fave listenings of June

in the pic : Terry Riley

"musica assoluta" (giugno 2022)

Marco Lucchi : synthesizers and tape

1 giugno 2022

for the Naviar Haiku project
https://www.naviarrecords.com/2022/06/01/naviarhaiku439-tall-trees-gently-wave/

Tall trees gently wave
Sending secret messages
Into the Spring breeze

John Hinks

Marco Lucchi - Secret messages [Naviar Haiku # 439]

This track was created for the Naviar Haiku group.
439  week haiku
https://www.naviarrecords.com/2022/06/01/naviarhaiku439-tall-trees-gently-wave/

2022-06-02

Tall Trees Gently Wave  (Naviarhaiku 439 )

worth±less

a good friend of mine painted a series of images based on descartes' "meditations on first philosophy."

https://www.lowwintersun.org/work/descartes-meditations

i took painting number 6, sliced it into five strips, fed the images into photosounder, the converted the resulting .wav files to MIDI (quantized to 16ths). i used the MIDI clips separately to trigger various samples: kick; snare; low tom; floor tom; hi-hat. i added a steady hi-hat pedal to help navigate the slightly offbeat rhythms.

finally, i layered in a live guitar piece (played through VCV rack, which i first encountered through disquiet junto, many moons ago...)

some possible questions: how can we think about the relationship between something rhythmic (the "beat") and something a-rhythmic (the "ambient" guitar)?
do they feel like two utterly separate streams, or do they somehow inform each other?
also, my track is only one minute long - can something so short be called 'ambient'?
more generally, can such a brief composition claim to establish a mood or atmosphere?

(wittgensteinian thought: i can claim to have felt sad for one minute, but not to have been depressed for one minute. certain moods or states require longer stretches of time to operate.)

all the best, htnc

- - - - - - - -

More on this 544th weekly Disquiet Junto project — Feedback Loop (The Assignment: Share music-in-progress for input from others) — at: https://disquiet.com/0544/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0544-feedback-loop/

[disquiet0544] cartesian drummer

Features english horn, clarinet, bassoon, cello, dulcimer, and double 
bass

Time Has Passed

2022-06-09

Way To The End Of The World

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Way To The End Of The World

Night Note