drone/noiz3

@noertheboy 
From 'Maraschino Mic Drop' by Honnda. 
Orange Milk Records, April 6, 2018. Digital and cassette tape.

Noer The Boy Remix: Dizney Flip

Daniel Ruane is not one for conformity and his upcoming Infinite Machine release, Twitch, is a perfect example of his rule-breaking, anti-establishment approach.

Read more: https://hyponik.com/features/first-listen-daniel-ruane-agiel-infinite-machine/

@infinite-machine
@daniel-ruane-2

Twitch

First Listen: Daniel Ruane - 'Agiel' (Infinite Machine)

Artist: Daniel Ruane
Title: Twitch
Format: Digital
Release Date: March 30th

In 2018, Daniel Ruane has many peers in his penchant for disruptive art – for the past couple of years, everything from external socio-political turmoil to internal industry decrepitude has incensed the most recent incarnations of punks to storm the clubs and subject punters to rawer, colder, faster, harder, more percussive, more nuanced, more expressive, more eclectic and/or insanely more rhythmically complex electronic music. However, in the mastery of his craft, his attention to detail, and his flair for deviceful musicality, Daniel is very nearly peerless. RA seem to agree in the review of his 2017 collaborative EP "DualExercise_I". Indeed, it is very hard to compare Mr. Ruane to most other purveyors of what some have loathsomely baptized as "deconstructed club". However righteous their impetus, however liberating their form, the end result always tends to be a bit on the amateurish side, both from a production and composition standpoint. One can only reject norms so far until all you're left with is an impotent, petulant din. This isn't even remotely Danny's case, however – his production crisp and defined, his arrangements virtuous and infuriatingly clever at times... he rids the listener of every possible obstacle in keeping up with what is already extremely demanding, difficult music. In this (and in many aural nods across this, "Twitch", his Infinite Machine debut EP) he is reminiscent of the breakcore intelligentsia of the early 2000's: Venetian Snares, Xanopticon, Richard Devine, Keith Fullerton Whitman, etc. - countercultural artists who nonetheless rejected the cretinous abandon of their colleagues and endeavored to make extreme electronic music that brimmed with consideration and intentionality, in spite of its micro-edit density and textural abrasiveness.

"Abyzou" opens with a bass-driven, emotional crescendo that primes the listener for the oncoming sonic battery (pun intended). Following a brief cyberized start-stop intermission, he lets loose the drums. "Surface" is a fuzzy flight through a cloudscape of distorted textures and ethereal harmony, which ends with Daniel almost letting loose the drums. "hhllww", conversely, doesn't fuck about, and only momentarily contextualizes itself before, you guessed it, letting loose the drums! "Agiel" takes a detour into more of a real-world soundscape, its dotted pulse suggestive of quad-time dancehall and metallic, grid-quantized musique concrete. Finally, "Lapse Reflection", of course, LETS LOOSE THE FUCKING DRUMS (sounding like a black metal blast beat that has defected from acoustic possibility).

Tracklist:

1. Abyzou
2. Surface
3. hhllww
4. Agiel
5. Lapse Reflection

Artwork by Tomás Urquieta
Mastered by Cyrcular Mastering

Daniel Ruane - Lapse Reflection

Daniel Ruane - hhllww

Somewhere there is a tree to which all shattered souls are bound.

Thanks for listening!

mK

If you like my stuff. I would be very happyto get a coffe from you:
https://www.ko-fi.com/mKnoise

On the tree of shattered souls

Silk Ligature

electric guitar solo over rich electro-acoustic drone.
composed and performed by dd

"the sky I see
seems full of
magnolia blossoms"

photo by andrii ganzevych
poem by  Natsume Sōseki

http://www.naviarrecords.com/2019/05/29/naviarhaiku282-the-sky-i-see/

Magnolia Blossoms

Disquiet Junto Project 0388: Random Less
For this project you’ll be using just a few instruments, optimally three, to create an original piece of music.

Ok, so 3 instruments it is :
Fretless Bass
Udu Drum (Moringa)
Charango (Ronroco actually)

This is far from the usual experimental junto track , hope that’s ok.
TBS using a South-American charanago to play this sort Fusion-Flamenco is what I’ll call an experiment indeed.

The charango was recorded on the road in Vejer De La Frontera, Andalucia,Spain, the other two tracks of this trio were added back home. Trying to make a one-man recoding (with no click)  sound like a real group performance is a challenge I took seriously in the years of the midi sequencer galore (80-90’s) but now I might be a bit out of shape, lol.
It quite works I guess.
Cheers
DD

Vejer De La Frontera - disquiet0388

oscilators..guitar..dronescapes.. psychedelia..

Lyra

Composed and performed by DD

7 tracks of bowed upright basses (Paris , France November 2010)
Acoustic upright piano (Buenos Aires, December 2010) 
Acoustic guitar (martin J15) (Paris , France June 14th 2019)

For Disquiet Junto Project 0389: Choose an old piece of music of your own.  Slow it down considerably. Add one or two new elements .

Looking for old tracks to rework for this prompt I re discovered 3 MiniDisc with the soundtrack I composed for a Tennessee Williams play back in 2010.
I shared and published some of those tracks over the years (including disquiet0257 and naviarhaiku264) but there’s still a lot to be remixed  and re-used , many bowed upright bass pulses and noise that appeared all the time during the play.
For this one I used the score for « page 20 » of the script, bowed upright basses, upright piano and vinyl noises. Original track in Em (the basic pulse plays on the lower E string of the basses.
I added an acoustic guitar (in Em) and the transposed everything 4 steps down to C minor and recorded a new guitar part on that new key and slower tempo.

Pitching down the low E of the basses gave a profound C that really makes a difference, and the slower pace made the thing even more menacing.
Cheers
DD



More info:

https://llllllll.co/t/disquiet-junto-project-0389-long-then/23225

The Heartbeat Of The Jungle (Page 20) disquiet0389

Track from the SONOLOGYST album "Phantoms".
sonologyst.bandcamp.com/album/phantoms

Recordings by SONOLOGYST 
Sound Design, Turntables, Trumpet, Azzax, Voice.

Edited by ©Unexplained Sounds Group 
Mastering: Sonologyst 
Design: Francesco Di Stasio / Raffaele Pezzella 
©2019. All rights reserved

Phantoms

This is a track that I've been sat on for a while. It explores artificial and physical tape and noise degradation. The elements of the piece have either come from the real world or the computer and have crossed domains several times to and from the computer to cassette tape, analogue filters and hardware processors. For every digital element is a physical counterpart which has been imposed on to the other.

I was attempting to create a twilight space occupied by a constant train of thought transversed by unrepeatable unpredictability.

Tired Eyes / Mommet

Free on Bandcamp

Mommet

Registrazioni effettuate  nel 2019 nel mio studio , un set ridottissimo di percussioni autocostruite  come nella migliore tradizione industrial. Un grosso ringraziamento a Z'ev per averci aperto la mente a sonorità uniche e che solo lui riusciva a rendere speciali .

Requiem For Z'ev (demo) - Performance by Massimo Olla

Music made with Pure Data (Pd) language.
Musique réalisée avec le langage Pure Data (Pd)
http://puredata.info

Based on William Brent's work: martha~
http://williambrent.conflations.com/pagez/research.html#martha

Patch Pure Data:
http://gerard.paresys.free.fr/WithPureData/Patch-Pd-Texture1.zip

https://github.com/gerardparesys/ARGOPd
http://gerard.paresys.free.fr/ARGOPd/index.html

Texture1

Soft Spikes

This project is now dead. You can follow me here: https://soundcloud.com/leaves-of-autumn
musique non concrète.
Experiments on electronic tunes.

1980
^5eLecT@^
*f0rm3R Dj (99'-06)*
~pursuing pensive prodigies~
50unD de5igN
5t0rYt311inG
p5Yb@s5
neUr0b3@Ts
|D |R (|) ||\||  |E
//-\\ |^v^| B ! e |/| t
D ( ) \vv/ ||\|| T 3 M |P
|_0=Fi
|P |-| 0 |\| ||<
\\/\// @ \\// E
\\v/\v// i T C # 
F|_|tur3 G@r@ge
Exp3re1/\/\e|/|taL
|_ 3 F t  F ! e |_ d
f{_}TuRe B3@tz
G 1 ! t < ]-[ 
! D /\/\
d |_| 8
D%B/jUngL3
8r3@kB3aT5
SOTEG

On the tree of shattered souls

//mKnoise

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