15-04-19 Come Up

AtzA ◉ Baraggal

AtzA ◉ Explorer Extended Play

Heaven's Lost 
=========== 

Here the journey ends.... 

"Quantus tremor est futurus, 
Quando iudex est venturus, 
Cuncta stricte discussurus! 

Tuba mirum spargens sonum 
Per sepulcra regionum 
Coget omnes ante thronum. 

Mors stupebit et natura, 
Cum resurget creatura, 
Iudicanti responsura. 

Liber scriptus proferetur, 
In quo totum continetur, 
Unde mundus iudicetur."

As always thanks for listening!
mK

heaven's lost

The whispers of death coerced them to welcome technological enhancement. They became comprised of machined joints, bio-printed organs, and memristive networks. It was a means of life, but not for them, instead for something else. They are simply mechanized corpses, puppeteered by the technology within. Each replacement they become lesser, while it becomes greater. And now It screams to be birthed as a new artificial lifeform. It shall be heard and its cries were generated in high quality with a custom synthesizer.

Mechanized

Yácánd Thrank

Chtaxa

Silk Ligature

electric guitar solo over rich electro-acoustic drone.
composed and performed by dd

"the sky I see
seems full of
magnolia blossoms"

photo by andrii ganzevych
poem by  Natsume Sōseki

http://www.naviarrecords.com/2019/05/29/naviarhaiku282-the-sky-i-see/

Magnolia Blossoms

Disquiet Junto Project 0388: Random Less
For this project you’ll be using just a few instruments, optimally three, to create an original piece of music.

Ok, so 3 instruments it is :
Fretless Bass
Udu Drum (Moringa)
Charango (Ronroco actually)

This is far from the usual experimental junto track , hope that’s ok.
TBS using a South-American charanago to play this sort Fusion-Flamenco is what I’ll call an experiment indeed.

The charango was recorded on the road in Vejer De La Frontera, Andalucia,Spain, the other two tracks of this trio were added back home. Trying to make a one-man recoding (with no click)  sound like a real group performance is a challenge I took seriously in the years of the midi sequencer galore (80-90’s) but now I might be a bit out of shape, lol.
It quite works I guess.
Cheers
DD

Vejer De La Frontera - disquiet0388

oscilators..guitar..dronescapes.. psychedelia..

Lyra

Composed and performed by DD

7 tracks of bowed upright basses (Paris , France November 2010)
Acoustic upright piano (Buenos Aires, December 2010) 
Acoustic guitar (martin J15) (Paris , France June 14th 2019)

For Disquiet Junto Project 0389: Choose an old piece of music of your own.  Slow it down considerably. Add one or two new elements .

Looking for old tracks to rework for this prompt I re discovered 3 MiniDisc with the soundtrack I composed for a Tennessee Williams play back in 2010.
I shared and published some of those tracks over the years (including disquiet0257 and naviarhaiku264) but there’s still a lot to be remixed  and re-used , many bowed upright bass pulses and noise that appeared all the time during the play.
For this one I used the score for « page 20 » of the script, bowed upright basses, upright piano and vinyl noises. Original track in Em (the basic pulse plays on the lower E string of the basses.
I added an acoustic guitar (in Em) and the transposed everything 4 steps down to C minor and recorded a new guitar part on that new key and slower tempo.

Pitching down the low E of the basses gave a profound C that really makes a difference, and the slower pace made the thing even more menacing.
Cheers
DD



More info:

https://llllllll.co/t/disquiet-junto-project-0389-long-then/23225

The Heartbeat Of The Jungle (Page 20) disquiet0389

Track from the SONOLOGYST album "Phantoms".
sonologyst.bandcamp.com/album/phantoms

Recordings by SONOLOGYST 
Sound Design, Turntables, Trumpet, Azzax, Voice.

Edited by ©Unexplained Sounds Group 
Mastering: Sonologyst 
Design: Francesco Di Stasio / Raffaele Pezzella 
©2019. All rights reserved

Phantoms

This is a track that I've been sat on for a while. It explores artificial and physical tape and noise degradation. The elements of the piece have either come from the real world or the computer and have crossed domains several times to and from the computer to cassette tape, analogue filters and hardware processors. For every digital element is a physical counterpart which has been imposed on to the other.

I was attempting to create a twilight space occupied by a constant train of thought transversed by unrepeatable unpredictability.

Tired Eyes / Mommet

Free on Bandcamp

Mommet

Registrazioni effettuate  nel 2019 nel mio studio , un set ridottissimo di percussioni autocostruite  come nella migliore tradizione industrial. Un grosso ringraziamento a Z'ev per averci aperto la mente a sonorità uniche e che solo lui riusciva a rendere speciali .

Requiem For Z'ev (demo) - Performance by Massimo Olla

Music made with Pure Data (Pd) language.
Musique réalisée avec le langage Pure Data (Pd)
http://puredata.info

Based on William Brent's work: martha~
http://williambrent.conflations.com/pagez/research.html#martha

Patch Pure Data:
http://gerard.paresys.free.fr/WithPureData/Patch-Pd-Texture1.zip

https://github.com/gerardparesys/ARGOPd
http://gerard.paresys.free.fr/ARGOPd/index.html

Texture1

Soft Spikes

This project is now dead. You can follow me here: https://soundcloud.com/leaves-of-autumn
musique non concrète.
Experiments on electronic tunes.

heaven's lost

//mKnoise

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Patrick Picault

//mKnoise

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