All submissions are here: https://www.naviarrecords.com/naviarhaiku614-the-coming-of-autumn/

To participate in the Haiku Music challenge:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track. Make it public before contacting me.
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more info here: www.naviarrecords.com/about/naviar-haiku

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

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haiku #614: The coming of autumn / determined by / a red dragonfly

The background to this is a 1,000 year-old church near Hereford, which has a wooden statue of George and the Dragon ... You can get a flavour of the place and enjoy the visualisation of this track at https://youtu.be/ogYz27JAOuE

You can also see the church in real life at https://maps.app.goo.gl/f9DGotayt1daEMcg8 ... it's worth a visit! 😎

The coming of autumn
determined
by a red dragonfly

Kaya Shirao was born in 1738 in Fukagawa, Edo, now part of Tokyo.

He ran a school in Edo during Spring and Autumn, but in Summer and Winter, he would move to the countryside to teach thousands of aspiring poets from throughout the Shinano province (now Nagano Prefecture). He's considered one of the first established haikai writers to help spread cultural forms from national to regional urban centers.

Haiku by Kaya Shirao

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

visuals (YouTube)

halF reD [naviarhaiku614]

Little song for Kaya Shirao haiku: 
"The coming of autumn
determined
by a red dragonfly."



The coming of the red dragonfly (naviarhaiku614)

The coming of autumn
determined
by a red dragonfly

by: Kaya Shirao

614
Kaya Shirao was born in 1738 in Fukagawa, Edo, now part of Tokyo.

He ran a school in Edo during Spring and Autumn, but in Summer and Winter, he would move to the countryside to teach thousands of aspiring poets from throughout the Shinano province (now Nagano Prefecture). He's considered one of the first established haikai writers to help spread cultural forms from national to regional urban centers.

Picture by Aaron Burden

The Naviar haiku music challenge invites artists to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre. To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

SONG 121 - NaviarHaiku614 - The Coming of Autumn

This track was created for the Naviar Haiku group.
614
https://www.naviarrecords.com/naviarhaiku614-the-coming-of-autumn/

2025-10-09

The coming of autumn (Naviarhaiku 614)

A four-minute ambient journey built from four evolving one-minute drones — each exploring a distinct emotional landscape.
Major to minor, light to dark, tension to abstraction:

00:00 – 01:00 → Luminous, joyful
01:00 – 02:00 → Dark, melancholic
02:00 – 03:00 → Anxious, tense
03:00 – 04:00 → Abstract, strange

Synthesizers and acoustic instruments blend seamlessly to create a warm, organic soundscape — bowed upright bass, harmonica, harmonium, and Tibetan bowls intertwine in a meditative yet cinematic flow.
Perfect for moments of reflection, atmosphere, and deep listening.

naviarhaiku614: The coming of autumn

for this haiku 

he coming of autumn
determined
by a red dragonfly

by Kaya Shirao
Photo by  Adam Bixby 

The coming of autumn - naviarhaiku614

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

The coming of autumn (Naviarhaiku 614)

Night Note