Wonderful piece 🙏😍💖🍀👍🎧🎶

Active meditation, wonderful work, Milan!!!!

This is a mystery to me - how to make an ambient that will be calm but not boring at the same time... You did it! Very nice track.

Ambient

Lost languages are like bones buried beneath shifting sand—remnants of once-living voices that shaped worlds now unreachable.

An Alphabet Drowned in Milk

Just chilling on a lovely Sunday afternoon......

Released on 30 Aug 2025

A Lazy Sunday Afternoon

T-Carousing in The Cloister

ala65

Vocals: https://soundcloud.com/ipg1

Production: https://soundcloud.com/rizlix 

Here's a collab with the legend https://soundcloud.com/ipg1


Here's the orginal version:

https://soundcloud.com/ipg1/pull-out-the-stops-93-bpm

Here's the vocal:

https://soundcloud.com/ipg1/pull-out-the-stops-vocals-93


Cover art created with https://www.canva.com/

IPG1 x RiZLiX - Pull Out The Stops

Fantaisie orchestrale

Villagers whispered that when El Chalambra appeared, time bent sideways—clocks stuttered, rivers reversed, and memories no longer obeyed their owners. His presence was both omen and invitation: to step beyond the known map, to risk dissolving in the kaleidoscope of his gaze, and perhaps never return the same.

El Chalambra

In The Clurrb

Kappaar Daltonag

Jacques Lemaire : synthesizers and tape
Marco Lucchi : synthesizers

The Path

(Made In Berlin) Recording: Berlin 17 aug 2019

Made In Berlin

Pillars Of The Desert Floor

Pillars Of The Desert Floor**FREM

2020-05-02

Proxima Centauri

Delirium

Lost track from https://youtu.be/mZV5ArTzThw

The Ipatiev House

Boson Spin - Private Thoughts #1

A creepy recording I made while experimenting with loops.

Haunted Beckoning

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

Proxima Centauri

Night Note

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