
A: 6/4 & 5/4 at 147bpm
B: 4/4 at 220bpm
C: 4/4 at 293bpm

Such ABC pattern is repeated twice, structured with some city scenes, and 2nd 'C' part includes a guitar soloing lesson by https://soundcloud.com/paco-ray, old friend of mine, technical consultor and personal luthier ;)

Pic: edited photo taken from home studio window where I recorded some city sounds for the track.

LETRA / LYRICS:

DAS VIDA A MI CIUDAD      /      YOU GIVE LIFE TO MY CITY

En la ciudad donde vivo,     /   In the city where I live,
llena de romanticismo,       /   full of romanticism,
el cariño que has perdido    /   the affection you have lost,
ven a buscarlo conmigo.      /   come to look for it with me.

Las farolas en la acera,    /    The lamps along the sidewalk,
con su fija alternativa,    /    with their constant alternation,
iluminan, no iluminan,      /    illuminate, do not illuminate,
el escenario de mi vida.     /   the stage of my life.

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor. /  we are able to feel love.

Caminando sobre asfalto,   /     Walking on asphalt,
abrazado a tu cadera,     /      held on your hip,
entre coches aparcados,     /    amid parked cars,
duerme la ciudad entera.    /    the entire city sleeps.

Eres tú toda la vida      /      You are all the life
que esta ciudad necesita,   /    that this city needs,
compartiendo cada esquina,   /   sharing every corner,
calles de melancolía...     /    streets of melancholy...

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor.  / we are able to feel love.

ER21HC01 - (C) Ruizzo 1995 - (R) Francés Records;) 2014

Das vida a mi ciudad (2nd solo by Paco Ray)

The Road

Triphoppin

At the time of the birth of jazz, the role of the guitar was primarily as a rhythm instrument. I enjoyed this recording while remembering the lives of the great guitar players of the time, wondering what it would be like if we translated that atmosphere into a modern style. I am extremely grateful to Vocalatti and Mark Dorricot for agreeing to release this collaboration.

＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝
Vocalatti- Candlelights (Ft Mark Dorricott )
https://soundcloud.com/vocalatti/candlelights-ft-mark-dorricott?si=bf76f50f94cc44f1ac909d8dbcb02b26&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
ーーーーーーーーーーーーーーーーーーーーーー
Mark Dorricott Music- 729 - Candlelights
https://soundcloud.com/markd54321/729-candlelights?si=03315b99773e4a7e905537fda54afadd&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝

This time, I focused on playing the rhythm guitar, which is modest but has a strong presence.This recording does not include my solo guitar parts.

I am honored to be able to release this collaboration here. Please enjoy Vocalatti's wonderful vocals and Mark Dorricott's excellent performance.

===============================================
The chord you are sensing while listening to this recording is probably Dm7/G/. That's certainly how I play my rhythm guitar this time. However, I believe that this wonderful work was clearly written for those seeking an introduction to the blues.So, while listening to this recording, let's play the chord progression shown here = D7/G7/ along with the song. A three-finger arpeggio would also work. I think that alone will make you feel a little strange. That's exactly the entrance to the blues. The more perfect this basic recording is, the more we want to play it on the D7/G7/. I would like each of you to listen to this recording thoroughly and experience the joy of playing the D7/G7/ together.

We would like to express our sincere gratitude to the many people who have supported this track. And as I previously mentioned here, I recorded a guitar accompaniment for this song using the "D7 and G7" chords listed below. The track will be made private and only the link will be introduced below. Please click and play. I would be happy if it was useful for those of you who are practicing guitar.

↓↓↓↓↓↓↓↓↓↓↓↓↓↓
Click below

https://soundcloud.com/user-234918190-88573969/voccalatti-guitar-lesson-mixdown/s-7jEQED6eyks?si=e8c6785618c14f4cb1cf67b8ab644835&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The D7 and G7 positions I recommend are in the link below.
 I would like you to listen to this track and get an idea of the sound of the "D7 and G7" chords added to the original sound source. Also, learn how to trace the scale when using the "D7 and G7" chords.
First of all, "D7" = "D", so in the Western musical scale, Bm/D pentatonic comes to mind as a scale that can be used there. .
And one more thing: using "D7" directly leads to the use of the blues scale. When the chord is "D7", it is natural to try playing Dm/F pentatonic.
Please play it and check the above.

=============================
Ｄ７ chord
https://growguitar.com/d7-chord/
Ｇ７ chord
https://growguitar.com/g7-chord/
ーーーーーーーーーーーーーーーーーーーー
I will pick out the code forms from the above sites that you should be especially aware of.
ーーーーーーーーーーーーーーーーーーーー
D7 (low position)
https://growguitar.com/wp-content/uploads/2021/02/D7-3rd-fret-1536x1536.jpg
G7 (low position)
https://growguitar.com/wp-content/uploads/2021/04/G7-2nd-guitar-chord-1536x1536.jpg
In the form above, you can ignore location 4 this time.
↑ 6th string ring finger, 5th string middle finger, 4th string little finger
D7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/02/D7-chord-7th-1536x1536.jpg
G7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/04/g7-8th-guitar-chord-alt-1536x1536.jpg
=============================

Vocalatti--- Candlelights - Mark Dorricott ft.JUNZO on electric guitar

Graham Kay (guitar)
Damon Wilding (Drums)
Dave Julian (keyboards/vocoder)
Willy Williams (percussion)
William Nelson (bass)
Kevin Goins (vocals)

UNDER MY FEET ft BILLY BASS NELSON.

WALK ON THE WILD SIDE (Lou Reed Cover)
All instruments and Vocals by Andrew Borderick
Recorded, Produced & Mastered By Andrew Borderick
Released by AB Music 2024

INFINITY

WALK ON THE WILD SIDE

WALK ON THE WILD SIDE (Lou Reed Cover)

3rd Movement

My first work recorded in Kharkiv during the war. They will never steal our peace of mind... My dear Dad was always with me when I was a child, but now we've been apart for over 2 years due to the war. My parents' home exists only in my memory. I wish all the children in Ukraine whose fathers have to defend the country peace and reunion of their families.
Remastering by Houman https://soundcloud.com/houmans. Please check his beautiful music.

Daddy's Lullaby

We are pleased to present track 1, the title track, from our new album, 'Haunting One Seven,' full album available on Bandcamp, we hope you’ll enjoy!

https://outstation.bandcamp.com/album/haunting-one-seven

Haunting One Seven

Music & Lyrics: Jan Schonander

This track is a little nuts.....

If you've ever battled a raccoon, this is the song for you, sung from the perspective of the perpetrator. Raccoons are wily little buggers and more than a little guile is needed to control the movements of an animal that has been trapped in a cage before.

Debated with myself a bit on adding more instruments and sounds but in the end decided that less was more. The "rhythm guitar" is a distorted saturated synth and the "lead" is a Logic Pro Heavy Metal guitar manipulated with the pitch stick on my synth. The difficult part was getting the swing on the drums right and the ADSR right on the main synth, modulation and LFO. Also played a bit with the compression to get a breathing sound.

About the raccoon - that battle is ongoing - physical deterrence is now in place.

The raccoon, also spelled racoon and sometimes called the common raccoon or northern raccoon to distinguish it from the other species, is a mammal native to North America. It is the largest of the procyonid family, having a body length of 40 to 70 cm (16 to 28 in), and a body weight of 5 to 26 kg (11 to 57 lb). Its grayish coat mostly consists of dense underfur, which insulates it against cold weather. The animal's most distinctive features include its extremely dexterous front paws, its facial mask, and its ringed tail, which are common themes in the mythologies of the Indigenous peoples of the Americas surrounding the species. The raccoon is noted for its intelligence, and studies show that it is able to remember the solution to tasks for at least three years. It is usually nocturnal and omnivorous, eating about 40% invertebrates, 33% plants, and 27% vertebrates. [Wikipedia]

NEVER LOSE

Keep on coming back
Doesn’t really matter 
Spicy red American 
Coyote piss whatever

Turn up the volume
Tie up the bait 
Bag it all, close the door
I don’t give a damn

I’ll never give up
I’ll never give up

I know what’s down under
I know what you’re trying to hide

It’s all mine
Day or night 
I don’t even care
Seen all the tricks
You can try again
All over again

Keep on coming back
Never ever mattered
Inca mountain flake 
Apple cider try

Play rock’n’roll
Talk show or news
Heard it all before
Kinda like it now

I’ll never give up
I’ll never give up

Time is on my side
Time is my legal guardian

Find another way
Find your hidden weakness 
Seen you from above
You can try again
All over and again

Keep on coming back
Its never gonna matter
Flashing disco lights
I’ll do a pirouette

Put a ring on it
I’ll go left or right
I’m coming down
I got you number

I’ll never give up
I’ll never give up

I know where you live
I know when you’re asleep

It’s all mine
Day or night 
I don’t even care
Seen all the tricks
You can try again
All over again

I never lose
I never lose
I never lose
I never lose

Keep on
Keep on coming back
Keep on
Keep on coming back

It’s all mine
Day or night 
I don’t even care
Seen all the tricks
You can try again
All over again

I never lose

Never Lose

LONELY DAYS ARE HERE AGAIN LONELY NIGHTS
NO MORE JOY NO MORE PAIN OUT OF SIGHT
SITTING IN MY GARDEN, MAN, A ROBIN FOR A FRIEND
PLENTY OF SUSPENDED TIME ON MY HANDS
NOW I’M HERE HERE AND NOW
THAT’S WHERE I STAND
ROCKING IN MY ROCKING CHAIR
MADE OF AIR

LONELY DAYS ARE HERE AGAIN LONELY NIGHTS
NO MORE BALLS NO MORE CHAIN WELL ALRIGHT
SIPPING AT MY ICE COOL BEER THE ROBIN FOR A FRIEND
NEVER MIND THE BITTER END IN THE END
NOW I’M HERE NOW I’M HERE
NOW I’M HERE 
AND HERE TO STAY
CHECKING THE PALM OF MY HAND
MADE OF SAND

LONELY DAYS ARE HERE AGAIN LONELY NIGHTS


NOW I’M HERE NOW I’M HERE
AND HERE I AM
HERE COMES THE CHILL OF THE FALL
MADE OF GOLD

LONELY DAYS ARE HERE AGAIN LONELY NIGHTS
WITH A BROKEN HEART TO MEND 
AND A ROBIN FOR A FRIEND
NOW I’M HERE

THE ROBIN (Lyrics)

Pierre Bordetti productions (c) 08/2024.

Composed, arranged, performed, and produced by:
Pierre Bordetti

Thanks to Nadège and Alain for this magnificent photo of Crete.

Indivisible by two  (Lyrics)

Once again,
I want to tell you,
that the main,
it's that i love you,
you and me,
for the life,
a single mind,
you and me,
always together,

indivisible by two,
indivisible by two,
you and me,
always together,

I would like to give you back, everything you give me,

indivisible by two,
indivisible by two,
you and me,
always together,

Indivisible by two

Indivisible by Two

Arpsqere

Original Lyrics that inspired Glen by Tony Harris
Vocals, Music and Mix by Glen Granthem

HE GREW UP IN THE SOUTH IN THE 1920'S
WHEN WORK WAS HARD TO FIND
A YOUNG MAN IN HIS THIRTY'S
NO STRANGER TO THE DAILY GRIND

BACK IN THOSE DAYS OF OLD
MOST OF THE WELLS WERE DUG BY HAND
WATER WAS WORTH IT'S WEIGHT IN GOLD
AND VERY IMPORTANT WHEN BUYIN' LAND

TO EARN EXTRA MONEY DURING HARD TIMES
HE DECIDED TO START DIGGIN' WELLS BY HAND
KNOWIN' IT WAS HARD WORK AND LONG HOURS
IT WAS GOIN' TO BE HIS SHORT TERM PLAN

(CHORUS)
AFTER DIGGIN' SEVERAL  WELLS BY HAND
THEY STARTED LAUGHTIN' AT THE YOUNG MAN
HIS WELL DIGGIN' REPUTATION WAS A JOKE
HE COULDN'T HIT WATER IF HE FELL OUT OF THE BOAT
HE COULDN'T HIT WATER IF HE FELL OUT OF THE BOAT

HE HAD NEVER HEARD OF WELL WATER WITCHIN'
YOU HAVE TO KNOW WHERE THE WATER IS LOCATED
BEFORE YOU PICK UP A SHOVEL AND START DIGGIN'
IF YOUR GONNA BE A DEVOTED WELL DIGGER

HE NEVER TOOK THE TIME TO DO ANY RESEARCH
JUST PURCHASED HIS TOOLS AND STARTED DIGGIN'
WOUND UP BEING A WELL DIGGIN' JOKE
THAT COULDN'T HIT WATER IF HE FELL OUT OF THE BOAT

(REPEAT CHORUS)

(GUITAR SOLO)

(REPEAT CHORUS AND OUT)

2024 © Lyrics by Tony Harris

He couldn't hit Water if he fell out of the Boat -  Collab by Tony & Glenny G's One Man Band

Evening View

Elderly old men in the nursing home having teenage styled crushes on the nursing staff.
From the Album: "Arrhythmia & Blues" 2024

Lyrics:
Nurse Felicia
You know that you messed up my mind!
Makes this old man think about his younger times

I hear that cart coming down the hallway
With those pills 
All lined up in a row
I see you moving to that Top 40 song
And where she takes me
You know I want to go

Nurse Felicia
You know that you messed up my mind!
Make an old man dream about his Summertime

You wheel me to my physical rehabilitation
You make me feel exhilaration
The Doctors say:
"You need to keep your blood pressure down"
Down! Down! Down!
I hear that cart rolling down the hall
I see her moving and grooving
To a Top 40 song
When I see her my heart sings along
"wherever you take me, you know I want to go"

Nurse Felicia
You know that you messed up my mind!
Make an old man think about his younger times
Nurse Felicia
You know that you messed up my mind!

Nurse Felicia

Sometimes our path, or journey as it were, leads us to an edge. Edges of self, life, circumstances, reality, cliffs, you name it… Some edges are dangerous, sharp and jagged, even life threatening. Other edges encourage us to traverse them. Back in the 1970’s, there was this great sand cliff we used to go to, in Northern Europe, where we could run and hurl ourselves off of it and land in the water below. It was exhilarating, as the hang time allowed for contemplation in the moment, during the free fall. It felt like we were flying like the bluebirds in the sky. At the base of the cliff, we hung out by the water. We were mostly unfamiliar with the freedoms we had found there. Harry ran off and intentionally lost his swim trunks on the beach, while chasing after a beautiful woman who herself was sans swimsuit. He was in love with her. She had other ideas. He was drinking heavily, then he passed out, ass up in the sand, under the blazing sun, after making a fool of himself. It was a sad moment all around. By the time we found him, he had a bad sunburn. Poor guy. Could hardly sit down. A bunch of us were camped in the forest, not far from the cliffs. That night, I was sitting by the fire next to a wild-eyed woman and asked her something in another language. She blew smoke in my face and laughed nervously as if taunting a bear. Then she kissed me. We all seemed to be chasing after a freedom that did not exist in this life, at least for us. Some of us would later die trying to find that same freedom. For some strange reason I survived. We were wild back then and maybe always will be. This song contains some of that freedom among other things.

Lammbone's Album

Have You Ever Been?

LinkedIn

Marty Andersson: From the Archives - Release A cappella

Midnight

Produced by Clay Young
Lyrics by Edgar Allan Poe (1845)
Music created with Udio AI

Nevermore

Lyrics
Earth & The Wailing Wiccans
By David Husted

Scene1 [Guardians of the Trees]
when I see you through the candle light
The tears and the laughter bind
Big trees are coming down
The crazy man's eyes 
shout, 

Scene 2: [Tree Fall]
And I'm coming down now
I'm coming down now

Scene 3 [Gaia's Lamentation]
Can I kiss you? Tonight 
Can I kiss you? Goodbye 

Scene4 [Circle around the Trees]
We dance beside the moonlight
We dance inside the rain
As the Earth, she closes her eyes now
Through the shadow and the pain

Scene5: [Guardians Reprise]
when I see you through the candle light
The tears and the laughter bind
Big trees are coming down
The crazy man's eyes 
shout, 

Scene 6: [Wrath of Gaia]
And I'm coming down now
I'm coming down now

Scene 7:[Gaia's Lamentation: Earth]
Can I kiss you? Tonight 
Can I kiss you? Goodbye 

Scene 8: [Circle around the Earth]
dance beside the moonlight
dance inside the rain
As the Earth, she closes her eyes now
Through the shadow and the pain

[Scene 9: Trail of Tears: The Wailing Wiccans]
Can I kiss you? Tonight 
Can I kiss you? Goodbye 


The Overstory:

The Overstory won the Pulitzer Prize for Fiction in 2019. This novel by Richard Powers explores themes of the interconnectedness of life and the impact of humanity on nature. 

I found the book very powerful as I very much enjoyed the rich prose and the way he could make me see the world in a new way. He created different lenses to glimpse and better understand the hearts of widely different characters. This included the key player of nature herself. In the end, the book is both a beautiful meditation on nature and a call to action, urging readers to reconsider their relationship with the environment. 

My new song's theme was influenced by this novel not in a direct or intentional way but as something that emerged more slowly and organically. I finished this book during my song's build process. Reverberations, echoes and rhythms of the Overstory seem to lace the song lattice like vines on a tree. 

There were no wailing Wiccans in the book but plenty of very passionate earth connected characters. There was also some good cries of grief and pain. I think some of this grief informed my late arriving background vocals in the last chorus. They have a quality of choral witch-like wailing to my ears. I almost discarded them BUT the sound of this background texture grew on me like a fungus over time and really began to anchor my song direction. This was not intentional either until my brain later latched on to it as a means to inspire the final song form and ending.

My next original song, Earth and the Wailing Wiccans, will be officially released to all streaming services on Friday, 16 August 2024!

Thank You for sharing a moment with me.

Dave

Earth and the Wailing Wiccans

The Tree Perch

“The Elusive Organ” by Luke

Keys & Piano & Synthesizer & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
Beats by Luke©️
                         S c h ü ß m a n n©️

“The Elusive Organ”  by Luke

The journey continues. "Rebirth" unfolds as the second chapter in this artistic saga, delving deeper into the journey of self-discovery and authenticity.

This track is an ode to embracing your true self, shedding old skins, and emerging renewed. As the night gives way to dawn, we find the courage to stand in our own light.

I'm genuinely overwhelmed by the incredible response to "The Night." Your streams, shares, and messages have been a guiding star, illuminating this path forward. Each listen has played a part in bringing this vision to life, and for that, I'm deeply grateful. 💛🙏

"Rebirth" is another step on this illuminated journey, but the story is far from over. Thank you for being part of this adventure.

The best is yet to come. 💫🔄🌅

Rebirth

ILP-Conscious Entity Sound - New Babylon Remix
@Conscious Entity Sound // Vocals and Lyrics
https://www.looperman.com/acapellas/detail/10254/ilp-new-babylon-wet-vox-80bpm-hip-hop-acapella
https://soundcloud.com/consciousentitysound
Original Link: https://gate.sc/?url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DVJbhHxNbFxI&token=b5a4a8-1-1727107360885
@Paploviante // Musik, E Bass, Mix and Artwork
Lyrics:
Picture for a minute the possibility
Livin' n' givin' n' winnin' n' gettin' so free
Witness beginnings and endings n' lettin' thangs be
Let the evil of humanity plunge deep in the sea
Get the noose let it wither away
And today you n' I both know what to say
In the face of destruction that's life reduction
It has only solely one function
Target and attack wack devil on a horseback
Bout to get God-smacked yea how ya like that
Well let the Good Lord carry on
Yea bout' to crush New Babylon
And every hidden thangs gonna be flipped around
From the top of the world to the underground
Yes and there will be justice
That's the word you can trust this
Chorus 2x
Every man has his day everythang flips around
If you look hard enough there's some truth to be found
If you're on another level then you know what I say
You're eternally alive, others fade away
Verse 2
Picture for a minute the insanity
The depth of calamity coupled with vanity
Lost in a selfie sea ain't nobody helpin' me
That's the way it's gotta be gotta seek deep relief
And I find it right here
Find on the inside that my mind gets live
I ain't never gotta hide only hold it down n' ride
Seein' God pick a side pick a fight wrong or right
Forget the hype flashy lights fake people not my type
Got a team and we're tight ILP yea that's right
Another dope track we know you feel that
Put your fist in the air time to hit back
Cuz every hidden thangs gonna be flipped around
From the top of the world to the underground
Yes and there will be justice
That's the word you can trust this
Chorus 2x
Every man has his day everythang flips around
If you look hard enough there's some truth to be found
If you're on another level then you know what I say
You're eternally alive, others fade away

ILP - Conscious Entity Sound - New Babylon Remix

Wrong Way

Music : Janne Hennie & Little Man Project
Vocals & lyrics : Janne Hennie

Lyrics:

In the morning I need coffee
Sleepy eyes, a dry mouth
My hair stands straight up
I have to wake up
All I need is my coffee

That is all I need
To live, love and breathe..

During the day I need water
And some food, to feel good
With more coffee, in my body
I can continue the work I do

That is all I need
To live, love and breathe..

When it becomes afternoon
I am hungry, need some dinner
And to rest on the sofa
With more coffee to stay awake

That is all I need
To live, love and breathe..

That is all I need
To live, love and breathe..

In the morning I need coffee
Sleepy eyes, a dry mouth
My hair stands straight up
I have to wake up
All I need is my coffee

But in the evening, no more coffee
Just need my baby right beside me
Need some love
Need some heat
Before I close my eyes to sleep

That is all I need
To live, love and breathe...

That Is All I Need

Spoken words: Kamal Imani
https://www.looperman.com/acapellas/detail/21299/one-tribe-yall-120bpm-disco-acapella
https://soundcloud.com/kamal-imani
https://soundcloud.com/oldschoolhiphopsoundtrack
Backing Track : Paploviante and Friends
https://soundcloud.com/paploviante-and-friends/disco-again-paploviante
Lillithe adding: Sax, Solo Guitar, Wha-Wha Guitar, Beat, Mix and Production

ONE TRIBE YALL  feat. Kamal Imani (Paploviante open collab)

Additional sound design: Kenny Dyer [ https://soundcloud.com/kenny_dyer ]
Music, lyrics & vocals: Andersson Arte (Marty Andersson) [ https://andersson-arte.com ]

Kindle eBook [ https://www.amazon.com.au/Unadulterated-Thought-Mechanism-Andersson-Arte-ebook/dp/B0DBP4WJL7 ]

Marty Andersson: Victim of Love (Ver. 2.1, feat. Kenny Dyer)

Thank you for listening!

soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

Ready for a Mission

Sunny Autumn Day
Lillithe: Music composition and Production


Sunny Autumn Day

Hoping that you enjoy this little number.

Thank you for all of your very kind comments plays and reposts.

(c) Vocalatti

All Gone

Die For You feat. Stevie Rain
Vocals Stevie Rain
https://www.looperman.com/acapellas/detail/22003/die-for-you-funk-pop-juice-wrld-71bpm-funk-acapella
https://soundcloud.com/stevierainmusic
Paploviante:
Music Paploviante: E Bass, Mix and Mastering
Picture created with Swift Publisher

Die For You feat Stevie Rain

Kindle eBook

Marty Andersson: Peep Show

Marty Andersson: Proving Ground

Marty Andersson: Calamity (Vocal Demo)

Marty Andersson: No Direction A Cappella

'SOMEDAY'
Written, Performed & Produced
by Andrew Borderick copyright 2015/2017/2020
Mastered by Andrew Borderick 23/08/2020

LOOK AT ALL THE LIFE TODAY,
IN THIS WORLD, FROM THIS WORLD,
WE CAN ALL LOOK BACK,
SEE WHAT WE, WE HAVE MADE

TAKE YOUR TIME AND SAY,
LOOK AROUND, AND ABOVE,
IT'S ALL HERE TO STAY,
IT'S ALL YOUR'S, IT'S ALL MINE,

(chorus)
SOMEDAY
WE MIGHT DANCE TOGETHER
AND LIVE, IN A LIFE OF LAW
SOMEDAY
THIS COULD LAST FOREVER,
AND LEAVE, THIS WORLD ALONE

SO TAKE A LOOK AHEAD
MAY'BE YOUR, NOT TO SURE,
THE CALL TO STAND THE LINE,
TO SAY GOODBYE, NEVER COMING BACK,

THE HERO IS STILL TO BE,
IN OUR LIVES, TO MAKE US FREE
TAKE MY HAND IN YOURS AND
SAY GOODBYE, TO ALL THE GREED,

(BREAK)
(REPEAT CHORUS)

LOOK AT ALL THE LIFE TODAY,
IN THIS WORLD, FROM THIS WORLD,
WE CAN ALL LOOK BACK,
SEE WHAT SEE WHAT WE, WE HAVE MADE

(REPEAT CHORUS)

SOMEDAY, LEAVE THIS WORLD ALONE.

Timeline

SOMEDAY

Oh, Merge: A Merge Records 10 Year Anniversary Compilation

Kokomo Joe

Marty Andersson: Illusion

Get Everything Back

Many thanks to the scampy brothers in soundscape: Master Martie, Lord Iba, and "Trite Lil' Saucy Pants" Palagrok.

Disinterested & Unpleasurable (ft. The Minor League Chariot Drivers)

Thank you to all my supporters. Much love <3
-
Vocalist; songwriter; poet; author; D-grade philosopher.

#anderssonarte
-
Collaborators/Affiliates:

> Salvatore Nuccio
[ https://soundcloud.com/salvatorenuccio ]
>> Angelo Annicchiarico
[ https://soundcloud.com/angelo-annicchiarico-1 ]
>> Tracey Cracknell
[ https://soundcloud.com/user-656984672 ]
>> ZODALITT
[ https://soundcloud.com/lise-jonsson ]
>> Jostein Kihl Svarthe
[ https://soundcloud.com/jostein-kihl-svarthe ]
>> BlueToad 
[ https://soundcloud.com/dan-lemiel ]
>> Kenny Dyer
[ https://soundcloud.com/kenny_dyer ]
>> Behold the Sludge
[ https://soundcloud.com/beholdthesludge ]
>> IPG1 aka LOU
[ https://soundcloud.com/ipg1 ]
>> #WEATNU
[ https://soundcloud.com/weatnu ]

Marty Andersson: From the Archives - Release A cappella

mkandersson1982