10 - 8-2021 Blues

a = wofol wee becle X 10

noxpox - BAETZZZZ

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blossom

Non Quod 2

2022-06-09

Way To The End Of The World

Sympathy For A Lazy

"Let the Good Times Roll" 
a blues cover by Joel Painset
Let the Good Times Roll est une chanson de jump blues enregistrée en 1946 par Louis Jordan and his Timpany Five. Blues à 12 mesures interprétée mid-tempo, la chanson est devenue un standard de blues, c'est l'une des chansons les plus connues de Louis Jordan.
La chanson est écrite par Sam Theard, chanteur et auteur-compositeur de blues né à la Nouvelle-Orléans, et co-créditée à Fleecie Moore, la femme de Jordan, qui n'a pourtant jamais écrit une chanson de sa vie (mais son nom est parfois substitué à celui de son mari afin de contourner un embarrassant contrat d'édition),  cette stratégie se retournera contre Louis quand Fleecie et lui divorceront et qu'elle gardera les droits d'auteurs des chansons qui lui avait été attribuées). En 1947, Jordan and his Timpany Five interprètent la chanson dans le film Reet, Petite, and Gone, bien que ce soit un enregistrement studio plutôt que d'une performance live qui est utilisée dans la bande originale.
you tube : https://youtu.be/swao4M0R1aE

Joel Painset - Let The Good Times Roll - (blues cover)

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This track marks the beginning of a new direction. A blend of cinematic emotion and electronic energy, built around a powerful melody and immersive textures. It's a personal journey that speaks without words: intense, exhilarating, and deeply atmospheric.

Rebirth Waves

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7 - Phat Phrog Studio - Plagued Earth - Humanitys Remnants

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Way To The End Of The World

Night Note