fave listenings of this month

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in the pic: Charles Ives

"musica assoluta" (ottobre 2024)

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Records store: www.naviarrecords.bandcamp.com

Naviar Records Membership (access to full discography, creative meetups, workshops, and more): https://www.naviarrecords.com/membership-and-services/#membership

all submissions

haiku #562: Through a world of sound / the only filter I have / my discerning ear

Cassettes on Bandcamp: https://mysterycircles.bandcamp.com/album/at-us

Streaming Links: https://lnk.dmsmusic.co/keigotatsumi_atus

Known for playing bass in Japanese indie pop group never young beach, Keigo Tatsumi takes a left turn with his first solo offering, 'AT US'. Composed as a soundtrack companion for Tomohiro Takeshita's photo exhibition 'Across the United States', Keigo utilizes field recordings from the photographers travels, combining them with experimental ambient soundscapes to recreate the artist's feeling of traveling alone across a foreign land.

Keigo Tatsumi - siblings

Generative taped ambience with modular synth and a field recording from kevp888

https://freesound.org/people/kevp888/sounds/756275/

To The Sea

To The Sea pt1

Marco Lucchi : piano and synthesizer
Pawel Kobak : flute

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ottobre 2024

Marco Lucchi & Pawel Kobak - Soliloquy

Cello Explorations #1

Night Train

This is a live electric guitar soundscape (recorded October 9th 2024 in Paris, France)
for this haiku  by: Jason Richardson

Through a world of sound
the only filter I have
my discerning ear


I used my 1984 Schecter Stratocaster with several pedals by Line6, Gamechanger Audio, Rodemberg and Seymour Duncan and my Boss volume pedal

@naviar-records
 

 


Through a world of sound (naviarhaiku562)

Watch the accompanying video at https://youtu.be/BDxDMfbIGlU ... Exploring the wonderful Weevil X R_Ware Noise Field Oscillator in Cherry Audio's Voltage Modular ... Great fun! 😁

Through a world of sound
the only filter I have
my discerning ear
 
Jason Richardson is a Leeton-based musician and poet who’s collaborated with Naviar many times over the last few years: in 2014 his music was part of the sound installation we made for the State of Origin exhibition in London. In 2017, Jason and Marco from Naviar curated together the exhibition Crossing Streams in Narrandera. In 2021, Marco interviewed Jason as part of our series of online events, Naviar Virtual. You can listen to that interview on Naviar’s YouTube channel.

Haiku by Jason Richardson: https://showcasejase.blogspot.com

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

visuals (YouTube)

halF discerninG [naviarhaiku562]

This track was created for the Naviar Haiku group.
562
https://www.naviarrecords.com/naviarhaiku562-through-a-world-of-sound/

2024-10-10

Through A World Of Sound (Naviarhaiku 562)

Soundworld Voyage (naviarhaiku562)

HAIKU MUSIC CHALLENGE

Naviarhaiku 562

Through a world of sound
the only filter I have
my discerning ear
 
Jason Richardson is a Leeton-based musician and poet who’s collaborated with Naviar many times over the last few years: in 2014 his music was part of the sound installation we made for the State of Origin exhibition in London. In 2017, Jason and I curated together the exhibition Crossing Streams in Narrandera. In 2021, I interviewed Jason as part of our series of online events, Naviar Virtual. You can listen to our interview on Naviar’s YouTube channel.

Haiku by Jason Richardson

Picture by Nadiia Ploshchenko

Submission deadline: 16th October 2024

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Edge of Sound

Edge of Sound (naviarhaiku562)

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Through A World Of Sound (Naviarhaiku 562)

Night Note