Name: Leap Immanent Body (2013)ABSTRAI Ensemble - Rio de Janeiro - 2013 by Mauricio_Meza
Duration: 8 min 2 s
Description: This is a work in progress. It is for Bass Saxophone, prepared percussion, prepared electric guitar, real time audio and video processing. This is short essay version. Final version may be 20' long. It is a commission by the SNCA / FONCA and Ensemble Abstrai (Brazil). This version was premiered on August 2013 in Rio de Janeiro. Quite an experience the whole trip. Thanks to all in Rio.

AlFinal

This is a work in progress. It is for Bass Saxophone, prepared percussion, prepared electric guitar, real time audio and video processing. This is short essay version. Final version may be 20' long. It is a commission by the SNCA / FONCA and Ensemble Abstrai (Brazil). This version was premiered on August 2013 in Rio de Janeiro. Quite an experience the whole trip. Thanks to all in Rio. 

Leap Immanent Body (2013)ABSTRAI Ensemble - Rio de Janeiro - 2013

Colin Stetson and Sarah Neufeld - "The sun roars into view"
from 'Never Were The Way She Was'

available 28 April January 2015 on Constellation:
cstrecords.com/cst113

Never were the way she was

Colin Stetson and Sarah Neufeld • "The sun roars into view"

'streaming' for Kingma System Quartertone Alto Flute

Dedicated to and commissioned by Carlton Vickers. Duration: circa 20 minutes

World premiere live recording with the amazing Carlton Vickers on the 24th April, 2015, Slosberg Music Centre, Brandeis University, Boston US

I gratefully acknowledge the recording of this premiere by James Praznik, Presenter and co-director of New Music Brandeis.

Purchase the score here: http://www.scottishmusiccentre.com/shop/p6839

“Streaming” presents a serene array of pools, each containing suspended quantities of crystalline particles. Global tempo composites equate to relative fluid motion, influencing local activity, while arrangement is held in stasis”.

Carlton Vickers | Specialist Contemporary Flute Virtuoso [US] | 10th October 2014 Facebook message

streaming_solo alto flute_0010
ˈstriːmɪŋ/
adjective: streaming

COMPUTING
relating to or making use of a form of tape transport in which data may be transferred in bulk while the tape is in motion.”a streaming tape drive”

◦ (of data) transmitted in a continuous stream while earlier parts are being used.

stream
striːm/
verb
gerund or present participle: streaming

(of liquid, air, gas, etc.) run or flow in a continuous current in a specified direction.”she sat with tears streaming down her face”

◦ (of a mass of people or things) move in a continuous flow in a specified direction.”he was watching the taxis streaming past”

◦ run with tears, sweat, or other liquid.”my eyes were streaming”

◦ (of hair, clothing, etc.) float or wave at full extent in the wind.”her black cloak streamed behind her”

COMPUTING
transmit or receive (data, especially video and audio material) over the Internet as a steady, continuous flow

streaming_solo alto flute 1_0015

Composers’ Note:
Whilst streaming is full of cross references, development and variants of its material held together by a fabric of rhythmic units permeating
the work as a whole, it was concieved and should be performed as a stream of consiousness; a single, uninterrupted flow of ideas constantly
in a state of flux and regeneration; detailed, colourful and frequetly energetic and explosive.

Marc Yeats

“Today, received “Streaming” for Kingma System quartertone alto flute by Marc Yeats. A massive 20< minute energy field. What a terrifying talent this man has. Effortless. Unreal.

Such a distinct honor.”

Carlton Vickers

Acknowledgements:
I am gratful for the use of Carla Rees wonderful resource The Kingma System Alto Flute: A Practical Guide for Composers and Performers (2013 version)
Royal College Of Music, London for mutiphonic and multiphonic trill fingerings for the Kingma system quartertone alto flute. The resource can be accessed
here.

Streaming [for alto flute 2014]

Canto Oculto (1977)

En Náhuatl: eua, echar a volar; ome, a la distancia; ome, número 2. Orquestación y amplificación de eua'on.

e.16b (1995) eua'on'ome (ossia eua'on II), gran orquesta. Encargo de La SWF, Donaueschinger Musiktage

Eua On Ome (1995), a mi padre Manuel Estrada (1902-1980), Donaueschingen SWR Orchester

e.17 (1981-3, rev. 1998) eolo'oolin, 6 percusionistas en movimiento

Creación de un ritmo no periódico continuo: aceleración y deceleración de la baja frecuencia, movimientos continups de la altura y movimientos físicos de los ejecutantes en un espacio pentagonal con un centro. Estreno en la clausura del Festival de en Darmrstadt 1998.

Eolo'oolin (rev. 1998), Darmstadt Percussion Ensemble, Isao Nakamura

e.19 (1984-90) ishini'ioni, cuarteto de cuerdas, versión tradicional o espacial

En Purépecha, ishini, siempre, ioni, tiempo. Cuarteto de cuerdas para ejecutarse de forma tradicional con los músicos frente al público o con el público entre los músicos, quienes (vl1, vl2 y va se desplazan en un espacio hexagonal (el vcl. queda en el centro), La partitura, que se proyecta secuenciamente, aparece en 3 pantallas.

Ishini'ioni (1990)

e.18c (1983) yuunohui'yei, violonchelo

Zapoteco: yuunohui, barro fresco, ye, número 3. Primera obra de la serie de los yuunohui para instrumento o voz solista (1983-2019). Un registro cronográfico de la evolución de un conjunto de componentes del macrotimbre (frecuencias rítmica y sonora, ataque y amplitud, color y vibrato) es la base para su conversión a notación musical. Cada uno de los distintos yuunohui para solista(cbajo, viola, violín; teclado, ruidista, alientos o voz) es el producto de una conversión original. Cada uno de los yuunohui puede tocarse solo o en superposición on otras versiones en ensemble'yuunohoui, para versiones colectivas.

yuunohui'yei (1983)

I'm in a relationship with sound. It's a creative one : composition, improvisation, performance, computer arts and so on. I'm involved in projects such as writing scores for professional and amateur ensembles, large orchestral scores, instrumental and mixed media scores, improvisation (guitar, laptop, voice, objects, vj) and interactive sound devices and installation. This Soundcloud page showcases mainly my work as a composer.

Leap Immanent Body (2013)ABSTRAI Ensemble - Rio de Janeiro - 2013

Mauricio_Meza

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